kluseba Zatoichi at Large is the twenty-third entry in the Japanese franchise about the blind masseur, skilled swordsman and lowly yakuza with a strong moral compass whose words speak louder than his actions. It tells how Zatoichi meets a dying pregnant woman on the road who got attacked and robbed by an unknown assailant. Zatoichi helps her give birth to a baby boy but the mother dies in the process. With her last dying breath, she tells Zatoichi the name of the father. A child witnesses the woman's death, follows Zatoichi and occasionally throws rocks at him. Zatoichi travels to the father's hometown but only comes across his sister who reluctantly accepts to take care of the child with the help of an old family of eight children. Zatoichi decides to wait for her brother to arrive in town to bring him all the bad and good news. While he stays in town, Zatoichi witnesses how a rude boss suddenly arrives, pitilessly controls local businesses and brutally makes the local population suffer. Things get worse when the baby's father finally arrives and is told by the child who witnessed the mother's death that Zatoichi robbed and killed her. Zatoichi decides to stay to clear his name, find the mother's murderer and rid the town of its new boss.The twenty-third film is an average movie of the Zatoichi franchise. On the positive side, the film's atmosphere is quite gloomy from start to finish which makes for a entertaining, fluid and intense experience. The idea to show how Zatoichi seems to be doomed to be misunderstood as that his good actions are so often misinterpreted as bad ones adds a tragic note to the movie and makes the protagonist even more interesting. The side characters are intriguing enough to make the viewers care about them, especially the dead mother's family. The final fight sequence is quite impressive as Zatoichi is attacked with burning ladders and needs to use all his skills to survive.On the other side, the film's story is quite exchangeable. Zatoichi has already taken care of children of dying parents in Fight, Zatoichi, Fight as well as in Zatoichi Challenged. This movie's boss is also quite exchangeable and not a real threat for Zatoichi. The protagonists are overall much more developed than the stereotypical antagonists who remain shallow.In the end, Zatoichi at Large will please to the franchise's collectors and fans of old date. It's interesting while it lasts but a movie you won't remember for a very long time. On the positive side, the film's gloomy atmosphere, intriguing protagonists and the final fight sequence justify watching this film. On the negative side, the antagonists remain shallow and the plot is predictable. Those who aren't familiar with the franchise yet shouldn't start here but rather watch the two excellent predecessors. Zatoichi at Large is of an average quality but a small step back after the brilliant Zatoichi Goes to the Fire Festival and Zatoichi and the One-Armed Swordsman.

MartinHafer Like an earlier Zatoichi film, "Zatôichi kesshô-tabi", this one starts with a dying woman and a baby that Zatoichi is to take to its father. Following the death of the mother, the credits roll and a singer who perhaps is well-liked in Japan begins singing--and the high nasal voice was really, really annoying. Perhaps it's just my Western sensibilities, but the song was tough to take. I think the singing is from Japanese Noh (a type of play)--but I am far from knowledgeable about those sort of things.Once Ichi gets the baby to the proper town, he finds the child's aunt and gives it to her. Oddly, however, all along the route there a little boy has been following Zatoichi pelting him with rocks. When the father eventually comes to town and thanks the blind man for bringing the baby, the welcome is very short-lived. It seems that the brat who has been throwing stones at Zatoichi is the man's son--and he mistakenly thinks that Ichi killed his mother and stole her money (this WAS done but by a thief--not Ichi). However, when the father confronts Ichi, the blind man is not angry but agrees to help the family get the money--otherwise the aunt will be forced by the local boss into prostitution.This leads to the very, very typical confrontation with the local strongman--a guy who naturally at first has his men attack Ichi, then pretends to be friends and then, ultimately, has an all-out battle with the blind man. In the final battle, the death tally is appropriately high and there are no huge surprises. However, the local constable was an interesting character and did give the film a few surprises. Otherwise, it's all very typical and familiar. Nothing extraordinary but another formulaic Zatoichi film.

leesigmon Katsu's quick-draw swordsmanship is in olympic form as per usual in Zatoichi films. But I found an exceptional amount of humor in this installment, namely from the stalking orphan who continually nails Ichi in the gourd with rocks because he mistakenly believes Ichi murdered his mother. Ichi's tender-hearted nature is in full display as he suckles a newborn and refuses to duel the orphan's father knowing what the inevitable conclusion would be. Also, the preview of comedy acts that are performed for the magistrate to qualify for entry into the festival are hilarious, most notably the monkey routine. One of my faves in my favorite samurai flick series...

Tom (bighouseaz) This is the 23rd entry in the series and was filmed in 1972. The movie soundtrack sounds like something you would here in the American TV series Kojak. A haunting traditional Japanese song balances the mood out (thankfully).Yes, Katsu's Zatoichi has been around for two decades at this point. Many of the familiar elements are in this entry as well. Zatoichi tries to reunite a child with its parent, but is mistakenly believed to be the child's murderer. There are some funny characters in the form of the festival entertainers. That same idiotic (in a funny way) husband and wife team show up again. Zatoichi does a good job trying to turn himself in to the honorable constable, but doesn't have much better luck here than elsewhere in the film.The finale also feels new, in ways similar to the Lone Wolf and Cub series which made its debut the same year. There is a menacing bup, bup, bup, bup... bass sound as Zatoichi goes about cleaning up the town in his special way. Dissonant music adds a frightening edge to the bloody resolution of the film. The final dual introduces a twist to the ordinary. It's perhaps Zatoichi's kindest deed in the film.Zatoichi cult members (myself included) will find enough to enjoy in this film All others should watch on TV or rent before buying!