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Who Will Save The Roses?

as Claudio

2017
Il restauratore

as Basilio Corsi

2012
Terra ribelle

as Generale Malagridas

2010
Lo scandalo della Banca Romana

as Bernardo Tanlongo

2010
I Vicerè

as Prince Giacomo

2007
La Baronessa di Carini

as Don Ippolito

2007
Incidenti

as presentatore

2005
Quattro passi nel Cinema

as Anfitrione

2003
The Bird People

as Antonio Lombardi

1999
Secondo Ponzio Pilato

as Valeriano

1987
Lend Me Your Wife

as Alex Fortini

1980
Swept Away by Family Affection

as Memé Di Costanzo

1978
Una noche embarazosa

as Amalio Badalamenti

1977
San Pasquale Baylonne, Protector of Women

as Giuseppe Cicerchia 'Femminaro'

1976
Il gatto mammone

as Lollo Mascalucia

1975
The Household

as Rosario 'Sasa' Cabaduni

1974
The Handsome Devil

as Gaetano 'Tano' Avallone

1974
Playing the Field

as Carmelo Lo Cascio

1974
The Eroticist

as Senatore Gianni Puppis

1972
Lando Buzzanca Lando Buzzanca

Birthday

1935-08-24

Place of Birth

Palermo, Sicily, Italy

Biography

From Wikipedia, the free encyclopedia Gerlando Buzzanca (born August 24, 1935 in Palermo) is an Italian comedy actor. He left high school in Palermo when he was 16 years old, and moved to Rome to pursue his dream of becoming an actor. In order to survive, he took many jobs: waiter, furniture mover, and a brief appearance as a slave in the film Ben-Hur. In his long career he often interpreted the role of the average Italian immigrant from southern Italy, who slowly began to enjoy moderate success during the years of the Italian economic miracle. His films showcased all the freshness of the 1960s, the 1970s and the heavier transition to the 1980s, focusing on the common life in several Italian cities such as Rome, Verona or Milan, balanced between personal happiness and professional achievement. Buzzanca often interpreted roles of a subordinate white collar worker, with a heavy vein of machismo, as a frustrated employee who tries to redeem his dull existence with his virility. He became famous for his role in the film Il merlo maschio, (The Male Blackbird), where in a provincial environment of cultural importance, the philharmonic orchestra of the Arena di Verona, he vents out his own frustrations, indulging into candaulism when he induces his bride to expose her naked body in the middle of a bridge in Verona. Some critics, in a lighter vein, have defined Buzzanca as a "Homo eroticus": a human being halfway between Homo erectus and Homo sapiens, who risked extinction in the 1970s because of the harsh struggle with feminism activists. Today, even though much less so, this male type is still found among Italian males. Buzzanca's fame is greater in foreign countries than in his native land, and in countries as France, Japan, Greece, Israel, Spain and Switzerland he is a renowned international stereotype of the Italian provincialotto, elegant, naif, always causing mischief, and not obtaining anything from it. Description above from the Wikipedia article Lando Buzzanca, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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