Spikeopath
The American Civil War, and Union soldiers are imprisoned at Andersonville, a crude stockade establishment presided over by the inept and cruel Captain Henry Wirz. It would prove to be a another dark and soul destroying chapter from the war.Lets get it out there right away, Andersonville was not the only hell hole prison operating during the American Civil War. Information from both sides of the coin is available on line for those wishing to explore further. That said, Andersonville is a story that deserved and is needed to be told, and this John Frankenheimer directed two - parter brings it vividly into the viewers' lives.In filmic substance terms it has all the standard POW movie cliche's. We follow a group of prisoners and a group of "convict bullies", with those in authority observing menacingly and proving desperately carefree as to the conditions of the prison and of humane traits in general. But as formulaic as it ultimately is, there's a determination by the makers to keep the characterisations real and viable, and they achieve this in spades. Pic is also boosted by superb period detail, costuming is grade "A", while the production and art design for the prison is harrowingly effective. Frankenheimer's tracking shots brings home the enormity of the misery, while Gary Chang's score is thankfully never bombastic. Cast are a mixed bag - to be expected in such a large ensemble piece - and you can't help but yearn for more of William H. Macy.Yet even though 30 minutes could easily have been shaved off of the run time, Andersonville is a production that should stay with you. The coda serving to remind us that that should be the case. 7/10
bkoganbing
To this day Andersonville will connote unspeakable barbarism and suffering in a prisoner of war camp. Yet one has to note that part of the problem was the lack of resources the Confederacy had to maintain prison facilities like Andersonville or Libby.Before Ulysses S. Grant took command of the overall Union Army the Union and Confederacy had regular prisoner exchanges. It was shown however that prisoners never obeyed the terms of their parole, but got back into the fight. Grant changed all that when he stopped prisoner exchanges. With the north having so much more population it was only a matter of attrition before the south had to give up. The south had not the resources to maintain prison facilities, civilian or military. The south could barely feed its own population. Note the adolescent prison guards on the stockade wall. Kids that young were in the Confederate Army in the end and not just drummer boys.However the German emigrant colonel played by Jan Triska employed some barbarism of his own. He encouraged 'The Raiders' a group of some of the lowest low lives you'll ever see to form among the prisoners, to rob them, to terrorize them, to inform on them when necessary. That was a particular Andersonville touch in penal discipline. No big names are in Andersonville, but that added to the realism. John Frankenheimer got an ensemble performance second to none and an Emmy to boot. Standing out are Frederic Forrest as the Massachusetts sergeant who sees his men the best he could, William Coffin as the head of the 'Raiders', and his second in command William Sanderson the last word in bottom feeders and young Blake Heron as a drummer boy prisoner.One thing that producer Ted Turner did not do was get too explicit as to just what young Heron might have had to deal with among a bunch of isolated and starving men. Then again this was a made for TV movie, on the big screen prison rape might have been dealt with.Andersonville is an excellent production, a must see film for anyone even mildly interested in the American Civil War.
Michael O'Keefe
John Frankenheimer pain stakingly chronicles prisoners of war struggling to survive in an ill run Confederate prison camp during the Civil War. New prisoners are savagely introduced to the pecking order in this small pit of hell. Strong images support the story line for this well written and produced epic. Featured cast members in this trial of humanity are:Frederic Forrest, William Sanderson, Jarrod Emick, Jayce Bartok, Cliff De Young, Justin Henry and William H. Macy. It is hard to find fault in this glimpse of the notorious place called Andersonville.
Quinn-5
"Andersonville" is John Frankenheimer's most pivotal step in his quest to regain a perch on Hollywood's "A" list of directors, and he is in true Frankenheimer form in this latest of TNT, Civil War-oriented mini-series. Quite simply, it's about a group of Union soldiers and their span of a year doing hard time in the most infamous of Southern prison camps, and one of the most infamous of prison camps in recorded history, Andersonville, Georgia. Andersonville the prison is literally a fenced-in cesspool of humanity: it's grossly overcrowded, there's not enough food to go around, there's no shelter from the heat or cold, the creek used for drinking water is the same used as a latrine by the camp's entire population, and, on top of all this, there's a vicious gang of marauding prisoner's that prey on their weaker counterparts, taking their clothing and what little food they may have for themselves. I began watching this film expecting a smaller, tamer, less original version of "The Shawshank Redemption", and at several points you'll think likewise: we witness acts of both harsh brutality and stirring compassion, and follow our hero's as they decline physically and struggle to succeed morally. But the period setting and the freshness of the subject make it appealing more often than not. What's interesting about this big-budget, well-hyped production, though, is that the entire cast are relative unknowns, the lead role being held by a young Broadway actor named Jarrod Emick, who's acting demonstrates he is just that: a Broadway actor. He projects his voice and over-emphasizes words as though onstage, and when a dramatic monologue is in order, his facial contortions rival the worst case of constipation one can imagine. The length of "Andersonville" is a problem, as after awhile it just runs out of stuff to say, and appears to be chipping away at the minutes until the conclusion. After all, how many scenes can one sit through of watching deteriorating men rot away in sheets of rain or stifling holes in the ground . . . look for a deliciously vicious role by Frederick Coffin as the evil prison gang's leader, and William Sanderson as his cowardly right hand man. There's also a small role by William H. Macy as a Confederate prison inspector who discovers the camp's horrors and condemns it . . . great score by Gary Chang.