Guilty Crown

2011
Guilty Crown

Seasons & Episodes

  • 1
  • 0

EP1 Genesis Oct 13, 2011

Shu enters his hideout for a quiet lunch only to find Inori, his #1 musical crush, bleeding on the floor. After he fails to stop her pursuers from hurting her more, his one shot at self-respect is to deliver a strange vial she stole to her terrorist pals.

EP2 Survival of the Fittest Oct 20, 2011

Now that Shu has the king’s power, he doesn’t get to sit on the sidelines anymore. Gai thrusts him straight into the thick of a battle between Funeral Parlor and the Anti Bodies--and the lives of over 100 hostages are on the line.

EP3 Void-Sampling Oct 27, 2011

Inori’s everywhere Shu goes for some reason, and it’s starting to fry his brain. But there’s no time to worry about it, because it turns out one of Shu’s classmates witnessed their terrorist action in Roppongi, and Gai’s put him in charge of the problem.

EP4 Flux Nov 03, 2011

Shu learns confusing things about Funeral Parlor’s agenda in GHQ custody, and it doesn’t help that Gai refuses to answer any questions--or that he breaks into GHQ to rescue not Shu, but a known murderer. Without any straight answers, who can Shu trust?

EP5 Preparation Nov 10, 2011

Gai's come up with a new mission, but before Shu can officially join the team, he has to show that he measures up by winning a mock battle against Ayase's Endlave. Time for basic training! But can Shu concentrate on combat after Inori turns him down?

EP6 Leukocytes Nov 17, 2011

A change in circumstances forces Funeral Parlor to carry out their attack against the Leucocyte with drastically reduced manpower, and that's BEFORE Shu pulls out of the mission. Still, learning a few new things about Gai just might change his mind.

EP7 Temptation Nov 24, 2011

Shu's mother finally comes home, only to find her son living with a girl and an underwear-transporting robot. Elsewhere, a key strategic asset for Funeral Parlor is being targeted by a missile-happy American who's just joined GHQ.

EP8 Courtship Behavior Dec 01, 2011

Gai sends Shu on a mission to Oshima, where he hopes to find "the rock that started it all." Shu's whole school club gets a free vacation as his cover, but using other people for his own ends still doesn't sit well with him.

EP9 Prey Dec 08, 2011

Yahiro reappears with Jun, who's in Stage V Apocalypse disease and can no longer battle the cancer. With Gai out of town, Shu's left to make a command decision. But he AND the enemy are about to learn the virus doesn't work the way they think it does...

EP10 Retraction Dec 15, 2011

Shu's having horrible flashbacks, both to images of his battle with Jun and to other, even more upsetting images that soon have him quitting Funeral Parlor and alienating the people in his life.

EP11 Resonance Dec 22, 2011

GHQ is awash in blood, chaos and song. As the Cancer sweeps over Tokyo, Shu faces the truth about friendship and the consequences of inaction.

EP12 The Lost Christmas Jan 12, 2012

Inori's been kidnapped by forces intent on performing a secret ceremony, and the only way for Shu to get her back is to remember what really happened on December 24th, 2029.

EP13 Isolation Jan 19, 2012

Two weeks after the sealing of Mana, Shu and his friends are now cut off from their families and from all of society as GHQ completely blockades off the heart of the city.

EP14 Election Jan 26, 2012

Rumors are flying about what's happening to people in the quarantine zone, and Arisa is losing control over the frenzied student body. To make matters worse, someone's let it slip that turning in members of Funeral Parlor might be their ticket to freedom.

EP15 Sacrifice Feb 02, 2012

Shu is conflicted about the Void ranking system, the student body is creaking under the tension, and vaccine stores are running low. At this rate, something--or someone--is going to snap.

EP16 The Tyrant Feb 09, 2012

Welcome to Tokyo: a ravaged world under merciless totalitarian rule. More and more of Shu's old friends are seeing a side of him they never imagined possible... and Shu's about to see a new side of the Voids, too.

EP17 Exodus Feb 16, 2012

Discontent within the ranks of the school is reaching fever pitch as the Exodus approaches.

EP18 Dear... Feb 23, 2012

Gai is back, but he doesn't seem like the man he was before. The Funeral Parlor regulars are in shock, Shu and Inori are in hiding, and Arisa's not having much luck winning friends on any side of this fight.

EP19 Rebirth Mar 01, 2012

Things have gone too far, and as a mother, it's up to Haruka to do something about it. But fortunately or unfortunately, no one in her life seems willing to let her--and she's not the only one who's made a decision.

EP20 A Diary Mar 08, 2012

Ten years ago on Christmas Eve, Mana, Shu, and Gai had a fateful encounter in a church. That’s the story we already know. The story we don’t know: where were their parents?

EP21 Emergence Mar 15, 2012

As Funeral Parlor and the U.N. troops converge on Ward 24--for drastically different reasons--Inori hovers on the edge of becoming Mana. Meanwhile, the mysterious boy who first took her finally reveals his plans for Shu and Gai.

