Love, Inc.

2005

Seasons & Episodes

  • 1

EP1 Pilot Sep 22, 2005

Main Plot:Denise aids an old boyfriend in finding a new love and Clea confesses some not so good news about her love life.

EP2 Living Single Sep 29, 2005

Clea struggles with her emotions as she and her soon-to-be ex-husband work out the details of selling their apartment.

EP3 Mad About You Oct 06, 2005

After a chance run-in with a great looking stranger on the subway, Denise habitually returns to the location where they met in hopes of finding him again. The Love, Inc. staff has a difficult time finding a mate for Renee, a hard-to-please client who has an outrageous list of qualities that her perfect mate must have.

EP4 Mixed Signals Oct 13, 2005

Plot of this episode is not specified yet.
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EP5 Letting Go Oct 20, 2005

Plot of this episode is not specified yet.
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EP6 Hope & Faith Oct 27, 2005

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EP7 Hope & Faith Nov 03, 2005

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EP8 Thick & Thin Nov 10, 2005

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EP9 One On One Nov 17, 2005

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EP10 The Honeymooners Nov 24, 2005

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EP11 Three's Company Dec 15, 2005

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EP12 Arrested Development Jan 19, 2006

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EP13 Grace Under Fire Feb 02, 2006

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EP14 Hello, Larry Feb 09, 2006

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EP15 Major Dad Feb 16, 2006

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EP16 Curb Your Enthusiasm Mar 02, 2006

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EP17 Anything But Love Mar 23, 2006

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EP18 Cursed Apr 13, 2006

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EP19 Fired Up Apr 20, 2006

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EP20 Full House Apr 27, 2006

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EP21 Dream On May 04, 2006

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EP22 Friends May 11, 2006

Denise is faced with a major decision when her boyfriend Mike asks her to move in with him, however, when she finally agrees, matters get complicated. Meanwhile, the Love, Inc. staff tries to help a man who wants his female friend, whom he is in love with, to see him as more than just a friend.
4.4| 0h30m| TV-PG| en| More Info
Released: 22 September 2005 Ended
Producted By:
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

The energetic staff of LOVE, INC. takes pride in their success as full-service dating consultants. Leading the flourishing team is owner and founder of LOVE, INC., Clea. After her marriage of nine years falls apart, she now finds herself thrust into the dating world once again. Denise Johnson, an energetic, pragmatic, young woman who helps Clea make the company a success, is skilled at helping her clients find their seemingly unattainable soulmates, yet struggles with her inability to find true love. Making the hip busy offices run smoothly is Francine, who in addition to being a excellent wingwoman, has a great sense of fashion style and encourages her clients to trust it. Rounding out the staff is Viviana, a quick-witted and sharp tongued receptionist, and Barry, a wingman whose quirky ways and comments always stun everyone.

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Reviews

liquidcelluloid-1 Network: UPN; Genre: Sitcom; Content Rating: TV-PG (for language and adult content); Perspective: Classic (star range: 1 - 4); Seasons Reviewed: 1 season To be honest, when I watch a TV show, I certainly don't sit there critiquing the acting, story logic and visual symbolism. What fun would that be? I get a feeling about what I'm watching, and from that feeling comes an effort to describe it and break the show down in ways that others may understand it. I say that because a show like "Love, In." is a train-wreck of such horror it cannot be described in listing of technical failings, but in the general feeling that it injects in you. A great show gives me an inspired, excited, mildly euphoric feeling. "Love, Inc." is a virtually unwatchable mess that sounds like nails on a chalkboard and the feeling: it's more like Morgellon's Disease.Loosely plotted, played as loudly and broadly as possible and not the slightest bit funny, the characters of "Love" all work at a dating service where they help the romantically impaired find someone who will have them. Naturally, they can't heal their own hearts In other words, it is just about the most worthless job on the planet. They must have a day job. This can't pay the bills.There is no relationship insight here. None of their advice or techniques seems particularly innovative and all of their clients are pathetic misfits with enough of a good heart so we will root for them in the end. "Love" blatantly carries out the TV mandate to put forth the idea that everybody should get together and those that don't are "lonely and miserable". I can't fault "Love" too much for its single-minded almost propaganda-like attitude toward bashing single people, most of TV does it and because single people aren't a politically protected minority group, nobody ever says a word.But there is an attempt at audience manipulation going on here that is more insulting than the average sitcom. Holly Robinson Peete stars is the head of the business (down to Earth with her co-workers, but often succumbing to romantic flights of fancy on her own time) and the heart is Busey Phillips as the love-faithful believer. I'm going to give Phillips a pass here because she looks good as a brunette and all "Freaks and Geeks" alumni get a kind of diplomatic immunity for any future TV mis-step. It seems that Peete has staffed the business up with one eye on the quotas and another trying to make her co-workers as obnoxious as possible. From the greasy, goofy white guy (Vince Vieluf) to the loud, feisty Latina (Ion Overman, "The L Word"), nobody shuts up and all have been transparently designed to drag in the largest, multi-cultural demographic as possible. "Love" spreads itself so thin trying to appeal to everybody that the final produce is a completely diluted mess.One good idea is the episode titles, which reference other TV shows: from "Arrested Development" to "Bossom Buddies". Since "Love, inc." isn't about TV at all, I'm making a leap to say that this too is a bit of audience manipulation to lure the TV fans into a show that isn't a fraction as clever as the use of the titles. "Love, Inc." isn't worth the time it takes to tell you that it isn't worth your time.½ / 4
data_art At first glance, this show seems like it's going to be just another eye-candy extravaganza. However, it's MUCH more. I haven't missed an episode and I thoroughly enjoy the sidesplitting humor.I hadn't seen Busy Philipps before now, and she's quite the humorist and actress! Ms Gomez Preston's quippy brilliance is uncanny. Holly Robinson Peete is awesome as usual. Vince Veiluf's "interpretation of everyman" is really good. This show has plenty of potential - they meet new people constantly and their interoffice encounters are insightful, with many possibilities for depth. So far, they haven't gone with cheap humor and I appreciate that. P.S. Ion Overman?? WOW!! Angels walk on the earth.
pglen111 This show is awful and the jokes are flat and I really don't see any potential for it progressing. I don't know what's going on with these networks-maybe they need better writers or something, but most of the so called sitcoms on UPN or boring and lack humor. I like Holly Robinson-Pete, but I am just so surprised to see her in something like this. Of course, I hope the show will improve but for now it appears like their is no room for hope. The characters all appear like they don't have " life" they are all just so flat and lack energy. Everybody hates Chris is pretty funny which is a lead for love, inc, however, without it, I don't think it would have survived as long as it did.
mh1990 I love Holly Robinson Peete, and that's what initially attracted me to this show. However, the stand-out characters here are Fran (Reagan Gomez-Preston of "The Parent 'Hood") and Barry (Vince Vieluf).I think that the show is pretty funny. Not laugh-out-loud hilarious like its lead-in, "Everybody Hates Chris," but it's pretty good.Although I find the laughs entertaining and enjoyable, I wonder where a show like this could possibly go. What can they do to make the show better? Even "The Cosby Show" got better as the years progressed. What will the writers be able to do to keep viewers coming back? You can't just punch-line your way to into the classic series hall of fame. Sure, the punch lines are great, but there has to be more.Basically, I like the show (not love, as I do "Everybody Hates Chris"), but I don't think that it has any potential.