Jeff Sultanof Until I saw a documentary on Leonard Rossiter as a bonus on the video of The Fall and Rise of Reginald Perrin (one of my favorite British series), I knew nothing about Rising Damp. Based on the clips, I knew I had to see this series if it was available. Thankfully, all four series and the motion picture are on DVD. The writing is sensational and the cast is wonderful; the chemistry between them is as good as can be imagined. But as good as they all are (and it is particularly good to see some of the work of Richard Beckinsale), Rossiter is the star without question. He is brilliant; one cannot imagine anyone else playing this part. He took me totally by surprise. As good as he was in Perrin, his timing and delivery here are just amazing; he is clearly one of the great actors of his generation. These words are not written lightly.While it is possible that this series is not seen on U.S. television because of Rigsby's racist statements, one has to look at this in the context of the seventies, when television was exposing many different realities to audiences, and they were loving it (remember the Jeffersons and Good Times?). If Archie Bunker is still to be found on television, there is no reason why Rigsby shouldn't be seen either. Another possible reason is that this is not a BBC or Granada series. At least it lives on DVD in the U.S., and if you are a British comedy fan, this is way up there.

shadylanes My wife and I recently re watched this show after many years, and although it has all the markings of a great sit-com - hilarious story lines, superb acting etc - I really could not sit through more than a handful of episodes. The reason? It is just cringingly racist. Although Rigsby is supposed to be the bigot, I found myself inwardly cringing at some of De La Tour's and Beckinsale's lines too.I'm not an overly politically correct type of person - 'Till death do us part' is, in my opinion, a hilarious comedy and my personal favourite from this era is 'On the buses', a show which often featured jokes that could be described as questionable by todays standards.I can only think that a large proportion of the jokes in this show used racism as a replacement for good writing.

geraldicus In light of the current Big Brother 'racist' furor raging in the UK right now, or quite frankly even with out it, it amazes me that no one ever comments on how blatantly condescending and racist the Rigby character was to Don Warrington's Philip. I remember on more than one occasion such 'choice' lines as (Rigsby to Philip): "What the hell would you know about that, it wasn't that long ago you lot were still running around half-naked with bones through your noses". Numerous other UK sitcoms were also marred with such bigoted, racist stereotyping such as Alf Garnett (Till Death Us Do Part) and the appalling Love Thy Neighbor's "Oi Sambo". Shame such talented writers and actors had to stoop so low for such cheap laughs.

hayden-8 There is an annoying tendency among certain people, especially in my country, to gain some sort of smug satisfaction from being able to say "Oh, I love British humour" as if this somehow gives them an air of intelligence and satisfaction. Now, while I have yet to see an American sitcom that matches the subtlety and sly humour of "Yes, Minister", or the sheer inventiveness of "The fast show", in the same breath brilliant American comedies like "MASH" and "Seinfeld" could simply not have been made in England.The aforegoing paragraph could easily have served as an introduction to a review of a truly abysmal British comedy like "Absolutely fabulous" as a means of illustrating my point, or even for a review of a silly comedy like "The Goodies" to lend credence to my contention that not all British humour is sophisticated. However, I have instead decided on a classic comedy of the Seventies, "Rising damp".The shows two stars, Leonard Rossiter and Richard Beckinsale are both deceased, the latter at a tragically young age. Rossiter is Rupert Rigsby (as far as I know his first name was only mentioned in the disappointing 1980 film version), the tightfisted and mean spirited owner of a lodging house. Beckinsale is Alan, a student boarder. The other cast members were Don Warrington and Frances de la Tour. de la Tour is Ruth Jones, an unhappy spinster with whom Rigsby is in lust, and Warrington is Philip, an African student lusted after in turn by Miss Jones.Most of the show's humour was derived by the witty and often biting dialogue, and kudos must go to the series' scriptwriters.Sadly, in keeping with British tradition only 27 episodes were ever made, despite the show running for years. Those 27 episodes, however, must be savoured.