American_Delight Filmmaker Danny Schechter dismisses news coverage of the budding Iraq insurgency in 2003 as "a catalog of incidents" without context or analysis by war reporters. Ironically, Danny Schechter's documentary is so poorly organized that his film comes across as a "catalog of incidents" itself: first here's a clip of Bill O'Reilly saying something pro-war, now here's a CNN reporter criticizing the embedding of reporters within military units, and here's a graphic of a Time magazine cover that he Schecter finds questionable, now look at some Abu Ghraib photos. "WMD: Weapons of Mass Deception," has a hard time staying on any one topic longer than five minutes. The only common thread is that Schecter thinks all the Iraq war journalism was crummy war boosterism.Schechter, the self-professed "news dissector," burnishes some selectively chosen evidence to support his argument. He cites the lack of coverage of the Feb. 15, 2003, world-wide peace protests as evidence that the media did not take the opposing views of war critics seriously. Fair enough, but most adults remember that, although most Americans supported the impending war at that time, the prospect of preemptive war was controversial and was being hotly debated in Congress, on talk shows, and among citizens. The idea that dissenting voices were muzzled in a country with as much free speech as we enjoy is absurd.Ultimately, "WMD" breaks little new ground. Schechter's analysis would resonate with some Democrats, but it will ring utterly hollow with conservatives who know that the only real media bias is a liberal anti-war orientation from Vietnam right up to today. This film would change very few minds, if any. Documentaries like "Hearts and Minds" and "Farenheit 911," are seriously misguided politically, but they contain far more emotional power and narrative appeal than this effort.A stronger approach would have been for Schechter to focus in on one particular aspect of Iraq war journalism, such as coverage of weapons of mass destruction. The misleading title certainly indicated that would be the focus. The U.S. ultimately concluded that Sadam maintained weapons programs for a "surge capacity," but we did not find WMD stockpiles. This was a serious mistake that all countries (even France, Egypt, and Iraq itself believed Sadam had WMDs!) need to examine about themselves, their intelligence services, their politicians, and yes, their journalists. The documentary would have been far more enlightening if Schechter stuck to "dissecting" the WMD story.

in_no_big_hurry no matter what side of the political or social or economic spectrum you fall on, you need to watch this documentary. it should be required viewing for all Americans. so many people fail to realize the faults of today's modern media. too many people take what the TV news show tells them at face value, without realizing all the inner workings behind the camera. you probably really learn more nowadays from watching The Daily Show or The Colbert Report than from CBS, ABC, and most certainly FOX. at least the first two shows do journalism, even if it is mock journalism. most mainstream news outlets today simply do "coverage" and then get their people in studio to argue over talking points. if you are curious about how the news you get gets to you (how it is shaped, filtered, etc.) i would suggest viewing this. 10/10

