Majikat
A great couple of series so far for the enjoyers of detecting thrillers. Coming from the journalistic angle, the impulsive behaviour of the main character, makes for a blessing and a curse
rwade-944-564529
I started watching the show mostly to get a glimpse into Denmark. I'm sure their TV programs aren't exactly like real life the same way as American shows. However, the scenery and language and social ways can be observed and enjoyed.Over time I have grown to dislike Dicte herself more and more. She lies constantly. Being a reporter, one would expect her to be somewhat pushy, but she fearlessly barges through life like a bull in a china shop, not caring what or who she hurts along the way. She showed how far she can go when, after being warned by Wagner (in season 3) to not act on her emotions and interfere with the negotiations, she did just that and caused great harm (I won't spill all the beans). Now one of the best characters is gone. And now I really despise the Dicte character.Someone pointed out to me that Netflix likes shows where there are no good guys, where even the supposedly "good" ones have their dark sides. This show epitomizes that. I will probably watch the next episode to see what Dicte does next, but I'm not hopeful that I'll find it worth watching anymore after that.
Ake_Andersson
While Dicte doesn't pale totally in the comparison with other Nordic series production-wise, its script has lots of apparent flaws in terms of credibility and the characters lack depth of any kind. People behind the series seemed to have been too unfocused to decide whether they should develop a soup opera or a crime series.Consequently, Dicte fails to satisfy a fan of hard-boiled crime series like me because the dramatic development of the plot of every episode is just way too schmaltzy to strike the right note.And again, the main characters are not only flat and uninteresting but ridiculously unconvincing. For example, nobody who knows how things work in a Nordic country should believe that a journalist is allowed an entry into an office of crime investigators without some strict monitoring.
cguldal
Dicte is more a soap opera than a detective/crime/journalism series. At least that's how I felt. There is a lot of family and friend drama, lots of cheating, sleeping around, etc. packed into one season. It seems that everything in the town that is worth a big story happens to Dicte, or right where she is, or to someone she knows, etc. Perhaps the town is too small. Or perhaps we are to appreciate that time passes between each story (two episodes each) so other, perhaps important, things have happened but Dicte wasn't there to poke her nose in. Regardless, many of the story lines seem contrived. But perhaps the one thing that really bothered me was the whole season seemed like a pro-life advertisement. Of course, this is done in a Danish, liberal sort of way, but still there is this overwhelming subliminal message (ok, not so subliminal...) that giving away your newborn is bad, that abortion is bad, that mothers who have to make these choices are, well, not good. And of course, all homes for children are bad, full of adults who want to abuse the children... In a way, the series can be interpreted as positive in many aspects regarding these issues (as Dicte is a good mother, despite the fact that she did give away her first born after being forced to by her religious parents) but somehow every time it tried to give some great message about babies and mothers, it seemed judgmental to me. Maybe something got lost in translation, or maybe, as someone suggested, the writing was not great to begin with. The series could have been more brooding and realistic if the chose to show the lives of some of the other characters, like the lonely detective, Wagner, but it seems like they wanted to keep the show more mainstream. Congrats for having a female gay character who actually has a healthy dating life and is not afraid to talk about it, but again, more on that would have been great.All in all, Dicte is not at the same level with Wallander, for example, mostly due to the contrived stories and some weird thematic choices. The acting is actually descent, sometimes much better than descent, but the writing certainly has a long way to go.