nuoipter termer
Roots: The Next Generations is a continuation of Roots following the lives of ancestors of Alex Haley and going to Alex Haley and showing him take an interest in the story of Kunta Kinte from stories his grandmother told him. It ends in the 1960s with him finding where Kunte Kinte had come from in Africa. This is a wonderful moving program. It's very interesting seeing the evolution of society as the episodes progress. This is the second best television program after Roots. That ending is amazingly moving. Roots and Roots: The Next Generations are a result of very intelligent people taking very important topics that they care very much about and creating something that is amazingly powerful.
Dr Jacques COULARDEAU
This TV mini-series has become a classic in some twenty or thirty years and it deserves to be, both in its first part and in its second part. Yet the quality of the filming and editing has aged and the film is not served by the fact it was done for television that tends to show too many close-ups and to avoid vast rapid movements and wide landscapes. But it has become a classic by the theme it deals with. The second part takes us to the 1960s and is telling the history of the USA after the Civil War as much at least as the history of this family. So we see the reconstruction period, and then the emergence of the Ku Klux Klan, the imposition of segregation, the First World War, the New Deal and the Second World War, and then the post war period. In this second series that ends with the real author as the main character, Haley himself, I am amazed by the fact that it is more contemplative of the injustice coming up than really fighting against it. The only positive point is education. But if there is some kind of resistance it is always that of one person and not of the community. If in the 1930s, the subsidies voted by Congress to small farmers to help them survive the crisis and get even, blacks included, are systematically, for the blacks at least, hijacked by the land-owners to their own profit and if one black farmer manages to get his check it is the result of the private initiative of one man and the black farmer ends up in prison, wounded and under a prosecution that will keep him in prison for a while and his mules have been repossessed by the landowner and the little farmer has been totally pauperized and expelled from the county if not the state. If after the war there is some improvement the discourse is concentrating on the personal efforts of Alex Haley, his own personal way to some kind of wealth and grace. The closest we get to the struggle of the black community for the end of discrimination and more justice is a couple of scenes with Malcolm X and his assassination. But where is Martin Luther King, Rosa Parks and the collective massive fights and battles waged by the blacks, including against the Vietnam War. Even Kennedy is evoked as some kind of epiphenomenon that does not count for much, and his assassination is not even evoked. That has to lead to a real ego trip at the end and Alex Haley going back to Gambia and meeting with the griot of the village of his ancestors and hearing from his mouth the story that had been told from generation to generation in his family and meeting one last descendant who still has the name Kinte like the ancient ancestor Kunta Kinte. And Alex Haley himself adds a verbose conclusion about the importance of knowing one's ancestors. What a pride am I supposed to get from the fact that my ancestors were the serfs of a small nobleman who ended up in the French Academy under King Louis XV and whose name they all took during the revolution? That kind of nostalgia may make us unable to embrace the future today.Dr Jacques COULARDEAU, University Paris 1 Pantheon Sorbonne, University Paris 8 Saint Denis, University Paris 12 Créteil, CEGID
Lloyd Rutzky
As great as the original ROOTS was, this sequel was even better. Boasting more top-line established movie greats than the original, such as Marlon Brando (who received an Emmy), Henry Fonda and Olivia De Havilland, it was just better made. Of course the power this continuing saga had was based on the original's greatness, so without the original this could not stand. But the lives of Kunta Kinte's descendants depicted here, from where the original left off around 1870, to the adult Alex Haley (masterfully played by James Earl Jones)working on his incredible genealogical novel, was spellbinding and immensely touching throughout every chapter.Carrying over from the original, Georg Stanford Brown as Chicken George's son, Tom Harvey, Brown sets the tone for this sequel with his thoughtful performance as a man dealing with freedom for the first time in his life, and how it affected his daughters, one of whom would become the grandmother of Alex Haley. Irene Cara and Dorian Harewood would add to the roster of stellar acting as Alex's parents, and extremely notable too were efforts by Beah Richards, Bernie Casey, Andy Griffith, Howard E. Rollins, Richard Thomas, Ruby Dee, Ossie Davis, Damon Evans (as a young adult Alex Haley), and many others. A thoroughly rich and rewarding experience made even more spectacular because of its important subject matter.