Dennis Littrell This is an excellent documentary showing how the Bush administration cowed, seduced and used the media to sell the Iraqi war to the American public. It is also an indictment of the media for its failure to accurately report the news during the build up to the war and during the war itself. The media, from the lofty New York Times to the unfair and unbalanced Fox News, bought hook, line and sinker the administration's tale of weapons of mass destruction in Iraq and helped Bush and the neocons prepare the American public for the invasion.A nice piece of war-prep irony revealed in the DVD was the administration's disinclination to call the plan "Operation Iraqi Liberation" since that would have led to the unfortunate (and perhaps telling) anagram "OIL." The media turned the war into a "militainment." Bottom line, the news networks stood to make mass bucks by covering the war, by playing it up in red, white and blue sets, and playing on the public's need to escape from the usual TV fare. Exciting graphics were designed by people who worked in the computer game industry. Curiously the rule, "if it bleeds, it leads" was suspended because there was way, way too much gore to show the public, especially while they were eating dinner; and anyway it would not serve the purposes of the administration to show all those dead and dying Iraqis (especially the children) smeared with blood and gaping wounds, nor ironically would it serve to show the maimed American troops. In fact, it would be considered down right unpatriotic to do so. (You'll recall the flap over photos of flag-covered coffins of dead American soldiers.) The war had to be sanitized and made palpable. Consequently what prevailed was "best bomb" footage showing really awesome explosions--buildings blown to bits, cars flying into the air as Rumsfeld enthused over "shock and awe." The fact that the shock and awe resulted in human casualties was very much beside the point. As has been said, "In war the first casualty is truth."The tactic of "embedding" reporters with the military was a stroke of genius by the Bush administration because it ensured one-sided and biased reporting on the war. Being embedded (not precisely to say "in bed with") the young, idealistic American soldiers for weeks at time, being supported and protected by those soldiers and sharing their experiences forced the reporters to identify with the soldiers and to assume a similar point of view.Sadly, the media swallowed the administration's disinformation about the never-found weapons of mass destruction without noticing that the primary justification for the war was a sham. There was also no link between Al Qaeda and the Saddam Hussein. Osama bin Laden hated the B'athist regime of Saddam Hussein almost as much as he hates Israel and the United States since Saddam Hussein is about as Islamic as say Rupert Murdoch. And of course Saddam Hussein had no use for bin Laden since he would be uncontrollable and dangerous to his regime. So that rationale was also a sham. The idea that we would be doing the people of Iraq a favor by getting rid of Saddam Hussein was also a sham because (1) any invasion would bring more misery to the people than the continued presence of Hussein; and (2) the Iraqis would rather be ruled by a dictator than be occupied by a foreign power (which is the case for practically any country in the world, including our own).And finally the idea that by invading Iraq we would be fighting the war on terrorism (which became the administration's johnny come lately justification for the war) is not only a sham and a lie, but is actually counterproductive. The invasion of Iraq has been a setback in the war on terrorism, and actually a diversion from it. It could be argued that Bush invaded Iraq because after the invasion of Afghanistan he had no plan to go after Al Qaeda and so created a diversion--a very costly and stupid diversion.The mainstream media failed not only as news sources, but editorially, and as news analysts. Like Bush and the neocons in the White House, the news media failed to look beyond "best bombs" and "shock and awe" and "mission accomplished" to the aftermath. The media also failed to educate the public on just how absurd the idea is that you can force democracy onto a mostly Islamic country, especially a country artificially formed from such diverse elements as the Shi'a, the Sunni and the Kurds. Furthermore, because the Shi'a are in the majority, even if a democracy is formed, it may be voted out with an Iranian style theocracy the likely result--not exactly what the White House had in mind. Another likely result is another dictatorship following a bloody civil war.Director Danny Schechter also points to how the press was controlled and manipulated during White House press conferences. Any reporter who asked a tough question of the press secretary or the president would not be called upon again. In order words, the press conferences were (and largely still are) propaganda opportunities for the Bush administration.It should never be forgotten that however mainstream or "liberal" or enlightened the individual reporter may or may not be, it doesn't matter because the media is controlled by conglomerate interests (think Rupert Murdoch) that own the stations, magazines and newspapers, and those guys are conservative and want support for their man in the White House, and they will not long tolerate anything else.Question: with the consolidation of media into fewer and fewer hands, are we witnessing the beginning of the death of a free press in the United States?(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

wscjr1 This is a documentary about the American media and their relationship to the military. It's all about spin. Why were newspapers and TV news so strongly pro-war in the prelude to the invasion of Iraq? One obvious reason is that they believed what the Bush administration told them about weapons of mass destruction, but others are suggested.Parts of this movie are quite chilling, such as the footage of an American tank firing on the Palestine Hotel in Baghdad, which resulted in death and injuries to journalists staying there. The film reports on some very interesting facts, such as the relationship between which news networks a person watches and how misinformed they are.One thing this movie is NOT about is the brutality of Saddam Hussein, as was suggested by another reviewer. There are some graphic scenes of children in hospitals, but their injuries resulted from American bombing.If you think that Bush's invasion of Iraq was part of the war on terrorism, or believe that Iraq collaborated with bin Laden in planning 9/11, then you will think this film is hopelessly biased to the left.