Hollywood

1980
Hollywood

Seasons & Episodes

  • 1

EP1 Pioneers Jan 08, 1980

The evolution of film from penny arcade curiosity to art form, from what was considered the first plot driven film, The Great Train Robbery, through to The Birth of a Nation, films showing the power of the medium. Early Technicolor footage, along with other color technologies, are also featured.

EP2 In the Beginning Jan 15, 1980

Hollywood is transformed from a peaceful village with dusty streets and lemon groves to the birthplace of the industry in California. Silent film transcends international boundaries to become a worldwide phenomenon.

EP3 Single Beds and Double Standards Jan 22, 1980

Fast success in Hollywood brings a cavalier party lifestyle, which led to shocking scandals such as Roscoe 'Fatty' Arbuckle's trial and subsequent acquittal for manslaughter. To tone down the image of Hollywood and curtail films with footage unsuitable to all audiences, Will H. Hays is appointed and introduces Hollywood's self regulated Production Code, which would be enforced well into the 1960s, while filmmakers still found creative ways to present 'adult' situations.

EP4 Hollywood Goes to War Jan 29, 1980

The outbreak of World War I provides Hollywood with a successful source for plots and profits. Peacetime curtails the release of war movies, until the release of King Vidor's The Big Parade in 1925. Wings (1927) earns the first Academy Award for Best Picture. As movies transition to sound, Universal releases Lewis Milestone's All Quiet on the Western Front, showing the German side of the conflict, becoming a powerful statement of war by the generation that fought it. Interviews include Douglas Fairbanks, Jr., King Vidor, Blanche Sweet and Lillian Gish.

EP5 Hazard of the Game Feb 05, 1980

Silent films are often remembered for slapstick gags and dangerous stunts. Stuntmen took anonymous credit for very little pay and could not reveal their involvement. Stuntmen Yakima Canutt, Harvey Parry, Bob Rose and Paul Malvern tell hair-raising and humorous stories, and reveal the secrets behind many famous stunts.

EP6 Swanson and Valentino Feb 12, 1980

Two of the great romantic legends of the silent screen are profiled. Rudolph Valentino's on-screen persona is remarkably different from his real personal life, as recounted by his brother, Albert, and Gloria Swanson recalls her meteoric rise – and fall – with remarkable candor.

EP7 The Autocrats Feb 19, 1980

Two of Hollywood's greatest directors, Cecil B. DeMille and Erich von Stroheim. One worked with the Hollywood system, the other against it. DeMille's pictures, lavish in detail and cost, made his studio a fortune, while Von Stroheim's similar ways, albeit to excess in footage and expense, resulted in films that were often either excessively cut by the studios or never released, leading to his being fired on several occasions.

EP8 Comedy: A Serious Business Feb 26, 1980

Hollywood learned very early how to make people laugh. Comedy was king, and battling for the throne were stars like Harold Lloyd, Buster Keaton, Harry Langdon and Charlie Chaplin. In a purely visual medium, their comedy was a work of genius.

EP9 Out West Mar 04, 1980

'The Old West' was still in existence in the silent days. Old cowboys and outlaws re-lived their youth, and got paid for doing it, by working in films. The 'western craze' really begins with stars like William "Buffalo Bill" Cody and Tom Mix.

EP10 The Man with the Megaphone Mar 11, 1980

Silent film directors were flamboyant pioneers, making up their technique as they went along. Filming 'indoor' sets on open outdoor lots and combating the elements, communicating with actors in spite of overwhelming distraction and deafening noise, directors (male and female) fashion great films out of chaos and confusion.

EP11 Trick of the Light Mar 18, 1980

Skilled cameramen had the ability to turn an actress into a screen goddess, and were valuable assets to studios and stars. With the aid of art directors, they achieved some of the most amazing and dangerous sequences captured on film, pioneering photography effects used through the remainder of the 20th century.

EP12 Star Treatment Mar 25, 1980

Producers discovered the effect of 'star power' on their box office bottom line. Creating Hollywood stars becomes its own industry, resulting in the Hollywood Star System, from which came Clara Bow, Lillian Gish, and John Gilbert, successor to Rudolph Valentino as "The Great Lover". But as easily as they made them, studios could break them.

EP13 End of an Era Apr 01, 1980

Silent films had universal appeal, simply by replacing intertitles and dialogue cards for the foreign markets. Sound film was experimented with in many forms since the 1890s, but did not become commercially successful until The Jazz Singer in 1927. Hollywood movie making was transformed and ultimately shattered, taking the careers of many silent film stars, directors and producers with it, victims of the emerging technology.
9.3| 0h30m| en| More Info
Released: 08 January 1980 Ended
Producted By: Thames Television
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Synopsis

A 1980 documentary series exploring the establishment and development of the Hollywood studios and its impact on 1920s culture.

