The Story of India

2007
The Story of India

Seasons & Episodes

  • 1
  • 0

EP1 Beginnings Aug 24, 2007

Michael Wood journeys through the subcontinent, tracing the incredible richness and diversity of its peoples, cultures and landscapes. Through ancient manuscripts and oral tales Michael charts the first human migrations out of Africa. He travels from the tropical backwaters of South India through lost ancient cities in Pakistan to the vibrant landscapes of the Ganges plain. In Turkmenistan dramatic archaeological discoveries cast new light on India's past.

EP2 The Power of Ideas Aug 31, 2007

Michael Wood’s epic series moves on to the revolutionary years after 500BC - the Age of the Buddha. Travelling by rail to the ancient cities of the Ganges plain, by army convoy through Northern Iraq, and on down the Khyber Pass, he shows how Alexander the Great’s invasion of India inspired her first empire.

EP3 Spice Routes & Silk Roads Sep 07, 2007

In this episode Michael Wood traces India in the days of the Roman Empire. In Kerala the spice trade opened India to the world, whilst gold and silk bazaars in the ancient city of Madurai were a delight for visiting Greek traders. From the deserts of Turkmenistan Michael travels down the Khyber Pass to Pakistan to discover a forgotten Indian Empire that opened up the Silk Road and at Peshawar built a lost Wonder of the World.

EP4 Ages of Gold Sep 14, 2007

Michael Wood seeks out the achievements of the country's golden age, discovering how India discovered zero, calculated the circumference of the Earth and wrote the world’s first sex guide, the Kama Sutra. In the south, he visits the giant temple of Tanjore and sees traditional bronze casters, working as their ancestors did 1,000 years ago.

EP5 The Meeting of Two Oceans Sep 21, 2007

This episode charts the coming of Islam to the subcontinent and one of the greatest ages of world civilisation: the Mughals. Michael Wood visits Sufi shrines in Old Delhi, desert fortresses in Rajasthan and the cities of Lahore and Agra, where he offers a new theory on the design of the Taj Mahal. He also looks at the life of Akbar, a Muslim emperor who decreed that no one religion could hold the ultimate truth, but whose dream of unity ended in civil war.

EP6 Freedom & Liberation Sep 28, 2007

This episode examines the British Raj and India's struggle for freedom. Michael Wood reveals how in South India a global corporation came to control much of the subcontinent, and explores the magical culture of Lucknow, discovering the enigmatic Briton who helped found the freedom movement. He traces the Amritsar massacre, the rise of Gandhi and Nehru, and the events that led to the Partition of India in 1947.
8.5| 0h30m| en| More Info
Released: 24 August 2007 Ended
Producted By: Maya Vision International
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.bbc.co.uk/programmes/b007xwdc
Synopsis

For over two millennia, India has been at the centre of world history. But how did India come to be? What is India? These are the big questions behind this intrepid journey around the contemporary subcontinent. In this landmark series, historian and acclaimed writer Michael Wood embarks on a dazzling and exciting expedition through today's India, looking to the present for clues to her past, and to the past for clues to her future. The journey takes the viewer through majestic landscapes and reveals some of the greatest monuments and artistic treasures on Earth. From Buddhism to Bollywood, from mathematics to outsourcing, Michael Wood discovers India's impact on history - and on us.

