Myriam Nys The movie is based on a book by McBain. Never having read the book I can't comment on the fidelity of the adaptation. However, the movie deals with some themes dear to McBain's heart : the difficulty and responsibility of detective work ; the speed at which a problem can turn into a circus, a stampede or a political affair ; the difficulty of policing a modern city where almost all citizens (good or bad) can hide, morph and reinvent themselves. (If you're living in a large city : would you be willing to swear that the kindly gentleman sitting on a park bench and feeding the pigeons is indeed a retired high school teacher, and not an Israeli spy master or a judo instructor kicked out of the Navy Seals for excessive brutality ?) There is also a nicely satirical edge to the work.The translation to French society works well and the sun-drenched city of Nice is nicely juxtaposed with the relentlessly "noir" atmosphere. The masterful Morricone music evokes a general sense of wrongness and menace.It should be noted that Trintignant's inspector Carella is not an agreeable man : he alternates between gruff boorishness and solitary misanthropy, while exuding a smoldering, barely contained anger. One senses that any pimply teenager foolish enough to go "oink, oink" in his vicinity would become the owner of a bullet through the brain in two minutes flat. As an approach to community police work this would not be entirely without merit - but still.

Red-Barracuda A sniper is killing off a series of people who seem to be connected in some way. A detective investigating the case seems to come into contact with the victims shortly before they are dispatched.This is a stylish French murder-mystery set in Nice. It's well served on the acting personnel front. Jean-Louis Trintignant is very good in the central role as the brooding detective; while there is interesting support from others, such Stéphane Audran (leading lady from several Claude Chabrol films) and Jean-Pierre Marielle (who played a memorable flamboyant homosexual private investigator in Dario Argento's giallo Four Flies on Grey Velvet). Another welcome addition is Ennio Morricone's contribution; once again his score is excellent and adds to the atmosphere greatly. The dark story is offset effectively by its beautiful sunny locations too. It adds a bit of glamour to the grime.Sans Mobile Apparent is a well-constructed mystery with good plotting. It's a movie that is screaming out for a DVD transfer, it's one of the stronger French thrillers from the 70's.

steve-ruzicka An exceptional movie construction, masterminding the script, the actors, the music and the location. Each scene, per day and murder, and each actor's performance leave vivid pictures in my mind: the plunge in the swimming-pool, the deceived look of Gravina in her love-sex affair with Trintignant, the full power run of Trintignant around the Nice harbor, the final death posture of the murderer. Jean-Louis Trintignant camps a local French Riviera inspector, very self-image oriented as are most of the featured residents of the Cote d'Azur. A series of murders with no evident link is followed by Trintignant, each one filling a piece of the puzzle and bringing him closer to the murderer. Labro, the film director, shoots real-street-life and picks up the best essence of each of his actors. Beyond Trintignant, each other actor seems to have the second role while playing their cast with their own personality. Labro could have been another Jean-Pierre Melville and his magnificent "Le Cercle Rouge". This "Sans Mobile Apparent" showed all the promising ingredients needed by the French cinema to find a respected place in action movies. Labro followed up with "l'Heritier", not bad, far not as good, the magic having disappeared. My biggest regret: "Sans Mobile Apparent" is as yet unavailable in DVD and does not play on TV anymore.

dbdumonteil ... and his best.All that he made afterward can easily be dismissed as rubbish.A journalist -he also wrote words for some songs- he dreamed of the American cinema because he spent some of his youth on the other side of the pond.Actually,we're closer to Agatha Christie's whodunit than to American film noir.It's not a problem.It's better to have a good imitation of a detective story à la "and then there were none" than a pale reflection of Wise or Hawks.One by one,people who did something nasty in the past are slain and detective Trintignant is here to solve the mystery ,a mystery which entertains the audience till the very end .Outside Trintignant,the cast is very odd,including French crooner Sacha Distel,as an emcee of a stupid radio contest (a wonderful spoof) ,Segal, who wrote "love story" ,Chabrol's then-wife (and ex-wife of Trintignant)and best actress Stephane Audran,Italian not yet sex symbol Laura Antonelli ,here cast against type,Jean-Pierre Marielle...Very entertaining.