Uriah43 Afraid of being caught with a stash of heroin by the Filipino law enforcement, a drug dealer named "Rudy" (Charlie Davao) slips the package inside a purse belonging to his girlfriend, "Carol Jeffers" (Jennifer Gan). When she is apprehended she remains silent in the naive belief that Rudy will pull some strings and get her released. Instead she is sentenced to 10 years of hard labor in a remote prison deep inside the Philippine jungle. Even then she remains convinced that Rudy will make every effort to get her out. Instead he tries to insure her silence by having one of her cell mates named "Stoke" (Roberta Collins) kill her. If that wasn't bad enough, the main patron named "Alabama" (Pam Grier) takes sadistic pleasure in torturing the inmates and Carol is in her sights. At any rate, rather than spoil the film for those who haven't seen it I will just say that this is essentially a B-grade exploitation film. The acting is second rate and the fight scenes leave much to be desired. Likewise, as in most films of this type one should be aware that there is some nudity and a couple of graphic scenes here and there. Even so, the story flows smoothly and there are some attractive women, most notably Judith Brown (as "Sandy") along with the aforementioned Roberta Collins and Pam Grier to keep things interesting. And while it's certainly not a great film by any stretch of the imagination, it's not necessarily a bad film considering the genre.

Michael_Elliott Women in Cages (1971) *** (out of 4) An innocent woman named Jeff (Jennifer Gan) takes the wrap for her boyfriend's heroin and is sentenced to a dangerous prison ran by the sadistic Alabama (Pam Grier). Jeff keeps holding out hope of getting out with the help of her boyfriend but her cell mate (Roberta Collins) tells her there's only one way out and that's through an escape. WOMEN IN CAGES isn't Shakespeare and it won no Academy Awards but it at least delivers what the title promises. It's easy to see why this film was such a hit when it was released because it features just about every type of perverted situation that you'd want for a sleazy drive-in movie. In fact, just thinking about the days when something like this was getting released weekly makes you wish these type of things were still being produced and especially at this type of quality. In regards to women in prison movies, this one here is certainly among the better ones thanks in large part to the Philippine locations as well as the cast. Both Gan and Collins make for good partners and while their performances might leave a bit to be desired, it's doubtful anyone coming to a flick like this is wanting great performances. Both fit their roles just fine and their beautiful bodies are constantly on display. Grier is once again the main standout as she gets a shot at playing bad and she does a terrific job with it. It's too bad she wasn't given more roles like this because it seems like she's having a blast. The film offers up women in showers, women fighting, torture sequences, sex scenes and just about everything else that fans of the genre would want. Is this a classic, all time great film? No but it's a fun reminder of what made this genre so entertaining.

gridoon "Women in Cages" reunites the three main cast members of "The Big Doll House" (Pam Grier, Roberta Collins, Judy Brown), but the results suffer from a massive downgrade in quality. Roberta once again steals the show, as she is three times the looker AND the actress that anyone else in the film is. Sometimes I had to pause the tape just to look at her amazing face. She has one great catfight here, but (sadly) she does no arm-twisting this time. Pam Grier is too young for her role and comes across as wooden, and the main lead is forgettable. The film has its moments, but it's mostly dreary and unpleasant. If it weren't for Roberta, I'd say just forget about it. (**)

Andrew Leavold American B-film companies found in the Philippines a cheap, plentiful supply of labour and locations for their tropical drive-in sleazefests. Admittedly these exploitation films are an acquired taste and a dubious form of entertainment; however they mark an important cultural milestone as the first features where a black actress, even playing a prison moll or topless revolutionary, is given a lead role of any substance. Director Jack Hill started the eightball rolling when he shot The Big Doll House in 1971, set in a nameless Latin American prison but filmed in the Filipino jungle. Unseen in Australia since the early 70s, the film featured a mixed cast of local and American exploitation regulars, but it's remembered as the first high-profile role for the later Queen of Blaxploitation, Pam Grier.Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.