Robert J. Maxwell I've always admired Christopher Walken's work. It hardly matters what he does. But here, he got away from me after the first few minutes, bouncing around in black silk capes, flapping blankets, puffing a monster cigar, wearing a wig that causes him to resembles maybe Mick Jagger circa 1980. It's a positive embarrassment.The rest of the performers aren't any better, and Steven Bauer is considerably worse, reenacting his Cuban character from "Scarface." Anne Heche and Joan Chen have a delicate love scene, the film's only redeeming feature. It's nice, seeing two beautiful women making love, especially knowing that at least one of them isn't entirely straight.The main plot, such as it is, has to do with Anne Heche being blackmailed into being a stooge for the LAPD. On her first encounter with an officer, he rapes her. Everybody's rotten and corrupt. I'm not arguing that this position isn't realistic, just that it's a little depressing.The story takes too long to develop and the actors don't quite put over the character touches. Allen Garfield, absent too long from the screen, acts like a moron and is unnecessary. It would have been better if, the moment the two young ladies realized they were in love, they'd gotten on an airplane with all the money they had at hand and flown to Guadalajara. They -- and the audience -- would have been spared the pain that came later.

Buck Aroo Curiously, I continued to watch this...as unlike many flicks around these days, it was quite unpredictable. Okay. It has a few flaws, like Mister Walken's sometimes way out overacting, but this may have been down to the director's untimely death after the project was taken out of his control. Anne Heche, who everyone condemned a few years ago for riding on the coat-tails of her former love Ellen Degeneres, turns out to be quite an accomplished actress (check her out in One Kill), and is believable as a woman torn in many directions. It's also very easy to see why Walken's character would fall for her. Ryuchi Sakamoto's haunting music recorded nearly five years after the movie was shot, adds to the surreal atmosphere of some scenes, even though they can seem a little far fetched. Film Four has done a fine job restoring the movie, it's a shame though that the BBC's excellent documentary, Donald Cammell: The Ultimate Performance, isn't included on the DVD.

loig7 The story goes like this : Donald Cammell died , heartbroken by the producers' typical butchering of his film, which was released as a "straight to late Friday night" sleazy thriller; ...and, with hindsight, it's easy to believe this. Thankfully, the director's assistant was able to re-cut the movie, according to the artist's wishes and, as a result, ... "Wild Side" is a mindsuck ("suck" is not the actual appropriate word I had in mind here ) of a masterpiece.It grips you from the first scene (what on Earth is going on here, who's what, is the cop bad, is the bad girl good ??), through its barely credible tortuous twists and double-crossings, until the unescapable -and yet unpredictable- end. Followed by another end, of course.The involvement of the actors, their very limited number -hardly anyone else than the damned foursome dares cross the threshold into Cammell's world- works to perfection, as it introduces some kind of claustrophobic atmosphere (there is supposed to be a world outside these half-lit hotel rooms, but we won't see much of it until the last sequence). These four characters drift in and out, each less trustworthy than the last : past ten minutes, it will be hard to remember who's supposed to be forming an alliance against who. Key word here : intensity. Hey, the, er..., climax of the film involves the -explicitly not homosexual- gangster (almost or not : up to you to find out) raping his male driver, an undercover cop, just to prove his love to a prostitute ! Confused ? Yes, you will be, and that's nothing compared to the actual script : everyone works very hard to double-cross everyone else, not least their lover.And now, let's tackle the major asset of this film : its acting.Amazing. By now, it is pretty obvious to everyone that Anne Heche is a truly terrific actress, all ambiguity and secret resolves. She certainly doesn't disappoint her growing number of admirers here. Steven Bauer , who plays the cop, has -quite simply- never been near as impressive as he is here. But the cherry on the cake, the surge after the lollipop, the tour de force extraordinaire, has to be credited to who else but Christopher Walken.Christopher Walken, as we know, IS Christopher Walken -no introduction needed, but in "Wild Side", he just... delivers his most demented performance to date, if you can start to imagine. His endlessly fascinating ambisexual reptilian face, his weird yellowy skin, his eyebrowless laser eyes -not to forget a hair rock stars would advertise soda for-, the man is scary beyond frightening. He's not deranged, he's from another planet ! Nearly incomprehensible. Let us be very clear here : "Wild Side" is an absolute must for all Christopher Walken fans out there.There will never be another Donald Cammell film, and that's a real tragedy. Especially when you bear in mind that the man co-authored mandatory-cult-movie "Peformance", yes, the very one "Performance" that sent E. Fox over the edge for a few years. Thanks God, Christopher Walken still walks amongst us lesser mortals (and occasionally steals an entire Tarantino scripted movie by only appearing five minutes).

aidan-12 It's addictive, once you get into it - Christopher Walken's Bruno uckingham - a multimillionaire money-launderer - is dangerous and unpredictable.A casual sexual encounter between him and call girl Alex, played by Ann Heche, develops into a love triangle, or rectangle if you include Walken's obnoxious and predatory driver, played by Steven Bauer. The driver turns out to be working undercover. Walken's wife/girlfriend arrives on the scene and you have a passionate all female sexual encounter between her and the Ann Heche, who is also leading a double life.But there's a scam going on - Bruno Buckingham plans to disrupt the banking system with a computer virus and use the opportunity to transfer millions of dollars of ill-gained funds. A sting is planned by the police, but will it be successful?A simple plot, but complex encounters between various characters, captured on a hand-held camera, and with the beautiful and haunting background music of Ryuichi Sakamoto, make for a highly intriguing and watchable film, if you like this sort of thing (I do). I loved the momentary flashbacks of sex scenes in the character's head as she's in the office. A little bit quirky, like the films of director Nicholas Roeg.Christopher Walken is remarkable, with his menacing and almost other-worldly on-screen presence. Ann Heche is captivating, and the love scenes between her and Buckingham's wife/lover, played by Virginia Chow, are quite passionate, and have the quality of a real encounter.If you're expecting a simple dénouement, don't. As in real life things aren't cut and dry, though the ending is satisfying.