EP22 Convergence Mar 22, 2012

The Fourth Apocalypse is upon us.
7| 0h30m| TV-14| en| More Info
Released: 13 October 2011 Ended
Producted By: Production I.G
Country: Japan
Budget: 0
Revenue: 0
Official Website: https://guilty-crown.jp/
Synopsis

The story revolves around Shu Ouma, a high school boy who inadvertently obtains an ability called "The Power of the Kings" that enables him to draw out items called "Voids" from other people. He is then thrown into the conflict between a resistance group called Funeral Parlor which aims to restore Japan's independence from a quasi-governmental organization known as the GHQ. In the process, Shu has to deal with the burden his ability puts on his shoulders and the horrific mystery of his past.

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Reviews

Irishchatter I honestly thought the characters and the music were pretty great in this. Although I did find that i was lost midway of the series regarding the storyline, it's possibly because there were too many characters added to the anime or just the fact it was just my way of thinking. Who knows? lolAnyways i do have to say it was sad in the end. Inori was leaving Shu and the fact she wasn't around with him 5 years later with the reunion dinner he had with the friends. I suppose the apocalypse should've been longer in that case if they both wanted to be together for longer. Which of course didn't happen and anyways if the apocalypse was longer, it would still continue to destroy and crystallize humanity. By the way, the crystallization was absouletely breathtaking in the anime. I honestly didn't see it like a threat but rather an appreciation to the anime artist's who have done a phenomenal job on getting the detail of the crystals right!Even though this anime didn't make me cry or think it was the best, it was quite nice to watch especially if you are into apocalyptic movies or series! I definately recommend you watching this to get a trill of a apocalypse!
Wanderer I've been a die hard code geass fan and was looking something similar to that anime so i came across guilty crown and decide to give it a go without checking any reviews and spoilers. First of all the opening theme song is really good and the first episode of guilty crown made me nostalgic and reminds me of code geass but as soon as the show progressed,it literally become awful. I feel like it's going at too high pace,lots of plot hole,and the development of most of the character was beyond any logic.-CONTAIN SPOILERS FROM HERE ON- And creator of the show was really unfair to the protagonist shu,first made him an orphan,then make him forget everything about his sister, then made him fall in love with a girl whom he would eventually lose at the end,made him trust a friend who would betray him later,give him power of kings and take away the power with sacrifice of his one hand,gives him cancer stone over his handsome face for sometime and at the last make him blind.Really what type of ending was that?It was better to let shu die rather then letting him living with the pain,there could have been a happy ending but the creator said no and the end the anime in awful way with death of inori.And there is no villain in the show,everyone is good just the circumstances made them bad so eventually all r anti-heroes. i find this thing beyond any logic,i was like omg i can't take this anymore. *gai-a good guy till 70% of the show,bad guy fr 25% and rest 5% he tells why he became bad just to save the world.*mana-a character with plot holes level over 8000,she was good,she was bad,she was everything. i mean there wasn't any specific way to judge the character even i've a doubt if the creator can judge her character or not.*arisa-another mindless character,almost same as gai,good-bad mixed.*daryl-a full psycho character who tries to kill all but from inside has a good kind heart.*segai-are you ever really obsessed with light over the sky far away or even a power saving bulb?if so then ur fav character must be him.**That apple guy with void power and that old man who killed shu dads,can't remember their names but they were the worst character i've ever seen.At first place the anime should not be made,it really made me tear my beautiful hair apart because i have to watched the series of 22 episode (22minutes *22=484minutes aka 8hours 4miutes :( just because i spend 30$ on it. Only good thing was music,with no doubt it was really beautiful.points for each thing- ANIMATION-7/10. MUSIC-10/10. CHARACTERS-3/10. CHARACTERS DEVELOPMENT-3/10. PLOT-2/10. First half-5/10. second half-3/10. Ending-2/10. Romance and action-4/10. logic and explaination-1/10. That feeling of awesomeness and made you cry in this anime-1/10. AVERAGE REVIEW-4/10.
crn091 So, this show is about pretty fun (not overly cool) fight scenes, a little bit about helping other people, and a lot about the love between the two main characters.I was actually moved by the love Shu and Inori had--and I don't think I've ever been moved by a show, movie, or anime's love bond, but theirs was just something special.The show is short; yet, it is easily just one of my favorites and I'll always keep it in my collection for another go-around in the future. I will say, while the last 11 episodes are packed with more action, the first 11 episodes are better, and I strangely think the last 11 could have been summed up quicker--that's not to say they are slow, for they move faster than the first 11, it's just... well, you will see.---That being said, I really didn't like the ending at all, and to me, it's the ending that really makes me want to re-watch an anime. Still, I'd never give a show a 9 if the ending was bad, for it'd be a 7 or lower, but I really did enjoy it. Not to mention it's just beautiful animations. ---IN SHORT: if you haven't watched it, do it. Set aside a week and just enjoy a few episodes at a time, and try to live in the relationship between the two main characters. Also, be sure to listen to the intro song for the first 11 episodes--I must have listened to it dozens of times.Plot: 7/10 Music: 8/10 Characters: 9/10 Animation: 10/10Overall Impression (I don't do averages for impressions): 9/10
