jreinhardt-1
I'm not completely blown away with this new Reality Series. However, I do like watching the films these new film makers come out with. Some of these guys really have talent. The films have been entertaining & obviously a lot of work has gone into them. The only thing holding this series back is... #1 the host - she's terrible. She brings nothing to the series & most of the time is flat. She is no Ryan Seacrest. #2 the judges - Carrie Fisher is most of the time... irritating.. She has gotten better toward the end of the series but for God's sake - please come up with better criticism then... I like you I think your talented I just didn't like the film. Then there is Garry Marshall - he definitely has the background but if I hear one more "It was _______ who said" Good grief man, do your kids roll their eyes every time? The guest judges have been the best part. Especially the ones who offer real criticism. Try this type of shot or rework the script because this line didn't work or your filming too close etc. Carri & Garry both need to listen to them more. On the whole I think this works. However, if they do another - get rid of the hostess & replace Garry or Carrie.
I_Am_The_Taylrus
SPOILERSYes, there has only been one episode so far and I am already commenting on this but I really enjoyed the pilot of this series. This was definitely my most anticipated new show all year. I finally watched it and it lived up to my expectations. I have always wanted to be a filmmaker and this show gives you some helpful tips. Also, Steven Spielberg produced this! Steven Spielberg! The director of Raiders of the Lost Ark and Schindler's List. Yes, him. This show, in my opinion, is better than American Idol, America'a Got Talent, Dancning With the Stars, and So You Think You Can Dance. All of those. That is a pretty big compliment.On to the show. Here is the basis. Like I mentioned, there has only been one episode. Out of 12,000 people, 50 of them are sent to Los Angelos to become the next great filmmaker in this competition. They have to do everything a good director does to win the $1,000,000 movie deal for Dreamworks. In the first episode, they had to pitch a story idea to three judges. Carrie Fisher, Brett Ratner, and Garry Marshall. Some pitches were good, most sucked. Fourteen people were eliminated. The next challenge? They have to work together in pairs of three to make a 2-minute short in 24 hours. The first episode was continued, but here is the real question, who will become the next great filmmaker? Later on, people will have to vote for their favorite director.Overall, this is a great reality elimination show. The idea is great, and I love hearing some of the zany or brilliant ideas of these amateur filmmakers. I do hope that there will be much more years to come for On the Lot. I enjoyed the first episode a lot, and I hope I enjoy the rest of the Season's shows. Anyway, this is a really good reality competition show, and I like this much more than half of the reality competition shows out there.9/10Recommended Shows: American Idol.
PaddyReagan
Whether one enjoys American Idol or not, it is a high energy, high velocity, high volume exercise with ratings credentials to match. With 30+ million viewers in its wake, it is an incredible springboard for any new programming event that the Fox Network chooses to showcase. On Tuesday evening, all of the media and promotional planets were aligned to introduce On the Lot, the new reality show purported to identify the Next Big Hollywood Director through reality show attrition.I'm not a big fan of these reality adventures. I watched the original Survivor with interest. But every similar effort in its wake (and there have been plenty) has seemed to walk the same path, in the same stale footprints. Now, use of the term "voted off" stimulates some frantic channel surfing to separate myself from THAT reality.Still, the promo spots for On the Lot seemed intriguing. One doesn't often see flying saucers over the East River. Perfect timing! We're all currently immersed in an avalanche of "mini-movies" from YouTube and MySpace, and dozens of other mega-hit web sites. Our obsession with all things video has revealed some genuine, if in-the-raw talent. This viewer mind-set and a forum such as OTL should be fertile ground, an opportunity for would-be directors to excel and viewers to enjoy their challenges. Plus, the Spielberg/Amblin name on the marquee usually suggests a quality product.Unfortunately, an hour of YouTube's best would have been sensational compared to this lot. Because, in reality, On the Lot should have been called On the Feed Lot. It smelled terrible! Take all of the worst attributes of Survivor, American Idol, and The Apprentice, mix in Inside the Actor's Studio and Dog Eat Dog and you'll have the ingredients for this misdirected melange that managed to be, at once, too cerebral, too adolescent, too devoid of any compelling video or film to please anyone.With all of opening clichés out of the way (the only reality was bits and pieces of the Universal Studio Tour) we settled down to watch a series of pitch presentations by increasingly inept wannabes. Shades of the American Idol auditions but (unless you have a sadistic streak) with no entertainment value at all.Three judges, of course, with one female but lacking the good, the bad, and the ugly that sparks the process when AI's no talent shills are sent packing. I must say, Marshall, and Ratner are talented directors and Fisher is a fine author and a pretty good actor, though she will always be Princess Leia to Star Wars fans. The people who designed my car did a fine job too but that doesn't mean I want to see them on TV telling neophytes in the auto business where to install the fuel injectors.After a quick ejection of 14 for whom Andy's 15 minutes of fame fled too quickly, the remaining candidates arranged themselves in groups of three and were given their first movie assignments with actual cameras and actors. The final quarter hour of the show vacillated between Survivor beach scene angst, midnight hour confrontations ala Apprentice, and kindergarten playgrounds on no-nap afternoons. After a few minutes of personality conflicts, glowering, and shouts of "You're blocking my shot!" only white knuckles kept me from abandoning this ship of fools.How can people who have created such stunning successes miss the mark so badly? I suspect that by the half hour break, at least 80 percent of those AI viewers were gone and, by the end, maybe 10 percent had lingered. Worse news: most will never be back. One magnificent opportunity, wasted.For those of us with film and television experience, curiosity couldn't keep us away. For everyone else, the question had to be the same"Where's the entertainment?!!"