The Grand

1997

Seasons & Episodes

  • 2
  • 1

7.5| 0h30m| NR| en| More Info
Released: 04 April 1997 Ended
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Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

The Grand is a British television drama series first broadcast on ITV in 1997–1998. It was written by Russell T Davies and set in a hotel in Manchester in the 1920s. There are two series: eight episodes in the first series were broadcast from 4 April 1997 to 23 May 1997 and ten in the second series from 30 January 1998 to 3 April 1998. All 18 episodes were written by Russell T Davies. The cast included Susan Hampshire, Julia St. John, Tim Healy, Michael Siberry, Stephen Moyer and Mark McGann. The two series were novelised by Catrin Collier, under the pen name Katherine Hardy.

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katiebee09 Let me begin by saying the series never blew me away, but hooked me enough to see what happened through the end. During both seasons, I wasn't crazy about all the acting or how many episodes ended dramatically and began the next with all the excitement missing and momentum stalled out. I have to say though, Season 1 was much more composed and enjoyable than Season 2. One of the biggest issue was changing not one, but two actors playing roles of main characters. I literally had to replay the first part when they replace Stephen to figure out who the new guy was. Then, just as I was accepting the reality that they really had replaced Stephen, a new Ruth popped onto the screen! I literally groaned/grimaced/screamed in frustration. As the audience, I felt wronged to lose two actors in a span of seconds. Neither work for the roles, and it seems the characters are different people and less likable. Ruth was beyond irritating with her ridiculous trembling and sniveling all the time.There were some interesting plot twists, some great actors and roles, and fantastic sets and costumes. Certain roles are entirely believable and very well done.Overall, if you want to enjoy this show, watch the first season and quit while you're ahead. Season 2 goes a bit haywire for my taste in both plot, writing, and acting.
eccentricemu I must confess I shop at bargain outlets and the best kept secrets are the DVD sections. Once you weed past the hundreds over produced fitness disks, you may just come upon a little gem marked $3.99. Such was the case with The Grand, Series Two. We were disappointed not to be able to find Series One in the stack, but have made it a quest. The costumes are beautiful and the characters little vignettes of humanity both good and bad. You endear the sweet characters and loathe the ones twisting a black mustache and plotting their next evil move. The Series does not pretend to paint a pretty picture. It promises "Secrets, Betrayal, Romance, Revenge and Danger." It delivers on each of these promises! The twenties were often seen as a wild and fun time, but they were a precursor for political disaster on a worldwide scale and I believe the series captured this well.
overseer-3 "The Grand" is nothing like "Upstairs, Downstairs" or "The Duchess of Duke Street", or even like the original "Forsyte Saga" series. It doesn't possess their superlative qualities, their excellent, realistic production values. Those series had sympathetic characters, and by the time you were done watching them you felt like you were being wrenched away from beloved family members! There is no such feeling here with "The Grand" and its cast of largely unsavory characters. It's actually a relief to STOP watching this series! All the characters, even the kindest one - Kate the servant girl - are out for Numero Uno, they are selfish to the core, and there is little feeling of bonding or real caring between them - and that is why one of their own ends up swinging from the gallows. In "Upstairs, Downstairs" we know that the aristocracy cares about their servants living below. In "The Grand" that feeling is almost completely lacking. Several times during the show long term servants are threatened to be fired, for example, and then almost immediately they are re-instated. "Oops, sorry." No one behaved that way back in 1920. Your "yes" meant "yes", and your "no" meant "no".The writing is not cohesive or spellbinding enough to keep your attention going for long. Ridiculous mistakes were made in the scripts for these shows: for instance, why would the police arrive to arrest Monica the servant girl for murder in the public foyer of the hotel, without first going upstairs to look at the dead man and the evidence? Bizarre and extremely unrealistic. Who wrote this, a nine year old?Then we have the smarmy situation of a man lusting after his brother's wife - for the entire part one and into part two of the series, and then the story line is just dropped abruptly like a hot potato, and it goes into other unrealistic directions - including black market baby selling and more prostitution stories! Who cares about these reprehensible characters?It looked to me like the writer was just grasping at straws....what can I come up with next that's titillating enough to hold their attention? Then they change two major cast members at the start of series two, which disrupts the feeling of the entire show and its flow of events; in addition, since part two was made a year or so after part one, all the cast members who were kept on immediately looked older.But the worst flaw in "The Grand" is one that seems to be common today for too many writers and producers and directors of historical series and films. That is they insist on applying modern cultural and societal mores to a time period which was much more conservative than our own, and which kept these issues - if they even came up at all - private and between families. Not broadcast to an entire hotel filled with strangers. Again, doing this does not endear an intelligent audience to a vintage period story, because it is artificial and forced, almost as if someone is trying to push their own immoral agenda on their audience.Skip it.
DaveH-5 Of the many extended series from England, I think this is the best conceived & written. 3 dimensional, complex characters, rejection of obvious, feel good, wrap-it-up-neatly plot lines make it the most fascinating of classy soap operas. Flawless acting, direction. Engrossing.