rcj5365
ROOTS:THE NEXT GENERATIONS-Produced by Wolper Productions for the ABC Television Network. Producer:Stan Margulies. Based on the novel "Roots" written by Alex Haley. Executive Producer: David L. Wolper,and adapted for television by William Blinn. Shown as a mini-series for ABC-TV that ran from 1979-1981.First Telecast of the Mini-Series: February 18,1979 Last Telecast of the Mini-Series: July 12,1981 NOTE: During the February 1979 broadcast,it ran each night for seven days,and was repeated as a weekly series from May of 1981 to July,1981.Two years after Alex Haley's "Roots" made television history,this sequel to one of the most highly watched programs of all time continued the saga,again attracting large audiences in which no one,not even ABC was expecting such a brilliant success. And again it was the talk of the town during the night of the Emmy Awards,winning more Emmys than any other show imaginable in the history of television. The story picks up where the first one left off,where it resumed from last time. The story begins in 1882,by which time Tom Harvey,the great-grandson of Kunta Kinte had established a marginal existence as a blacksmith in Henning,Tennessee. Relations between the races were strained,but the old prejudices and racial hatred of the past survived. Tom Harvey(George Stanford-Brown)forbade his daughter's marriage to a light-skinned negro because he is "too white";and town patriarch Colonel Warner(Henry Fonda)disowned his own son Jim(Richard Thomas)when he dared to marry a black schoolteacher. Before long "literacy tests" were being used to deny blacks their recently won the right to vote,and lynch law had reappeared. This was during the reconstruction period,and this was years after the Civil War and the story continues onward towards the beginning of the 20th Century.Tom's younger daughter,Cynthia(Bever-Leigh Banfield),married a hard working young man named Will Palmer(Stan Shaw),who,despite the oppression,had risen ownership of the local lumberyard. In time Will would succeed Tom as the leader of the black community,as the terror and violence of the Ku Klux Klan swept the South. Will and Cynthia's daughter,Bertha(Irene Cara),became the first descendant of Kunta Kinte to enter college. There,in 1912,she met an ambitious young Simon Haley (Dorian Harewood),son of a sharecropper,whose education was being sponsored by a philanthropic white man. After serving in a segregated combat unit during World War I,Simon returned to marry Bertha and began teaching agriculture at a black college in Tuskegee,Alabama. This was otherwise known as Tuskegee Institute also known as Tuskegee University. It was from there that the foundations of family lore were discoved by Simon's son Alex(played by Kristoff St. John as a child; Damon Evans as a young man,and James Earl Jones as a adult)who soaked up the family legacy that was told to him from the older generation about the stories and family history about the ancestors of Kunta Kinte.As the beginning of World War II approached,Alex enlisted in the Coast Guard,where he spent the next 20 years. When he retired in 1960 he turned to writing,interviewing such national figures as Malcolm X,whose autobiography he helped write. Haley also had candid interviews with American Nazi Leader George Lincoln Rockwell,and also was good friends with Dr. Martin Luther King,Jr. But it was a visit to his boyhood home in Henning,Tennesee that reignited his interest in his family's past,all the way back to the "Old African" Kunta Kinte,and started him on a journey to Africa where the origins of his ancestors came from and from there begin his most greatest work of all time."Roots:The Next Generation",just like the first one,had a lot of brilliant talents which featured a superb who's who of African-American actors of their day,along with Hollywood heavyweights like Henry Fonda,Olivia DeHavilland,Harry Morgan and Marlon Brando is unusual role as a Aryan Leader of a Nazi Organization,whom Haley interviews. The "Roots" sagas are usually shown during Black History Month,but it is a must to see this special in all its glory to one of the most highly acclaimed specials of all time.