Popeye the Sailor

1933
Popeye the Sailor

Seasons & Episodes

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EP1 The Paneless Window Washer Jan 22, 1937

Popeye leaves a parrot for Olive Oyl as a gift. Bluto is overcome with jealousy and sets the bird loose to scamper up a tree outside. When Popeye catches on and orders him to rescue the bird, Bluto proceeds to try and maim the bird instead

EP2 Organ Grinder's Swing Feb 19, 1937

Wimpy is performing as an organ grinder when Bluto demands that he leave. Popeye, who was taking delight in the music, insists that he stay. The two come to blows as Bluto tries to force Wimpy to move on while Popeye steps in to defend him.

EP3 My Artistical Temperature Mar 19, 1937

Bluto (a painter), and Popeye (a sculptor) are sharing an art studio when Olive Oyl arrives requesting a likeness of herself. The two compete to see who can provide the more satisfactory product, interfering in each other’s work while doing so.

EP4 Hospitaliky Apr 16, 1937

Popeye and Bluto follow Olive Oyl to a hospital, where she works as a nurse. Desiring her attention, they fake being ill. When that ploy falls apart, they then go out in search of danger, hoping to get injured so Olive will have to tend to them.

EP5 The Twisker Pitcher May 21, 1937

After arriving on field for their baseball game, Popeye drops his can of spinach near Bluto. Bluto seizes the opportunity to eat the spinach himself and replaces it with grass before giving it back to an oblivious Popeye, thus gaining the upper hand.

EP6 Morning, Noon and Night Club Jun 18, 1937

Bluto vandalizes billboards touting “Popito and Olivita’s” dance show at Wimpy’s Café. Later, while loitering outside the café, Bluto is rejected by Olivita when he asks for a date. Angry, he enters the café intent on disrupting the show.

EP7 Lost and Foundry Jul 16, 1937

Popeye is starting his lunch break at the factory when he spots Olive Oyl out with Swee’Pea. She accepts his offer to join him, but their meal is cut short when Swee’Pea sneaks off into the factory and faces grave injury from the active machinery.

EP8 I Never Changes My Altitude Aug 20, 1937

Popeye is distraught on learning that Olive Oyl has shut down her diner at the airfield and left him to be with an aviator. When he sees that she is being abused up in the air by the man she left him for, he rushes up in a plane himself to rescue her.

EP9 I Likes Babies and Infinks Sep 18, 1937

Olive Oyl, unsuccessful at getting Swee’Pea to stop crying, calls for Popeye to come help her. Bluto overhears her plea and butts in. The two men go to extremes in trying to amuse Swee’Pea with various tricks, going so far as to beat on each other.

EP10 The Football Toucher Downer Oct 15, 1937

When Swee’Pea refuses to eat his spinach dinner, Popeye recalls how he used to hate spinach too. He then relives his childhood memories of the day his football team was losing a game until he caved in to Olive Oyl’s pleas to eat his spinach.

EP11 Protek the Weakerist Nov 19, 1937

Popeye feels humiliated when Olive Oyl makes him take her “sissy dog” for a walk, striving to avoid being seen with it. When they cross paths, Bluto sics his own "tough" dog on the other, then attacks Popeye to keep him from interfering.

EP12 Popeye the Sailor Meets Ali Baba's Forty Thieves Nov 26, 1937

While recovering from their trip to the Arabian Desert to bring Ali Baba and his band of thieves to justice, Olive Oyl and Wimpy are kidnapped as the thieves raid the town. Popeye, who was left behind in the raid, follows the thieves to stage a rescue.

EP13 Fowl Play Dec 17, 1937

Popeye leaves a parrot for Olive Oyl as a gift. Bluto is overcome with jealousy and sets the bird loose to scamper up a tree outside. When Popeye catches on and orders him to rescue the bird, Bluto proceeds to try and maim the bird instead
7.6| 0h30m| en| More Info
Released: 14 July 1933 Ended
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Popeye started out as a character in the daily comic strip "Thimble Theatre" in 1929. In the early 30s, Max and Dave Fleischer made him the star of his own cartoon.

