kitsun-58782 To say that Secret Army is not your average WW2 show is an understatement . Everything from the locations to the characters remains original even by today's standards . It truly is an amazing story-driven show that one shouldn't watch if it is action that you are looking for .It takes on themes that aren't pictured very often in movies and show , like the escape lines in the first place , most of the time people will prefer to focus on active resistance fighters rather than more passive movements . It also has a much more realistic if not dark and gritty approach than most others War shows and hardly ever " glorifies " the actions of the protagonists . It is often hard to define who the protagonists really are in the show due to what the people of Lifeline often have to do to protect themselves or the pilots they are trying to send back to England . Added to the general antipathetic behaviour of some of the main characters the likable characters appear to be very few , whilst the despicable characters are many and on both sides .They also have a very interesting way of depicting the German side with a strong duality between the honourable and sympathetic Luftwaffe Officer for whom you might find yourself rooting for before you know it , and the ruthless , sadistic Officer of the SS which is so brilliantly portrayed that he might just be one of the most evil characters you've seen on TV .The great acting from the whole cast only contributes to further immerse you in the dreadful atmosphere of the life under the Occupation , and ties in pretty well with real historical events often depicted in the show . And needless to say that as someone who knows Brussels and its surroundings , it was even more appealing since all the streets and locations showed and mentioned throughout the 3 seasons are real and give you a nice idea of how Brussels looked 30 years ago . They even made an extra effort to have background chatters recorded in French and Dutch to add to the authenticity of the setting .

paulscottrobson It's well made, scripted and acted, but one thing makes this "not just another Wartime drama".Most of these sorts of shows are black and white ; good guys versus evil Germans. Cheer when the Germans get shot/bombed/etc, and the heroes return home to their lives.In this show it's all shades of grey, and frequently black. The "heroes" do unpleasant things - right from the start - watch 1x02 and 1x05 - not just to the "bad guys" but to the "good guys". Maybe not unusual now, but really odd for the 1970s. Everyone makes compromises to survive in this show. This is not a show with a lot of happy endings, and indeed the final ending isn't happy either. Not quite Blake's Seven standard though, if you are thinking of watching it.The Germans - are also shades of grey. Brandt is conflicted and hugely flawed, but the best performance in the whole show goes to Clifford Rose's Kessler, who, once he gets into his stride manages to somehow make Kessler evil and human at the same time. Kessler comes over as a human being, albeit one totally committed to the Fuhrer, which actually makes him far more unnerving than the "classic" evil Nazi. When I first watched this as a kid Kessler scared the living daylights out of me.Reinhardt is just ... well , Reinhardt (watch it, you'll see what I mean).Highly recommended.

dermotrathbone This brilliant series from the 70's is repeated on UKTVIt is set in the Second World War but is far from the stereotypical wartime drama.The heroes are flawed and the Germans shown in a more realistic light.The Kessler character could be seen by some as a trajectory,but can people who order mass murder at the drop of a hat be portrayed sympathetically?Both the Luftwaffe officers are shown to be ordinary people stuck in an extraordinary situation,and the contempt that Brandt has for his Gestapo superior is cleverly and subtlety done.This can only enhance or understanding of the psychology of the war. The plot revolves around "Lifeline" which is an evasion line for downed airmen run by Lisa who is scarred by the death of her parents and wants to defeat the Nazis.She is portrayed as ruthless and willing to take hard decisions for the greater good.An especially dark episode ends with the Candide owner,Albert,giving up two allied airmen to certain death in order to protect the line.This is brilliant,well thought out drama and very thought provoking.We can all look at the German people and say it couldn't happen here,or at the Occupied Countries and say we would have been in the Resistance.But Nazi domination was based on simple everyday slights to minorities that in themselves didn't seem OTT but produced an atmosphere of fear and the opportunity for ruthless or inadequate people to do their worst whilst people looked the other way or said "It's not my problem".Exactly the type of thing that allows (present tense) Sinn Fein/IRA to keep Nationalist areas under control.Six million don't die because the Nazi Elite thought it was a good idea.You have to make people complicit and feel big or at best make it so they are ambivalent to the fate of others or just plain scared.This drama is for me the best thing broadcast by the BBC ever.Dark,atmospheric,Pinteresque spring to mind.There is a myth that telly was better in the 70's.It wasn't.It was mostly terrible but with the odd absolute gem such as this.I fear these programmes would not be made today due to ratings which is the King.

tn.robinson I've just finished watching Secret Army on UK Drama and, for me, it's BBC drama at its best. It might have seemed hard for the team that had produced the highly acclaimed 'Colditz' series to live up to its reputation but I believe that this highly popular classic surpassed it.Colditz did have a distinct disadvantage, taking place mostly within the four walls of a POW camp, making the atmosphere at times rather claustrophobic and making the scope rather limited. Secret Army, on the other hand, was able to use and contrast a variety of places and situations. As well as this, it had more detailed analysis of the all the characters - something which was often lacking in its forerunner – and also examined their motives. Using the setting of Brussels in World War II, the producers were able to capture perfectly the grim realities of life under German occupation with the distant hope of liberation. Everything from the sinister music to the camera angles, special effects and scenery was cleverly thought out. The varied plots, whose frequent twists kept everyone guessing, along with many clever subtleties and inferences, made each episode thoroughly enjoyable.The central character of Albert Foiret was carefully scrutinised, his greed and ruthless determination to keep ownership of his beloved Candide at any cost coming out. Bernard Hepton seemed able to show an inexhaustible range of emotions, making his character something of a change from the German Kommandant he had played previously. In contrast, the virtually emotionless Kessler could show generosity, and great loyalty, albeit misguided, to his beloved country and Fuehrer. Clifford Rose was perfect as the bespectacled, ice-cold SS man with no sense of humour. Even the smaller parts, such as Alain and Dr. Keldermans were well played by Ron Pember and Valentine Dyall, along with Monique (Angela Richards) whose lovely singing in the seemingly happy atmosphere of the Candide was often made to contrast the often sinister goings on elsewhere.The series just seemed to go from strength to strength as the characters developed and plots became more complicated. The last few episodes produced a gripping climax as we were left wondering how all the ongoing issues were going to resolve themselves, and there was much irony when many did not end up the way you would have expected.Unlike many of the older WW2 films this serial was certainly not biased towards the allies - airmen were often seen to act rather crassly and the resistance people could be less than scrupulous, sometimes killing innocent people and breaking promises for their own survival. It also addressed many issues which were not always fully appreciated, like the uneasy relationship the French and Belgian police had with the Germans, the contempt felt by the Wehrmacht for the SS and the bitter power struggle between the resistance and the communists. Being a product of the 70s there was none of the gratuitous violence or obligatory sex scenes which can sometimes mar the storylines of more contemporary works.Secret Army was very much a true-to-life drama - even if there were many improbable coincidences and few factual errors – with many memorable episodes. I'd certainly recommend it.