Bjorn D Unfortunately, this remake should have remained undone. Despite reputable actors, the film does not touch and the tension never arises. The directing and the screenplay is weak, e.g. suddenly we are informed that the Pequod has been to sea for 30 months(!), while it appears as they just left harbor. The madness of Ahab comes out as likable and understandable and the rationality and the sense of Starbuck appears theatrical. The three harpooners play inconspicuous parts in the film instead of adding to the tension. Ishmael - poorly played with a constant snug smile by Charlie Cox - looks simply ridiculous throughout the film. In summary a disappointing remake.

maialyncables There is something captivating about Encore's 2 part version of Moby Dick. While the other reviews are accurate to point out: Ethan Hawke seems clueless, as if he isn't even sure why he is on a ship; and Hurt is hammy and often hard to understand. Somehow that adds to the charm.The Pip being rescued from Ish early on is indeed out of place and completely unrealistic. It feels like a deleted scene from Lord of the Rings part 1, and the rest of the adaptation contains similar out of place, unrealistic scenes.There is still a strong draw to it. The charisma of QQ and the various bro-mancing while playing dress up on a boat, pretending to be whaling, it's hard to pin down what makes it work for me.It's not "so bad it's funny" as much as it's, so oddly put together it becomes compelling. After every scene I wonder if I missed something, or why I don't understand the Starbuck character yet, I marvel at the crew's willingness to cheer after ho-hum speeches about revenge, and the hot potato blame game going on with the crew.The Ahab back-story is ludicrous yet Gillian Anderson is just fun to watch on screen and the "love story" with Hurt, I could watch that for hours on end as I never quite get where it's going, or what the point is. I'm on edge waiting for some plot point or character development that remains out of reach.It's like Moby Dick himself, it's a tease for most of the 2 parts, yet I've watched this now a few times over, each time trying to catch something that I'm missing, perhaps the real story is just another few scenes away, or maybe I missed something when I got up for a drink of water? It reminds me a little of a Christopher Nolan film, it's pretty, full of hammy actors and I always feel like there must be another explanation that got cut or edited."Go deeper" indeed.

jmcdnnll99 It seems that each filmed version of Moby-Dick is compelled to be worse than the one before and that each embodier of the partially disembodied Ahab must make his predecessor seem better, not just in the distance of time but also in distanced performance. Who will underperform William Hurt I hope never to see. Each scriptwriter also must feel a need to demonstrate the superiority of Melville's original, both in his concept and execution. The most recent version appears somewhat like a Second City take on Moby-Dick Meets The Outsiders: all the tortured Jugendangst! Ethan Hawke does do a good C. Thomas Howell sendup, but Hawke should rather be doing a good performance of a first mate, one who is one step below the ship's master. Even the Pequod gets nonverisimilitude. A square-rigged whaler gets turned into a bark. If people cared enough to write, finance, film, and present what is generally regarded as a if not the preeminent work of American fiction, why was care and cash not more carefully scripted and directed? Even the cgi attempt at the whale of whales had the look of an audition submission for an early ScyFy project.

gradyharp As the novel opens, 'Call me Ishmael' are the first words of the sole survivor of a lost whaling ship as he relates the tale of his captain's self-destructive obsession to hunt the white whale, Moby Dick. They are words that have become often quoted by many authors and poets and for any number of reasons, yet they open the mysteries and beauties of one of the greatest American novels every written. There have been many cinematic productions of MOBY DICK, Herman Melville's 1851 supreme novel - 1956 with Gregory Peck as Ahab and 1998 with Patrick Stewart in the Ahab role - and each has its strong and weak points. There are many detractors of this current version who rightfully state that too few of Ahab's great speeches and lines have been omitted and that this version is too influenced by contemporary reasoning. But the tale is a great one and the splendid extended reveries and 'speeches' of Captain Ahab rest beautifully on the written page, a factor that allows mulling over the words and the meaning and the drama that may just fall a bit heavy when incorporated into a screenplay. Better the flavor of the story be conveyed by what cinema allows - imagery - that books can't mimic. This current version does just that - it finds the core of the obsession of a man driven by a struggle with his past, with nature, and with the personal vendetta against the great white whale, Moby Dick, who claimed Ahab's leg in the past. Nigel Williams is responsible for the screenplay, Mike Barker directs. Ishmael (Charlie Cox) sees his dream of a whaling voyage come true when he and his Hapoonist friend Queequeeg (Raoul Trujillo) join the crew of the Pequod, a sailing vessel leaving port in Nantucket. What Ishmael and the mates don't initially appreciate is that the Pequod's monomaniacal Captain Ahab (William Hurt) is taking them all on a mad and personal mission to slay the great whale Moby Dick, an obsession that will open their eyes to the wonder and spectacle of man, of beast, and the inescapable nature of both. The flavor of the crew is well captured by a solid cast, including Ethan Hawke as a rather weak Starbuck, Eddie Marsan as Stubb, Billy Boyd as Elijah, Billy Merasty as Tashtego, Onyekachi Ejim as Dagoo, Matthew as Flask, James Gilbert as Steelkit, Gary Levert as Perth, and Daniyah Ysrayl as the cabin boy Pip. The special effects offer vivid and credible underwater activity of Moby Dick and the clashes with nature both within the crew and on the ocean are very well represented. The final underwater scene with Ahab strapped dead to the still alive and swimming Moby Dick is unforgettably realistic and a fine balance with the ever-innocent Ishmael grasping the empty coffin as the sole survivor of the voyage. William Hurt gives us a different Ahab in Nigel Williams' script adaptation - less mad but more obsessed, less cruel and more vulnerable than we are used to seeing - but he is strong and takes us with him as he meets his end in his struggle with Nature. It is a moving adventure and despite the omissions that seem to bother most viewers, the movie does cast a spell over the entire 3 hours. Grady Harp