Vinyl

2016
Vinyl

Seasons & Episodes

  • 1

EP1 Pilot Feb 14, 2016

New York City, 1973. Together with his partners, Richie Finestra, president of American Century Records, is on the verge of selling his struggling company to German Polygram, in a deal that includes an impending distribution agreement with Led Zeppelin. But after a disastrous meeting, it's clear that the sale is in jeopardy.

EP2 Yesterday Once More Feb 21, 2016

With German Polygram executives in town to complete the deal for American Century, Richie delivers a bombshell that shocks the prospective buyers, as well as his partners, Zak Yankovich, ACR's head of promotions, and Skip Fontaine, head of sales. When the dust settles, the Germans storm out of the ACR offices, leaving Richie to face the ire of Zak, Skip and company attorney Scott Levitt.

EP3 Whispered Secrets Feb 28, 2016

At a record producers' banquet honoring Maury Gold, Richie is embarrassed when the emcee, rival record exec Jackie Jervis, makes a joke about the failed German Polygram deal. Later, Maury and mob cohort Corrado Galasso pay a visit to American Century to probe a detective's recent inquiry, and Joe Corso drops by to pitch Richie a demo by his banquet date, Nora.

EP4 The Racket Mar 06, 2016

Richie feels embarrassed at a record producers' banquet whilst a junior A&R rep attempts to court Alice Cooper.

EP5 He in Racist Fire Mar 13, 2016

Richie manages to get on the good side of a funk superstar. Skip attempts to get rid of some Donny Osmond records.

EP6 Cyclone Mar 20, 2016

Devon retreats to safety among old friends at the Chelsea Hotel as Richie continues to descend into a lifestyle of debauchery.

EP7 The King and I Mar 27, 2016

Richie and Zak travel to Las Vegas with a plan to woo Elvis Presley and convince him to sign a contract with American Century.

EP8 E.A.B. Apr 03, 2016

Richie reaches out to Galasso for a loan when he's desperate for cash. Lester gives Kip a lesson in the blues.

EP9 Rock and Roll Queen Apr 10, 2016

The Buck Rogers murder case creates a dangerous dilemma for Richie. At American Century, Maury Gold pitches a '50s compilation LP while Zak tries to fund a band for his wedding-singer Gary, a.k.a. "Xavier." Clark and Jorge bond over an Indigo tune.

EP10 Alibi Apr 17, 2016

Zak constructs a dangerous plan to bring down Richie. Kip's excesses threaten an important Nasty Bits gig. Clark and Jorge's efforts pay off. Richie is privy to the birth of a legendary music venue.
7.7| 0h30m| TV-MA| en| More Info
Released: 14 February 2016 Canceled
Producted By: HBO
Country: United States of America
Budget: 0
Revenue: 0
Official Website: http://www.hbo.com/vinyl
Synopsis

In 1970s New York, jaded record exec Richie Finestra tries to resurrect his failing label and fractured personal life while keeping his finger on the pulse of the city's new sound.

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HBO

Trailers & Images

Reviews

inspire-34951 I loved this show. I just subscribed to HBO because of this show and after bingeing on it discovered it is not renewed. I'm really disappointed. I loved the music and the acting. I grew up in the 70's and it really takes me back (to the music). Loved it! I highly recommend this to anyone who grew up in the 70's or that is just curious about how the recording industry was at that time.
maria-ricci-1983 Some people here imply that good reviews on IMDb are paid critiques. Well I hope somebody paid me to write TV shows reviews, but it is not the case.I liked this show a lot and I regret that HBO has decided to kill it after a great first season.Many people complain of a clichéd depiction of the rock and roll 70s, with all the drugs, the sex, the deals and rising stars. Clichés come up in the first place because they represent an established perception or behavior, so if you set the action right at the time when those behaviors were taking shape, you can't really find fault at this. It is as if you watched a movie about the Belle Epoque and you complained that women look like flappers. It's simply not fair.I also find negative reviews are quite contradictory. While some say they have been bored, others point that the frantic atmosphere is excessive or that there are many parallel plot lines.I get the feeling that just because many people (myself included) lived through that period, they all consider they own the "real truth" about rock-and-roll and the 70s, and so they tend to measure up the show against their own memories or experiences, and they suppose the series should have reflected their subjective imprint about the time and the culture. This is also not fair.I liked the show quite much. The talented and experienced people who set their hands on the show did a fantastic job, the music, story, characters and performances were above standard from every point of view.Also, the cast was magnificent, particularly Bobby Cannavale whose performative skills I have come to appreciate, having seen him on Nurse Jackie and Boardwalk Empire. He is an extraordinary actor who filled the role and even offered more.If you are open-minded and fair, if you trust on the great team involved in The Sopranos, Boardwalk Empire and other outstanding shows, please give this a try. Yes, there are drugs, sex, rock and roll, and excess everywhere, and the embrionary stages of the recording label industry which, in later years, would destroy the music we loved. It is, precisely, the whole point of the show. And it is wonderfully well portrayed.
dante-69329 In search of something to watch, I visited our local video store and spotted on the new-release shelf a DVD titled: Vinyl. It was the first two-episodes disc of a series highlighting the 1970's Big Apple music scene. The jacket blurb had it as an HBO network output and the names of Martin Scorcese and Mick Jagger as influential contributors in its production. Wow! You can't miss with those powerhouses---HBO, Jagger, Scorcese. Wrong! As I ran the disc through the first hour and a half, I stopped it. There was some difficulty with following the time line of the main characters and their roles; also the drug use, the foul language, the swaggering arrogance of the leads was ridiculous. As if, we the viewers are to be impressed by this overt and heavy handed portrayal of the 70's music scene. It fell short of my expectations. The good points were the cinematography and the music. But I could have gotten the same for free from other sources on the television. I never finished the viewing...
Jemma Giddings Now, I only started watching this for one reason- John Cameron Mitchell as Andy Worhol, and he appears in three episodes. I thought it would be best to start from the first episode so I could follow the story, but to be honest I had given up by the end of the pilot and watched the second episode with little interest. I ended up just skipping through to the episodes and scenes he appeared in. There wasn't a gripping story line (which is usually established in the first couple of episodes to keep viewers hooked) it was just shouting, drugs and sex. Very stereotypical for a show set in the 70s, with this great cast something more original should have been done with just hints of what we actually see. As I said, I only watched 2 full episodes and the scenes with John CM, so I didn't even finish the series. The only redeeming qualities are John Cameron Mitchell, Olivia Wilde and the music, but even then it's not enough to keep me watching.3 out of 10 stars.