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Dave-Nelson-UK Due to Copyright and licencing issues we are unlikely to see a re realise of this on DVD in the UK i had to watch the shows on You tube .Quite frankly one of the most uplifting moving thought provoking documentaries you will ever see , only the World at War could compete in depth of subject Producers Directors Writers David Gill and Kevin Brownlow clearly love the silent film era , this is clearly not a job its a calling .Kevin has said they had to do it as nobody else would or cared , thankfully they did as the silent stars were passing away there recollections of the era would be lost for ever .Icons like Lillian Gish in later life recounting there glorious past is quite frankly astonishing , a lot of these legends died shortly after production , by securing interviews that nobody else now can, has made this series priceless The Producers managed to secure interviews from absolute legends of the era Colleen Moore is my favourite she comes over so youthful , closely followed by the very likable "Buddy" RogersThe Producers also interview Art Directors , Camera Men , and the Legendary Showbiz Writer Adela Rogers St. Johns .A must for film fans but all a must for anyone ,
Michael_Elliott Hollywood (1980) **** (out of 4) ---See episode list for reviews of each of the 13 on their own---The film tells thirteen different stories of the silent era with things kicking off with THE PIONEERS, which features discussion of the earliest film to THE GREAT TRAIN ROBBERY and then D.W. Griffith's THE BIRTH OF A NATION. Episode two, IN THE BEGINNING, takes things to California where the industry begins to pick up steam before crashing down with the arrest of Fatty Arbuckle, which is documented in SINGLE BEDS AND DOUBLE STANDARDS. This third episode is perhaps the greatest of the set because it really shows what type of hypocrisy was going on in this country and how the studios were clearly only interested in money and they weren't going to stop even if it meant hurting someone. Hollywood GOES TO WAR covers, as the title says, talks about Hollywood and how it showed us in the war. This includes Griffith going to the front lines to get footage for HEARTS OF THE WORLD and how after the war people didn't want to see these types of films until John Gilbert showed up in THE BIG PARADE. One of the greatest things about silents are the amazing stunts and these are covered in HAZARD OF THE GAME, which talks about how these were done and we also get to hear about how many lives were lost.SWANSON AND VALENTINO, perhaps the weakest in the set, looks at the two stars and how they rose to be the giants they were. THE AUTOCRATS looks at Cecil B. DeMille whose wild demands made him a legend while the craziness of Erich von Stroheim ended his career. COMEDY - A SERIOUS BUSINESS gives small bios of Chaplin, Keaton, Lloyd and Langdon with some nice interviews and plenty of great footage. OUT WEST explains why Westerns were one of the most popular genres in the silent era and why the Old West dying sent a flood of real cowboys to Hollywood looking for a way to make a living. THE MAN WITH THE MICROPHONE focuses in on directors and their crazy attitudes and demands. TRICK OF THE LIGHT takes a look at cinematography and how the men behind the camera were often more important than some of the stuff in front of it. STAR TREATMENT goes back the hypocrisy of Hollywood and how Clara Bow's sexuality made her a star only to have the sex in her real life kill her career. We also hear about John Gilbert's rise to fame and the legends around his eventual fall. Finally, END OF AN ERA talks about the many early attempts at sound and the eventual release of THE JAZZ SINGER.These thirteen episodes pretty much tell you all you'd need to know but I'm going to guess that a majority of those familiar with silent cinema will know many of the scenes here. There is so much wonderful footage here that if you don't know a film then you're going to be doing research trying to figure out what it is and find out how to buy it. If you know the film then seeing the clips are just going to make you want to see it again from start to finish. I think what makes this documentary so important is how wonderfully well-made it is because I really do believe you could show episodes of this to people who don't like silent movies and I think they'd open up a little bit. I'm not sure if the majority of them would become silent film buffs but I think they'd view the films in a different light. I think the third episode about Fatty would show them that Hollywood has always had its scandals and it didn't start with recent celebrities. I think the stunt episode would show people how much more exciting these films were than the CGI, safe films of today. I'm sure even the most jaded person would be outraged at how the career of Clara Bow fell apart simply because of some weird folks with morals that were nothing more than double standards.Another major plus of watching this are the amazing interviews with the likes of Lillian Gish, Douglas Fairbanks, Jr., Frank Capra, Harold Lloyd, Gloria Swanson, Harvey Parry, Bob Rose, King Vidor, Janet Gaynor, Colleen Moore, Allan Dwan, Karl Brown and countless others. It's a shame that so many other well-known stars turned down the opportunity of being in the picture but we can at least be thankful for who is actually here. A lot of the interviews here are the only ones these folks did so these are quite important for that alone. The amazing thing is that the memories are so crystal clear and you can tell these people are having a great time reliving these early days of Hollywood. You can't help but wonder how many more stories they had and I'm sure several were just bursting to tell them and finally had the chance with this documentary. Again, there's plenty of footage shown from dozens of silent films but sadly many of them are still unreleased to VHS or DVD, which is a real shame. I personally can't understand how studios like Kino and Image can release lesser known silents yet the major guys can't get bigger films released.
njmollo It is a crying shame that the best documentary ever made about Hollywood's formative years is not available on DVD. In fact it is not available in any format!!!The documentary is a classic and is beautifully narrated by the late James Mason. It interviews the Stars, Directors and Propmen (John Wayne being one of them) of the silent era. This sorry situation should be rectified with a new DVD collection with extras that include an interview with its creator Kevin Brownlow.How such an incredible and revealing documentary can be ignored is a crime. Most say it is the best documentary ever made!!
theowinthrop This 1980 series was made by Thames Television and then shown in the U.S. Narrated (very urbanely) by James Mason it told the story of the birth of motion pictures from 1895 to 1927 (the entire silent film period). Episodes dealt with D.W.Griffith, the Westerns, Valentino, the Silent Comics, Fairbanks, the scandals of 1922-23 that led to the Hays Office, Clara Bow, Mary Pickford, Von Stroheim, Gloria Swanson, Garbo and Gilbert, and the last dealt with the coming of sound and it's violent side effects. Like BETWEEN THE WARS this series also had interviews with various survivors of the period (Leatrice Joy, Bessie Love, Col. Tim McCoy, Byron Haskins among them). Again like BETWEEN THE WARS the early use of "talking heads" was intelligently done - the people knew what they were talking about because they were there when the films were made. The series was superb, and has been shown a few times since. I highly recommend it.