The Jackson 5ive

1971

Seasons & Episodes

  • 2
  • 1

EP1 Who's Hoozis? Sep 09, 1972

The Jacksons are scheduled to perform at an outdoor concert, but when Michael discovers a talking "blues bird" (a play on "blues" and bluebird) and learns that the jazz-musician voiced bird and his nest, containing an egg soon to hatch, are in danger from bulldozers scheduled to tear down the concert park, Michael investigates. He learns a wealthy magnate named Hoozis owns the building overlooking the endangered park, and at once moves in to interfere. Hoozis is patterned after eccentric U.S. millionaire Howard Hughes.

EP2 Michael White Sep 16, 1972

When he bumps his head in a bicycling accident, Michael dreams he is a storybook prince hiding in a tiny cottage where his brothers are dwarf-sized and warn him not to eat the poisoned apple a visiting crone soon offers (as in the story of Snow White). Naturally, Michael bites the apple and immediately collapses as though dead.

EP3 Groove to the Chief Sep 23, 1972

Michael fantasizes about what it would be like to become Mayor of Los Angeles. His Hairy Godfather (back from the episode "CinderJackson") grants his wish and Michael discovers that it's a bigger job than he thought. The Hairy Godfather is the only character to play a recurring role in The Jackson 5ive besides Berry Gordy.

EP4 Michael in Wonderland Sep 30, 1972

Before a show in the Wonderland theme park, Michael accidentally falls unconscious while testing a new roller coaster ride and dreams he is in Wonderland, where he encounters soul and funk-related versions of Wonderland's famous characters.

EP5 Jackson and the Beanstalk Oct 07, 1972

Michael comes across magic beans that grow a beanstalk outside his and his brothers' Indiana apartment (as in the story of Jack and the Beanstalk). When he climbs to the top, he wanders a fabulous land and encounters the giant.

EP6 The Opening Act Oct 14, 1972

A promoter books the brothers on a heavy radio tour schedule, while trying to find an opening act for their upcoming concert.
6.5| 0h30m| en| More Info
Released: 11 September 1971 Ended
Producted By: Rankin/Bass Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The Jackson 5ive was a Saturday morning cartoon series produced by Rankin/Bass and Motown Productions on ABC from September 11, 1971 until 14 October 1972; a fictionalized portrayal of the careers of Motown recording group The Jackson 5. The series was rebroadcast in syndication through Worldvision Enterprises during the 1984–1985 Saturday morning season, during a period when Michael Jackson was riding a major wave of popularity as a solo artist. The series was animated mainly in London at the studios of Halas and Batchelor, and some animation done at Estudios Moro, Barcelona, Spain. The director was Spanish-American Robert Balser.

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Reviews

SnoopyStyle This is a fictionalized animated series based on the lives of the Jackson 5ive. The brothers Jermaine, Michael, Tito, Marlon, and Jackie Jackson try to make their way in the music industry. They have wacky outlandish adventures. As in real life, Michael is the star. He has his mice, Ray & Charles, and his snake Rosie. The other brothers don't have as much mention and Michael is usually the subject of the stories. There is plenty of Jackson 5ive music especially ABC. It is noticeable that Michael is the central character. It would help to have the brothers' names in the opening credits because in most episodes, their names aren't even mentioned in the script. The older brothers don't get individual personalities. It's also noticeable that the boys aren't contributing their voices. That's more understandable since they were way too busy at that time. This is a jive, psychedelic, fantasy, children's cartoon. It's white bread and harmless. Most of the episodes have a light meaningless quality although Michael in Wonderland is foreshadowing. The show needs a goal, a journey, or possibly a villain. It is interesting for Michael fans to see one aspect of his beginning. This probably sold the family quite well to the public. I don't remember watching this as a kid but I do recall something, possibly from the reruns.
Dalbert Pringle I found the entire Jackson 5ive TV series (from 1971) to be nothing but a blatantly shameless marketing ploy for selling the Jackson boys' record albums to the public.These limited-animation cartoons were the absolute nadir of entertainment inferiority. They were an utter embarrassment of bad programming on all counts. The "comedy" elements of these episodes just stank.Plagued with annoying "canned laughter", throughout - These 46 Jackson 5ive cartoons not only showed no imagination, whatsoever, when it came to their painfully predictable story-lines - But, there was clearly no chemistry or character dynamics happening, at all, between any of the 5 brothers.Obviously a pathetically shoddy product of its time - I think it's kinda odd (indeed) that in none of these episodes did any of the Jackson boys ever show any interest in women.
williebobo95 First there was the Beatles cartoon. I couldn't wait to hear the songs on the show. When the J-5ive came out I went WILD. Not long after,The Osmond Brothers had a competing show and we used to debate who was better,Michael or Donny Osmond. Some of the stories were hokie,but enjoyable. There was an episode showing how Diana Ross discovered the J-5. That is purely Motown myth. Ross never discovered the Jackson 5,she only introduced them on their public unveiling.
hillari The Jackson 5--Jackie, Tito, Jermaine, Marlon and Michael--provided their own voices for this popular Saturday morning cartoon. Most of the episodes followed the brothers around as they went from one concert stop to the next. Since Michael was the cute little brother, the storylines usually involved some time of trouble he'd get himself into and he'd have to ask his brothers to help out. The episodes are are a time capsule of their late 1960's and early 1970's hits, including "I Want You Back", "Sugar Daddy", and "Stop! The Love You Save (May Be Your Own)". The shows were bright with psychedelic colors, especially during the musical segments.One episode was a highly fictionalized version of how Diana Ross "discovered" the group and brought them to the attention of then Motown president, Berry Gordy.