rzajac The beauty of "Your Face" is in the way Plympton got a very simple idea--How many ways can you morph a face?--and then elegantly and effectively hand-illustrated the frames to bring that creative idea to rampaging life on the screen.It took the short animation scene (via the old Tournee) by storm; an immediate fave of one and all!One of the wonders of it, as the piece proceeds, is seeing Plympton's knack for imagining and capturing the "dynamics"--a surprisingly close approximation of the behaviors of the physical system he's "modeling".And it all couldn't have happened to a nicer guy: Met Plympton in Angouleme in 2000, and he was a pleasure to chat with about his latest (at the time) project.

Spondonman I was weaned on the cartoons of Tex Avery, the master of the grotesque but never gruesome. This was the first cartoon I saw from Bill Plympton back in the late 80's; obviously I was fascinated/ couldn't understand it - but I still laughed like a drain. Over the years since all the daft and savage work from Plympton I watched began to make some sense until I now regard this as somewhat of a classic; some things take time. And it's only 3 minutes long too!A caricature of a crooner warbles a weird Your Face Is Like A Song while his face contorts in utterly mind (and head-)boggling ways - that's all there is, what more could anyone want from a spoiler? It's literally side-splitting sometimes and eye-poppingly gruesome at others, although actually Plympton was holding himself back and got even more grotesque later. I needed some final barbarity at the end of the cartoon though; did the Earth merely have to smack its lips after swallowing up the crooner? My personal Plympton favourite was 25 Ways To Quit Smoking mainly because it was very apt for me at the time... although generally the advice given in either that or How To Kiss are best ignored! He can be very hit or miss at times, but is so quick and bizarre he's usually worth a look - this is the best starting point.

MartinHafer While this isn't one of Bill Plympton's best cartoons (it's way too "normal" compared to many of his shorts), it is amazing to watch--especially when you notice that this is all done with what appear to be colored pencils--a rather labor-intensive process. I really liked his insurance ads from a decade ago more--they were very violent yet charming--but still, this is pretty good stuff. Plus, after seeing the PLYMPTOONS DVD, I realize that it's the first film he made that is the classic Plympton style.The concept is simple: a guy's face and upper body are all you see and rather annoying operatic-style music plays as his face begins to do mega-strange things. His lips pop off and move about, his face repeatedly turns inside out, etc. Also, oddly enough, I thought the guy looked a lot like President Lyndon Johnson.Very captivating and deceptively simple. You just can't stop watching the weirdness once it begins despite there really being no plot.

Robert Reynolds This short, nominated for an Academy Award, is visually exceptional and conceptually wonderful. From what I've seen of his work, it's also one of the most conventionally "normal" pieces he's done! It's a kick to watch. Plympton is an acquired taste and I seem to have done so. If you like good animation that messes with the boundaries and sometimes colors outside the lines, try Plympton. By all means, catch this one! Most recommended.