... View More
Stream Online

The movie is currently not available onine

Cast

Director

Producted By

Maya Vision International

Trailers & Images

  • Top Credited Cast
  • |
  • Crew

Reviews

Chaitanya Raghav 1) I smell the British colonialism in the Series on India 2) What happened to Adi Shankaracharya? what on earth BBC is doing? Adi Shankaracharya is as important as Buddha, you understand that? 3) Where is Sri Krishnadevaraya? 4) Soma, the tree, may be produced in India, who knows exactly the climatic conditions in India 4000 years ago? 5) Where is Konark temple? what about the temple at Utharakand built by AdiShankaracharya? 6) You have not mentioned the greatness of Sanskrit 7) In ancient days, Vedic hymes are chanted by three varnas, not only Brahmans. 8) Sudra was the classification given based on nature of a person, but not by birth 9) Buddha eating pork? You gotta kidding me10) Meat was never part of diet of Indians, not for first three Varnas, only Sudras are regular consumers of meat 11) As per Indian texts caste is brought in to divide the work 12) untouchability was never part of Ancient Indian history, I believe you English started concept of untouchability, Please read Bhagawad Geeta for proof 13) You have not mentioned Indian schools of Philosophy, ASthika and nasthika 14) Ancient Engineering marvels of India, no show on it 15) There is no way you could kill a animal or bird, or anything that moves on earth during Yagas. In Ashwamedha yaga, you will not Kill Horse. (Deep understanding of Vedas, Homas, Yagnas will give insight of Sacrifice but there is no killing I tell you) 16) Where is the reference of Andhra Pradesh?! 17) Speed of light is mentioned in Rig veda, you have not mentioned it 18) There are several interpretations of the word Hiranya Gharbha 19) You also neglected to mention Vimanika Shastra Very important, Ancient Indian education can shape human in perfect manner.
vicky0087 I have become the fan of Mr Woods after watching the series of The Story of India. I guess even an Indian presenter wouldn't have presented the way Mr. Woods have presented it. He has imbibed in himself the factor of Indianness which is very much required to explain something about India in this much detail. I should be right if I say most of us(Indians) ourselves wont be knowing about India as much the show is informative about. The show is almost comprehensive about not only about Indian history but whole of Indian subcontinent. It rightly starts from the Indus valley through the vedic age etc along with mind-blowing visuals and silver-mouthed Wood's narration and it get better episode by episode. The documentary doesn't hesitate comparing India with other ancient civilizations while revealing the greatness of rich past and advanced society at the very ancient age.It is very informant for those ignorant about their own past and have turned a blind eye towards their own culture which is very rich, diverse, full of life and colors. So it is a must watch for those who want to know more about India and to those Indians who are ignorant about their own past. Watch it completely to feel proud about your country. Jai Hind!!!
Ratan Tata a) Amazing never seen visuals. b) Powerful all engaging presentation.c) A honest interest in the subject of India. d) On location shooting of the narrative subject matter. e) Great background score.f) Balanced and well researched topics, which have lessons for world as a whole.I can go on listing points of greatness of this great work. Wish Michael Wood was my history teacher! I would have definitely majored in History.If you really want to experience 'time travel' don't watch science fiction movies... just watch this series, you will be amazed. Take my word for it.
Paul Papadopoulos The man is incredible I have also watched his long trek in the series he produced "In the Footsteps of Alexander the Great" and his voyages to pursue Jason and the Argonauts , as well as the Himalayan myth of Shangri-La and biblical one of the Queen of Sheba I in his "Myths and Heroes" series for the BBC.This series is a brilliant and unorthodox cinematographic account of India (which also includes what are now Pakistan and Bangladesh) and its entire history from its prehistoric times, through its ancient civilisations, the invasions of the middle ages and the later arrival of the Moguls to the East India Company, superseded after the 1857 uprising by the ninety years of the British Raj and thence the 1947 independence and partition to the present day .Michael Wood is truly an intrepid traveller in the Victorian mould who seems to be prepared to take all kinds of personal risk in his quest to produce this compelling documentary epic. The term "documentary" is perhaps, misleading as he has succeeded in producing a work of art much different for the usual dull, albeit informative programmes of that genre so often sat through while watching TV on a rainy day. His approach to demonstrate that history is a living phenomenon and not just something that dwells in the past. He emphasises the way that the historic past is ever fresh and present in Modern India. He walks the souks and the bazaars, follows pilgrims, cruises on the Ganges, toils up the steps of numerous mosques, palaces and temples and climbs the remotest and most difficult mountain paths in the Himalayas and struggle along jungle tracks of the Tamil south to make his points.Culture, religions, traditions, festivals and daily life of the Indian people and its symbiotic relationship with animals of all kinds, tigers, elephants, holy cows and urban or temple simians is well covered here in a carefully crafted mosaic. He's not afraid to discus India's relatively untroubled sexual relations with an attractive high-caste Indian woman clad in a sari who has written a book in English about the Karma Sutra "It's not all about different positions" she says with a smile over a cup of tea in her garden. He also discusses the importance for Hindus of cremation with the low-caste foreman in charge of lighting the funeral pyre from a charcoal fire that has been burning continuously for 3000 years on the banks of the River Ganges (where the ashes are scattered) : "Well you see most people won't touch us. They will avoid us in the street but even if they are the prime minister when a relative of theirs dies they must come only to us, "the untouchables" as no other caste may light the funeral fire".Mr. Wood also hobnobs with the maharajahs in their palaces. Nevertheless, he seem to greatly enjoy his long journeys across the sub-continent in shabby third-class overcrowded railway carriages whose only form of air conditioning are pane less windows and dangerously open doors. He has really spurred my own interest to plan some future trip to the sub-continent and see first hand some of the images he has so cannily projected through my TV screen.