The Story of Film: An Odyssey

2011
The Story of Film: An Odyssey

Seasons & Episodes

  • 1

EP1 Birth of the Cinema Sep 03, 2011

Mark Cousins tells the story of cinema, starting in this episode with the birth of the movies, telling the glamorous, surprising stories of early moviemaking and the first film stars.

EP2 The Hollywood Dream Sep 10, 2011

Movies in the Roaring Twenties: Hollywood became a glittering entertainment industry with star directors like Charlie Chaplin and Buster Keaton. But the gloss and fantasy was challenged by movie makers like Robert Flaherty, Eric Von Stroheim and Carl Theodor Dreyer, who wanted films to be more serious and mature. This was a battle for the soul of cinema. The result: some of the greatest movies ever made.

EP3 The Golden Age of World Cinema Sep 17, 2011

The 1920s were a golden age for world cinema. The programme visits Paris, Berlin, Moscow, Shanghai and Tokyo to explore the places where movie makers were pushing the boundaries of the medium. German expressionism, Soviet montage and French impressionism and surrealism were passionate new film movements, but less well known are the glories of Chinese and Japanese films and the moving story of one of the great, now largely forgotten, movie stars, Ruan Lingyu.

EP4 The Arrival of Sound Sep 24, 2011

The coming of sound in the 1930s upends everything. We watch the birth of new types of film: screwball comedies, gangster pictures, horror films, westerns and musicals, and discover a master of most of them, Howard Hawks. Alfred Hitchcock hits his stride and French directors become masters of mood.

EP5 Post-War Cinema Oct 01, 2011

Mark Cousins explores how the trauma of war led to more daring creations for cinema, focusing on the darkening of American film and the drama of the McCarthy years. Screenwriters Paul Schrader and Robert Towne discuss the era and Stanley Donen - director of Singin' in the Rain - talks about his career.

EP6 Sex & Melodrama Oct 08, 2011

Sex and melodrama in the movies of the fifties: James Dean, On the Waterfront and glossy weepies. We travel to Egypt, India, China, Mexico, Britain and Japan to find that movies there were also full of rage and passion. Exclusive interviews include associates of Indian master Satyajit Ray; legendary Japanese actress Kyoko Kagawa, who starred in films by Akira Kurosawa and Yasujiro Ozu; and the first great African director, Youssef Chahine.

EP7 European New Wave Oct 15, 2011

The explosive story of film in the late fifties and sixties: The great movie star Claudia Cardinale talks exclusively about Federico Fellini; in Denmark, Lars von Trier describes his admiration for Ingmar Bergman; and Bernardo Bertolucci remembers his work with Pier Paolo Pasolini. French filmmakers plant a bomb under the movies, and the new wave it causes sweeps across Europe.

EP8 New Directors, New Form Oct 22, 2011

The dazzling 1960s in cinema around the world: In Hollywood, legendary cinematographer Haskell Wexler reveals how documentary influenced mainstream movies. Easy Rider and 2001: A Space Odyssey signal a new era in America cinema. We discover the films of Roman Polanski, Andrei Tarkvosky, and Nagisa Oshima. Black African cinema is born, and we talk exclusively to the Indian master director Mani Kaul.

EP9 American Cinema of the 70s Oct 29, 2011

The maturing of American cinema of the late sixties and seventies: Buck Henry, writer of The Graduate, talks exclusively about movie satire of the time. Paul Schrader reveals his thoughts on his existential screenplay for Taxi Driver. Writer Robert Towne explores the dark ideas in Chinatown, and director Charles Burnett talks about the birth of Black American cinema.

EP10 Movies to Change the World Nov 05, 2011

The movies that tried to change the world in the seventies: Wim Wenders in Germany; Ken Loach and Britain; Pasolini in Italy; the birth of new Australian cinema; and then Japan, which was making the most moving films in the world. Even bigger, bolder questions about film were being asked in Africa and South America, and the story ends with John Lennon’s favourite film, the extraordinary, psychedelic The Holy Mountain.

EP11 The Arrival of Multiplexes and Asian Mainstream Nov 12, 2011

Star Wars, Jaws and The Exorcist created the multiplexes, but they were also innovative. In India the world’s most famous movie star, Amitabh Bachchan, shows how Bollywood was doing new things in the seventies too. And we discover that Bruce Lee movies kick-started the kinetic films of Hong Kong, where master Yuen Woo-ping talks exclusively about his action movies and his wire fu choreography for The Matrix.

EP12 Fight the Power: Protest in Film Nov 19, 2011

Protest in the movies of the 1980s: brave filmmakers spoke truth to power. American independent director John Sayles talks exclusively about these years. In Beijing, Chinese cinema blossomed before the Tiananmen crackdown. In the Soviet Union, the past wells up in astonishing films, and master director Krzysztof Kieslowski emerges in Poland.

