Wagner

1983
Wagner

Seasons & Episodes

  • 1

EP1 Episode 1 Jan 01, 0001

In the year 1849, Richard Wagner is a respected composer living in Dresden where he works as royal court conductor for the King of Saxony. Although his wife, Minna, enjoys their life and status, Wagner is bored with his work for the aging king and spends most of his time writing revolutionary pamphlets against the establishment and aristocracy. Eventually, the May Uprising breaks out in which Wagner becomes an important figure. When Saxon and Prussian troops crush the uprising, Wagner becomes a wanted man and is forced to flee to Zürich, Switzerland.

EP2 Episode 2 Jan 01, 0001

After refusing to join her husband for quite some time, Minna eventually agrees to move to Zürich to be reunited with Wagner. She manages to persuade Wagner to start conducting and composing again and urges him to travel to France. In Bordeaux, he meets a wealthy Scottish emigre, Mrs. Taylor, who agrees to become a patron of his, although he has a brief affair with her married daughter. Upon traveling to Paris, Wagner is ordered to leave the city at once and return to Zürich. In Zürich, Wagner meets up with his good friend Franz Liszt, while also taking on a pupil, ...

EP3 Episode 3 Jan 01, 0001

Wagner's health deteriorates and he suffers from various illnesses. Mathilde Wesendonck, the wife of wealthy silk merchant Otto Wesendonck, becomes yet another one of his patrons and offers him the cottage on her estate as his residence. Once installed in the cottage, Wagner begins a passionate correspondence with Mathilde, which upsets both Mathilde's husband, Otto, and Wagner's wife, Minna, who seeks solace in increasing amounts of laudanum. Wagner, who starts composing 'Tristan und Isolde' for Mathilde, is also visited by his good friend Hans von Bülow, and his new...

EP4 Episode 4 Jan 01, 0001

Wagner moves to Venice, Italy to finish 'Tristan und Isolde'. When Karl Ritter informs him that Mrs. Ritter is no longer able to provide Wagner with money, he ends their friendship and travels to Paris. In Paris, he is ordered by the French emperor, Napoleon III, to stage a new version of his famous opera Tannhäuser. However, the show is a fiasco when riots break out during the performance to protest both Wagner's break with artistic conventions (a ballet in the first act, instead of the second) and the involvement of one of his patrons, the Austrian Princess ...

EP5 Episode 5 Jan 01, 0001

After the failure in Paris, Wagner travels around Europe to Switzerland, Austria and Russia. He tries staging Tristan und Isolde in Vienna, but is unsuccessful. Meanwhile, Minna continues to plead with the Dresden court for amnesty for Richard, which is eventually granted. Wagner returns but is chased away when creditors come looking for him. Destitute, Wagner tries to hide but is eventually found by Pfistermeister, personal secretary to the King of Bavaria who is desperate to meet him.

EP6 Episode 6 Jan 01, 0001

In Munich, Wagner enjoys a prosperous time under the patronage of the young King of Bavaria. Most of his debts are settled and several of his operas are staged to great success. Meanwhile, Wagner starts an affair with Cosima, wife of his good friend Hans von Bülow, much to the dismay of Cosima's father, Franz Liszt. Although Wagner and King Ludwig II have become close friends, the King's ministers and the people of Bavaria are weary of Wagner. Wagner eventually has a falling out with the King when he asks Ludwig to pay for a portrait of Wagner which is painted as a ...

EP7 Episode 7 Jan 01, 0001

Wagner must reconcile with the King of Bavaria and eventually does so. Their friendship grows even stronger while Ludwig's minsters are becoming increasingly suspicious of Wagner and his ever-increasing demands for money. Meanwhile, the premiere of Tristan und Isolde has to be postponed when the lead actress falls ill but finally happens a few months later. Ludwig leaves the premiere before the end to travel into the night on board the royal train. When Bavaria faces external challenges and Wagner's lifestyle becomes too extravagant for the Bavarian people, Ludwig is ...

EP8 Episode 8 Jan 01, 0001

Wagner moves to Lucerne, Switzerland with Cosima and her children. He is later joined by King Ludwig who wishes to abdicate in order to become Wagner's assistant. Wagner convinces him to return to Bavaria, where war with Prussia erupts. Hans von Bülow eventually also visits them in Lucerne, where Cosima asks him for a divorce, which he refuses. When Hans is overly tired by his work for Wagner, he leaves, and Wagner hires Hans Richter as his new assistant. They are visited by Friedrich Nietzsche. Cosima gives birth to Wagner's son.

EP9 Episode 9 Jan 01, 0001

Wagner and Cosima are overjoyed by the birth of their son, Siegfried. Meanwhile, Germany continues its war with France, which finally ends months later in January 1871 with a victory for Prussia and it finally realizes Wagner's lifelong dream of a united Germany. Wagner marries Cosima and is ordered by Ludwig to stage his opera Das Rheingold. When Wagner decides to postpone the opera, one day before the premiere, he and Ludwig have a falling out. Wagner is denied access to the theater and decides to build his own opera house in Bayreuth.

