Ben Burgraff (cariart) "Men Into Space" was one of two 1959 TV series created to 'cash in' on the burgeoning NASA space program, as the first astronauts were being selected, and this CBS production benefited from the participation of two space 'legends' in the production team; for technical advice, Willy Ley, America's best-known space 'expert', provided uncredited assistance, and Chesley Bonestell, the 'father' of space illustration, was listed as 'creator', and provided the remarkably accurate 'look' of the series. As the pair had also worked on George Pal's production of Robert Heinlein's DESTINATION MOON (1950), the series had a very similar 'feel', with aerodynamic multi-stage rockets with fins, a classic 'wheel-within-wheel' space station, correctly envisioned 'pressure-suit' inspired spacesuits, and a 'moon' that was composed of jagged peaks and sharply defined craters (a conception that would carry over to Stanley Kubrick's 2001: A SPACE ODYSSEY, and would only be modified when astronauts discovered the clinging dust that actually covers the lunar surface, and 'softens' the appearance).With Ivan Tors as an executive producer, the stories were 'kid-friendly', with plots focusing on fundamental space issues (weightlessness, oxygen, navigation in space), although, with the Cold War raging, sabotage and politics were also touched on, if only lightly. Veteran actor William Lundigan starred, as 'no nonsense' commander Col. Edward McCauley, and while he seemed a bit old for hopping around space, he was an adequate 'father-figure' for the young cast assembled.CBS expected the show to become a hit with kids, and marketed a variety of merchandise (including a 'lunch box' that I was a proud owner of!), but the special effects turned out to be cost-prohibitive, and the series was canceled after a single season, and never syndicated.Considering the fanciful 'space opera' series ("Lost in Space", "Star Trek") that would dominate the airwaves within a few years, "Men Into Space", with it's realistic approach to space flight, was far ahead of it's time.

gmr-4 I was fourteen when MEN INTO SPACE aired, and missed very few episodes. In those days I had the pathetic notion that I would be involved with space engineering or sciences, a star that was already setting as I augered in at school. MEN INTO SPACE, however, kept the vicarious juices going, and it fuelled my passion for the embryonic space programme. In a way it was so good for television of the late '50s, one could almost consider an instrument of propaganda.I recall that it a good show, which as per others, did try to be realistic. There was an episode of a runaway thruster on the space station -- a proper Ley wheel, not the contemporary lash-up of ash cans. Another episode treated the ejection of nuclear waste into orbit or the Sun. As some of my juniors have commented, the situations and projects depicted in that humble half-hour show are yet to-day only contemplated, so perhaps MEN INTO SPACE was more science fiction than future faits accompli that my young hopes embraced.It was too early, and certainly too "technical" for television then and possibly now. Whereas TWILIGHT ZONE and ONE STEP BEYOND (both of 1959 et seq.) could count on pure fancifulness to secure loyal audiences, MEN INTO SPACE was "hard" S.F. There were just not that many people out there then to sustain a series, and it went the way of its distant cousin THE MAN AND THE CHALLENGE, also from 1959. Having no cable, and not attending science fiction conventions, I have not seen MEN INTO SPACE since the summer re-runs of 1960, which is . . . FORTY years! I am glad, however, it made an important impression on so many young kids, and their comments are actually moving.

XPDay Like several of us whom have commented, I was about seven years old when this show aired and it made a large and lasting impression on me. I actually negotiated a special Wednesday night bedtime in order to be able to see it. I wanted the Col. McCaulley helmet, but alas, we were of modest means in my household. When the Mercury and Gemini projects were underway, I felt that we were right on track and my friends and I would be pursuing our careers in space. I even majored in aero & astronautical engineering - just when the whole thing succumbed to post-Apollo apathy and Watergate nonsense. Imagine my disappointment. As time went on, I found fewer contemporaries that even remembered 1950's space movie and TV sci-fi, so I largely forgot about it. Then about 4 years ago I came across a source of the entire series of episodes on videotape (for $160). Unbelievable! Some of the episodes are exactly as I remembered them. And unlike a lot of childhood memories, the show turns out to be actually pretty good: It is more technically accurate than anything shown on TV since. You can spot actors like Robert Vaughn, James Coburn, Robert Reed (pre-Brady Bunch) and Angie Dickenson (as McCaully's wife in the pilot episode). One of the episodes was written by James Clavell (well before Shogun). For a while in the mid-1960's there was discussion of a sort-of sequel to be called "Beyond the Moon" that would feature 1970's missions envisioned by NASA with technical accuracy. TV Guide carried an article on it. But it never materialized and instead we got mindless stuff like "I Dream of Genie." Anyone interested in this should also look for "Riders to the Stars," "The Conquest of Space," and the recent "October Sky," all of which capture the time of Sputnik and big dreams. This is the way space (and sci-fi) should have been in our lifetime! I invite anyone interested in discussing this further to contact me.

Ed Uthman As with other reviewers, my impression of this never-syndicated, never-published-on-video series rests on childhood memories, in my case from age 7. However, at the time I had read a lot of popular books on the prospect of manned space flight, and "Men Into Space" resonated perfectly with the best that scientist-author Willy Ley and colleagues had to offer a 50's audience. As the episodes progressed, we witnessed man's first space flight, EVA, moon landing, and moon base operation. Space was depicted as silent (no "whooshing" spacecraft); multistage rockets were used; and full pressure suits were de rigueur. I suppose this series stood on the broad shoulders of the Heinlein-penned film DESTINATION MOON (1950), but you have to credit the TV show's producers with a level of scientific integrity not seen in in network sci-fi before or since.