EP13 New Boundaries: World Cinema in Africa, Asia & Latin America Nov 26, 2011

Film in the 1990s enters a surprise golden age. In Iran we meet Abbas Kiarostami, who rethought movie making and made it more real. Then, in Tokyo, we meet Shinji Tsukamoto, who laid the ground for the bold new Japanese horror cinema. In Paris one of the world’s greatest directors, Claire Denis, talks exclusively about her work. The story ends in Mexico.

EP14 New American Independents & The Digital Revolution Dec 03, 2011

Brilliant, flashy, playful movies in the English speaking world in the nineties. We look at what was new in Tarantino’s dialogue and the edginess of the Coen Brothers. The writer of Starship Troopers and Robocop talks exclusively about the films’ irony. In Australia, Baz Luhrmann talks about Romeo & Juliet and Moulin Rouge, and we plunge into the digital world to see how it has changed the movies forever.

EP15 Cinema Today and the Future Dec 10, 2011

Movies come full circle: They get more serious after 9/11, and Romanian movies come to the fore. But then David Lynch’s Mulholland Drive becomes one of the most complex dream films ever made and Inception turns film into a game. In Moscow, master director Alexander Sokurov talks exclusively about his innovative films. Then, a surprise: The Story of Film goes beyond the present, to look at film in the future.
8.4| 0h30m| TV-PG| en| More Info
Released: 03 September 2011 Ended
Producted By: Channel 4 Television
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.channel4.com/programmes/the-story-of-film-an-odyssey
Synopsis

A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.

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Reviews

grantss Probably the most extensive documentary made on the history of film, and deserves respect for that alone.I particularly liked the objective stuff, the historical development of film, the pivotal moments and movies. Hated Mark Cousins' narration: first time I attempted to watch the series I gave up after 10 minutes- his intonations were that irritating. Second time round I gritted my teeth and eventually got accustomed to his narration (still didn't like it though). Also hated the pretentiousness of the subjective stuff. Yes, its art, so critiquing movies is by definition subjective, but Cousins glorifies movies and directors which/who are clearly not worth of that degree of praise. Some of it is pure "Look at how clever I am - I just mentioned a director/movie you've never heard of". Cousins is very up himself.Overall it was an edifying experience, but could have been a lot better.
mwakee While I can abide Cousins' anti-Hollywood viewpoint and I can abide the political slant to his series, I cannot abide his trumpeting of the film Hyenes directed by Djibril Diop Mambéty, without even mentioning that it was based on a play by Swiss writer Frederich Durrenmatt. Not only that, but there was a previous film version, The Visit, directed by Bernhard Wicki in 1964, starring Ingrid Bergman and Anthony Quinn. While Mambety created a brilliant film, he did not pull this film out of a vacuum by himself. It was an adaption and Cousins should have made us aware of this fact. It calls into question the veracity of the entire series, which I had enjoyed up until now. I'll need to watch the rest of the series with a far more critical eye.
Vihren Mitev Something special just for lovers. Did not even know that I'm one before I watched the series. A stunning walk in film history in more than a century of film making.The series begins with a careful explanation of how people came to the idea of shooting movies and continues with monitoring the development of film techniques and acting over the years. The viewer is told how the art evolves frame by frame, how new approaches emerge, who borrows techniques from whom and who makes remakes of whom.From the early silent films to the latest headlines, published last year, the story of the film keeps us in suspense and puts us questions. How much are we familiar with valuable titles in the industry? Do we know the directors? Of course we could never have film coverage that is offered to us, because it consists of film history all around the world! I personally stopped by, and wrote down, about 180 titles to watch and the whole amount was probably something like 250. This will be the second project, after the war films, in which I put myself and will keep you informed on its development.http://vihrenmitevmovies.blogspot.com/
rosewood-6 I just finished watching this series and was really disappointed in the IMDb reviews. Here are my pointers for those who are interested in seeing this considerable work.1. The majority of the people of the world have accents different than those found in America. If you can't get beyond a person's accent to hear the content of what he/she is saying, stick with Entertainment Tonight.2. This series is like a "string theory" of film- everything is connected to everything. While some of the reviewers could not follow the train of thought, much of what is documented is the initial use of what are now considered stock shots and plots and how they are still being used today. Film history is not just what films were made, but also the creation and evolution of the art form.3. This series also deals heavily in international cinema. Episode 3 deals with cinema in the 1920's in Paris, Berlin, Moscow, Shanghai and Tokyo. Episode 6 shows works from Egypt, India, China, Mexico that was created in the 1950's. Episode 8 chronicles the birth of African cinema in the 1970's. There is more about international cinema in this series than I have ever seen in any program about film.So, if you want to see a comprehensive series on the history of film, as opposed to the history of Hollywood, this is the series for you.