Whoops Apocalypse

1982
Whoops Apocalypse

Seasons & Episodes

  • 1

EP1 Road to Jerusalem Mar 14, 1982

EP2 Autumn Cannibalism Mar 21, 1982

EP3 How to Get Rid of It Mar 28, 1982

EP4 Lucifer and the Lord Apr 04, 1982

EP5 The Violet Hour Apr 11, 1982

EP6 Set the Controls for the Heart of the Sun Apr 18, 1982

7.2| 0h30m| en| More Info
Released: 14 March 1982 Ended
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Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

Whoops Apocalypse is a six-part 1982 British sitcom by Andrew Marshall and David Renwick, made by London Weekend Television for ITV. Marshall and Renwick later reworked the concept as a 1986 film of the same name from ITC Entertainment, with almost completely different characters and plot, although one or two of the original actors returned in different roles. The series has a big cult audience, and copies of videos are heavily sought after. The British budget label Channel 5 Video released a compilation cassette of all six episodes edited together into one 137-minute chunk in 1987. In 2010 Network DVD released both the complete, unedited series and the movie on a 2-DVD set entitled Whoops Apocalypse: The Complete Apocalypse.. John Otway also recorded a song called "Whoops Apocalypse", which was used as the theme song for the film. He occasionally performs it live.

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TBJCSKCNRRQTreviews Allow me(...you really might as well, because I'm going to whether you personally approve of it or not) to start this off saying that what watched this as was an edited-together version of the six(?) episodes that renders it a movie of not terribly much more of a run-time than 90 minutes or so. Not having enjoyed all that much of of John Cleese's work outside of the Monty Python team and their projects, I put off my viewing of this for a while. This was purchased for me on VHS, immediately following about an hour and a half of the aforementioned group mercilessly butchering routines they did perfectly fine on their Flying Circus(yet another reason to put this off). I am, however, glad I did put it on. I was more amused, watching, than so much all-out laughing, but there are definitely some biting wit herein. The comedy varies, sometimes involving gross-out comedy. Some of the running gags should perhaps have been jogging at a more leisurely pace, because they kept popping up, and it wasn't always funny. The pacing is, presumably due to the chopping up of the episodes to make this about half as long, from what I can surmise, is wildly mixed, with parts speeding by, and others being slow. Not everything seems to pay off, which may again be caused of the cutting. Editing and cinematography are adequate TV quality. Acting is mostly good. There are some adult things in this, and it should not be seen by children. The writing manages to make fun of so many different countries and cultures that almost everyone can be offended, but they do hit the nail on the head with an awful lot of it, and points in this could easily be classified as satirical. I recommend this to fans of British humor and/or Cleese. 6/10
PorridgeBird As an American, my obsession with British comedy often results in multiple letdowns (e.g. getting the wrong SINGING DETECTIVE DVD for Christmas). My encounter with WHOOPS APOCALYPSE is one-of-a-kind: while I didn't get the apparently lesser theatrical-release version with Peter Cook, I did get a truncated version which turned the six-episode series into one long 138 minute film with a laugh track. While it certainly retains all of the most hilarious moments of the show, I can't feel that I've missed something.Still, it's absolutely hilarious. Renwick and Marshall, writers of the show, are two of the greatest British comedy writers I have ever encountered. David Renwick wrote the poignant and occasionally gross-out sitcom ONE FOOT IN THE GRAVE. Andrew Marshall wrote the equally quirky sitcom 2POINT4 CHILDREN. Together, they wrote for the cult classic radio sketch comedy show THE BURKISS WAY and this miniseries about Cold War brinkmanship.U.S. President Johnny Cyclops, an obvious Reagan parody, is played perfectly as a nervous, naive showbiz icon by Barry Morse. John Barron portrays his almost Cheney-esquire adviser, The Deacon, with particular pomp. Peter Jones has the quavery voice which sounds simply ridiculous as the senile Prime Minister who believes he is Superman. But there is no denying that the show's true strong point is the writing, especially shining through in Ed Bishop's portrayal of Jay Garrick, fast-talking newscaster. (On a late edition of the news, he quickly reads out "I'm Jay Garrick, and you're an insomniac.") Overall, a grand comedy. I continue to search for copies of the full six episodes (as well as the original POLICE SQUAD! series), but meanwhile I watch my version as a double bill with the darker DR. STRANGELOVE.
Lars-Gosta This is an undeservedly forgotten gem! I wonder why you can't get this one on video or DVD; it really deserves it. At least it deserves to be aired again. As with all great comedy it is dead serious at bottom, and its message is as urgent as it was in 1982. About the only serious line in the whole film is the very last one, and the effect is really powerful.
Mark Finney No doubt much of this has aged badly since the Cold War seems well over, but Cleese's performance alone makes it worth finding. Also worth catching is the relationship between the Shah of Iran and his manservant Ahdab - a more endearing piece of subservience would be hard to imagine. Finally my favourite line is recited by one of the Soviet premiers; "Neutral countries have two options - medium or well done"! Important advice for someone living in Sweden.