MARIO GAUCI The U.S. theatrical release of this follow-up to the highly popular epic comedy THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (1965) was decidedly ill-timed – coming as it did just three days after that of MIDNIGHT COWBOY! – and must have made an already inferior product (in comparison to the original) seem quaint and redundant. Perhaps this even explains the film's hacking down to 93 minutes (from an original length of 125!) over there, not to mention its sheer invisibility on TV and home video (in my neck of the woods at least) until now, via Legend Films' no-frills but full-length DVD – albeit under its more recognizable alternate title rather than the original one of MONTE CARLO OR BUST! Perhaps inevitably, several of the same cast and crew from the predecessor are involved here as well: producer-director-co-writer Annakin, screenwriter Jack Davies, composer Ron Goodwin, actors Terry-Thomas (in a way, actually reprising his signature role by playing the son of the character he had portrayed in FLYING MACHINES), Eric Sykes (again as the latter's valet) and Gert Frobe (as, obviously, the German representative), etc. Also like its prototype, several international stars were roped in to fill out the roles of the other contestants: from the USA, Tony Curtis (who, sadly, is a long way from his winsome characterization in THE GREAT RACE [1965]); from Britain, Peter Cook, Dudley Moore (amusing as, respectively, an Army Major-cum-amateur inventor and his sidekick) and, later, Susan Hampshire (who initially tries to detour Curtis but eventually joins him); from Italy, a level-headed Walter Chiari and a typically hot-blooded Lando Buzzanca; from France, a group of three girls (played by Mireille Darc, Marie Dubois and Nicoletta Macchiavelli) who, prior to the start of the race, have a run-in with their compatriot organizer of the Monte Carlo Rally, Bourvil. There are other stars or recognizable faces making guest appearances for no real reason except to add to the fun (and expense): Jack Hawkins and Derren Nesbitt (as jewel thieves that have hid their booty inside one of Frobe's spare tyres!), Hattie Jacques (as an emancipated lady journalist), Richard Wattis and, according to the IMDb, even Paul Muller (but I didn't recognize him).In this talented company and with the lavish budget accorded, there can't fail to be enjoyable stretches (particularly with every new contraption Cook and Moore come up with after the last one had unsurprisingly failed) and other sundry compensations (not least Jimmy Durante's grizzled intonation of the title song and the accompanying animated credits sequence); however, as I said earlier, the film is not up to the levels of inspiration that permeated its memorable predecessor. Tony Curtis only had one or two major films left before slipping into TV roles and the occasional big-screen cameo, while Annakin wouldn't really be allowed to handle another such stellar cast before a decade's time had elapsed – including the umpteenth cinematic version of "The Man In The Iron Mask" in THE FIFTH MUSKETEER (1979).

JMO-7 This picture is one of those fondly remembered childhood movies for me. I'd have been six when it came out and I bought a VHS copy when that was released. It was as goofy a movie as I remembered. Tony Curtis forever muttering "darn, heck and h.e. double l" when things went wrong; Terry-Thomas being his usual beastly self. The movie is full of old friends. This is one I'd like to see fully restored (it originally had a stereo soundtrack - mentioned on the credits), and released on DVD.

Ephraim Gadsby A follow-up to "Those Magnificent Men in Their Flying Machines", it lacks most of the charm of its predecessor. It squeezes too many people into an otherwise sound international cast. Peter Cook and Dudley Moore do steal the show, and the French comic actor Bourvil comes off extremely well -- you may not notice him at first, but on repeated viewings he stands out. There's lots of funny stuff here. Some of it works. Most of it doesn't. But one finds oneself unable to look away from it, like a car wreck. Its biggest problem, in retrospect, is probably that it isn't bad enough to be considered worth watching for its badness. It's an almost pretty good movie that never quite makes it. But it's an diverting time-waster.

Squonk Like many other racing comedies, 'Those Daring Young Men in their Jaunty Jalopies' suffers from simply having too much going on at once. The film has so many different characters it tries to devote time to, it's easy to forget everything that's going on. It seemed like whenever Tony Curtis appeared on the screen I thought "Oh yeah, forgot he was in this." The film might be considered a multi-car wreck had it not been for Peter Cook and Dudley Moore. Cook plays a British inventor, Moore his trusty sidekick. These two have all the best lines in the movie, and their deadpan delivery is perfect.