Savo I had extremely high hopes for Guilty Crown when it was first announced. The story sounded promising, especially considering the presence of the Code Geass screen-writers, the art was easy on they eyes, and it had the vibe of a classic in the making. I finished it a few days ago and came away from the show with mixed feelings. Guilty Crown has proved to be a very divisive show, suffering some of the most hatred I have seen inflicted upon a show in a long time, a view that I partially agree with, but not to the extent that many do. Now that it has finished airing, I've decided to write about my thoughts on the series as a review.Guilty Crown revolves around Ouma Shu, a socially withdrawn high-school student, who lives in a world where Japan is under the tight-fisted control of an oppressive military organization named GHQ due to an outbreak of a deadly virus ten years previously. Shu soon gains a genetic power derived from the "Void Genome" which allows him to create weapons and tools from the hearts of other people. Shu is recruited by a mysterious girl named Inori into a freedom fighting force known as Undertaker and he soon sets out to stop the GHQ.It's not the most original story idea in the world, but its a workable concept in the hands of a skilled writer. The issue that arises is the show's obsession with becoming another mega-popular genre-spanning epic in the vein of Code Geass. Two of Code Geass's scriptwriters penned the series and its painfully obvious. Similar to Code Geass, Guilty Crown is a Frankenstein of genres, slamming together everything from romance to mecha in an attempt to appeal to a wide audience. This strategy worked for Geass, GC doesn't pull it off with quite the same level of grace. The show relies heavily on stereotypical anime clichés for its characters and story and the plot shamelessly rips off other better series such as but not limited to Code Geass on numerous occasions.Through all of this, GC still manages to be a fun ride despite the chronic lack of inspiration. The main gimmick of weapons derived from the hearts of companions is a novel idea and helps create many exciting fight sequences. The action scenes rank as by far the best part of the series. The fight choreography is well-done and sets up some heart-pounding action sequences involving everything from standard shoot-outs to mecha duels.Despite an initially strong start, GC starts staggering several episodes in under the excessive use of clichés. The plot starts running out of steam at an alarming rate and defaults to standard boring anime high school antics. However, things do pick up towards the halfway point. The show's story actually becomes somewhat unpredictable in the latter half of the series, leading up to a rushed but reasonably satisfying ending.The characters are a mixed bag. Shu isn't the worst protagonist ever, but there aren't many reasons to empathize with him in the first half of the series. Many criticize Shu for being a weak-willed character, however I didn't find him to be that unlikable for all his flaws. Shu's character evolves somewhat as the series progresses and he eventually gains some backbone as things progress. The varied cast of characters that make up Undertaker and Shu's school friends is hit and miss. Some of the characters are likable, others not so much. The one thing that ties them all together is a sharp lack of decent character development. The antagonists aren't that much out of the ordinary, but are fun to root against. Special note must be given to the character of Inori, who ranks as one of the most flat and uninteresting characters I have seen in any work of fiction. Her character is little more than an emotionless piece of eye-candy that exists solely to pander. I can't help but feel GC would have vastly benefited from a more likable female lead. Overall, the cast of characters isn't that bad, but suffer from a lack of charisma and character development.The art is, in a word, gorgeous. Production I.G spared no expense in the animation and the result is awe-inspiring to look upon. Detail fills everything from the backgrounds to the characters themselves. The coloring is particularly pleasing to the eye. The fight sequences are many times a wonder to behold thanks to the detailed and fluid animation. Its quite obvious that a lot of talent went into the production of the show. Its such a shame that the story can't match up to the exceptional production values.Guilty Crown fares very well in the sound department. The opening and ending songs are pretty catchy. The background music is absolutely superb. Certain scenes in the series are elevated from mediocrity to greatness simply because of how fitting the music is. I would say that the music in many scenes, such as in the last episode, are of movie quality. The quality of the voice acting is very good even though many times the script doesn't do the the performer's talents justice.In the end, your enjoyment of this show will depend on whether you can look past the gaping issues with the story and just enjoy it for the well-produced sloppy fun it is. If Guilty Crown would've had better script-writers, it is very possible it would have turned into a modern classic, but as it is now, GC merely ranks as a technically superb example of failed potential. For all the problems, I felt that my time with the show was time well-spent and I had a lot of fun along the way. If you don't care about poor writing and just want a slickly animated and fairly entertaining way to spend twenty-two episodes, Guilty Crown is your show; more discerning viewers will want to look elsewhere.