EP10 Episode 10 Jan 01, 0001

Construction on the opera house in Bayreuth begins and his epic Der Ring des Nibelungen can finally be premiered. The performance is attended by Ludwig who is slowly losing his mind, while living in his gigantic new castle Neuschwanstein. Wagner and Nietzsche have a falling out over Wagner's lifestyle and ideas (including his rampant anti-semitism). Flash forward years later to 1883, shortly before his death, Wagner and Liszt reflect on Wagner's life: the people he has known, the events that occurred and the music he composed.
7.4| 0h30m| en| More Info
Released: 03 October 1983 Ended
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Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

A huge panorama of Wagner's life and work, from before the 1848 Revolution, through his exile in Switzerland, his rescue by the besotted King Ludwig II of Bavaria to the final triumph at Bayreuth.

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pekinman I hadn't seen Tony Palmer's epic film 'Wagner' since 1985 when it was screened in the original 9 hour version at the War Memorial Opera House in San Francisco as part of its production of Wagner's 'Ring' cycle. I recall the film being a seemingly endless, excruciating experience and I don't remember if I made it back after the 2nd meal break to see the end.Over the years I have wondered if my memory did justice to this film and so have wanted to see it again. Finally I found a copy of the 9 hour version at a fairly reasonable price and have just sat through a seemingly endless, excruciating experience.I happen to love Wagner's music and wanted to like this movie enough that I was able to pry out the few good aspects of it. There are two, count 'em, two excellent performances out of a cast of many; Gemma Craven is very touching and visceral as Minna Wagner, Richard's first much put-upon wife. The other fine acting comes from Richard Pasco as Otto Wesendonck, husband of Mathilde, Wagner's most important mistress. For the rest, the usual suspects show up in the roster, notably the ubiquitous, though always entertaining, trio of John Gielgund,Ralph Richardson and Laurence Olivier, doing an upper crust Three Stooges routine. They at least offer some comic respite from the heavy-handed, galumphing script that sinks the rest of the cast; a cast that is by and large horribly MIS-cast. Richard Burton was too old, tired and infirm to bring any energy at all to the title role. He seems comatose most of the time and is an utter bore. At the time he mentioned this as the worst film he'd ever made. Vanessa Redgrave hasn't a clue as to Cosima Wagner's nature and consequently turns in one of her petulant-rebel performances that is more suitable to 'Isadora' or 'Blow Up' than to a 19th century Baroness. Redgrave is further in a scene involving her and the great Wagnerian soprano Gwyneth Jones, who acts far more expertly and believably than her famous co-star.Some vapid Hungarian puppy plays King Ludwig II and is ghastly. By the way, Palmer buys into the incorrect notion that King Ludwig II drowned himself after murdering the psycho-analyst who had him imprisoned in one of the castles. In point of fact, when an autopsy was performed on Ludwig's body they found no water in his lungs. His death remains an unsolved mystery. But details don't concern Tony Palmer. I often found myself wondering if he bothered to direct his all-at-sea cast. The editing is sloppy and the terrible cutting of the musical score is jarring and carelessly done. Some of the acting is horrendously bad, especially when they are trying to conduct an orchestra or play a piano. The actor playing Hans von Bulow is especially bad in this regard. All in all a typically shallow Tony Palmer production full of "powerful" visions, like burning horses galloping out of a fiery barn, and dripping, severed limbs during the battle of Dresen. The usual Palmer attempt to wrench gasps from his glazed-eyed audiences.Wagner was a fascinating person, the kind of creature that happens once every 150 years or so and deserves a first class bio-pic. This isn't it. By all means rent this if you are a die-hard Wagnerian, otherwise skip it, and by no means buy the dvds.One thing I would like to know is the name of the very beautiful choral composition that accompanies the credits.
crawfo Beautifully visualised, acted and scripted - whoever said "boring script" must set Terminator or Rambo as his ideal. My chief criticism: the death of King Ludwig was oddly placed (too early making that part of the film disjointed). Perhaps too long but the subject merited it; I saw it in a club showing, but would have preferred to spread it over 2 days.
fxphreak I quickly bought the 300 minute version listed here when it first came available. Although I love Wagner and his music I almost couldn't get through the tapes. Terrible stuff. How could they do this? Then I found the answer.The original mini-series was 9 hours long. They cut FOUR HOURS out of the story. I've seen the whole series and now I can say -- GREAT STUFF. Well, if your a Wagner fan to begin with, that is. It really is MUCH better than the edited version.I hope I never get an enemy so evil I want to give them my 300 minute Wagner tape set. I hope I find a real friend who will buy me the 9 hour version as a gift!
DeeDee-10 With a stupendous cast headed by Richard Burton, this film takes on the life of Wagner and seems to raise the same complaints his audience had regarding his operas: long bacchanals of passion and excess. Art imitates life? You bet! Burton's monologues are brilliant as usual (I'm a long-time Burton fan) full of emotion and brilliantly performed. As to why everyone including royalty continued to support and love his music, chosing to ignore for the most part his despicible life in which he treated everyone shabbily including his wife, lovers, patrons, etc. . . .is it any different today? Don't we love our music/film icons ignoring their dark side? This film also made me want to rush to history books to read more about the era, especially about the young king of Bavaria. Take two nights to watch the video.