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Reviews

Hitchcoc This is the first Popeye cartoon. He had appeared in newspaper comic strips. At the beginning we get to hear the entire version of his theme song as he disintegrates various items of property. While impressive, he is really pretty destructive. Of course, Bluto shows up and he has to deal with him. At no point does the big guy seem to have a chance. Of course, he can't leave Olive Oyl alone and Popeye saves her several times. Mostly, they show off at the carnival where Bluto does something well and Popeye does him one better. Betty Boop makes and appearance as a hula girl and Popeye gets on stage and copies her dancing. Eventually, Bluto ties Oliive to a railroad track (original!) and this forces the use of spinach, that performance enhancing drug. This is really a nice introduction to the Popeye oeuvre.
Julia Arsenault (ja_kitty_71) I had always wonder when Popeye started his animated career, until I've watched this cartoon online. I found out that this short was intended as a test cartoon to see if Popeye could work as an animated character, he was originally a character from a comic strip by a guy named E.C. Segar. This short combines my two favorite Fleischer characters coming together - Betty Boop and Popeye the Sailor. Even though Betty's appearance is more of a cameo then an full-time character in the short.The one thing that bother me about is cartoon, is Olive's voice, I didn't really like it. I really prefer Mae Questel's take on Olive, but I got to bear with what they got. My favorite scene is when Betty & Popeye do the hula on stage.
MartinHafer While I have never been a huge fan of Popeye because the cartoons are so darn repetitive, this very first Popeye is well worth seeing--for historical reasons, because it was significantly better than the efforts of most other studios (which tended towards cutesy singing cartoons) and because it was so original at that time. However, the Fleischer Studios was a bit hesitant to just toss Popeye out there and hope that people will like him. Instead, they billed this as a Betty Boop cartoon on the title screen. Additionally, Betty makes a short but risqué appearance mid-way through the film--sort of like she was giving her seal of approval to the series.One big difference between this and most of the later Popeye cartoons is with Olive Oyl. Her voice was not provided by the usual Mae Questel (also the voice of Betty Boop). Olive's horribly annoying voice is not so annoying and Bonnie Poe's voice is noticeably deeper and less migraine-inducing! Aside from that, the cartoon is pretty much like any of the early Popeyes. The art work is the usual beautifully detailed black & white Fleischer animation that you can't help but respect. Bluto and Popeye do their usual routines, though Popeye does seem a bit more macho without his spinach than later films and so the difference that the spinach makes is less notable. Also, notice the final scene where our hero saves Olive--and possibly kills a train load of innocent people in the process! One sad thing in the film many won't notice is the carnival bit where Popeye and the rest are throwing balls at a guy's head. Such ball throwing booths were common back then and involved throwing baseballs at a Black man's face! While the guy in the cartoon is pretty cartoony, he is Black skinned and this is a sick little aspect of the 1930s that has been forgotten--and that probably isn't a bad thing at all.
tavm The Popeye character we know and love is already intact in this, his first animated appearance on film. So is Olive Oyl and Bluto. Betty Boop is also in this, in fact, she was put on in order to attract filmgoers already familiar with her but not with Elzie Segar's popular newspaper strip. It's already known that William Costello was the first voice of Popeye but very few know that a woman named Bonnie Poe was the first voice of Olive, in fact when I first saw this cartoon I already noticed how different she sounded from Ms. Oyl's usual voice! Since she was also Betty Boop, Mae Questal probably didn't want to do two voices in the same cartoon or maybe the public would be confused since they both sound the same anyway! Before Jackson Beck, William Pennell did Bluto, though I really can't tell the difference here. Fleischer-type gags abound throughout and, yes, we have the now-famous Popeye theme song and spinach finale introduced here. Well worth seeing for Popeye and animation fans.