martypres I don't remember why I ordered this movie from Netflix, but it turned out to be on a whole other level from what I expected. And this surprise is what several reviewers have already mentioned.My neighbor and I watched it together and found our views very similar. I don't need to go into the plot as it was well covered in other reviews, but I wanted to add these particular notes.(1) I was at first concerned that the film would have the teacher-pupil relationship become sticky. I suppose I wouldn't have minded, but the story has been done so many times. It was delightfully refreshing to have the teacher act like a real teacher would with Emerson.(2) The movie was easy to understand, and identify with, showing parallel stories of everyone going through their own sea-churning bouts of relationship trips. This was handled so well. What we particularly liked was that the writers/director felt no need to over indulge their scenarios with dialogue that the viewers already knew. An example of this feature was when the police came after one of the characters and this was explained simply by showing lights flashing through a door.(3) In this vein, therefore, it was truly delightful to get to the end of the movie and to have all the loose ends tied up in one scene! We loved that particularly. Instead of going through all the repetitive scenes of how Aaron deals with his parents or his crush, he is depicted in a scene which shows us that he is coping with the normal ebbs and flows of growing up. And then, through one smile about tea bags, another relationship is redefined. Perfect. Needless to say, we loved everyone in the cast, but Aaron did stand out. We hope he continues to bring his boyish maturity to the new roles he will doubtless be offered.

Carlos Martinez Escalona The elements that were designed to visually encompass this film, are absolutely great! From the house, the clothing (or lack of) of Aaron's character family to the lighting schemes in every situation, Whole New Thing is exactly what Hollywood should tackle: a good story that resonates with real life situations, and a treatment where twists and turns, not manipulation, lead to a very convincing film.The textures of every small detail were almost handcrafted, especially the music. This is one of the reasons why Canadian films are important: they are a counterweight to American films, (though I still believe that Canadians, as Chileans, Mexicans and all of America's peoples are American).I'm proud of this film and the way it explores (maybe not in depth, because it was not its purpose) a really difficult issue to which we all close our eyes and ears, and think as impossible and weird. My hat off too for the co-writer and actor Daniel McIvor.Maybe you'll love to see this film over and over again just to discover how well done it is!

NL1971 I loved this movie - it's a good, simple, both touching and amusing story - very Canadian (that's a good thing in my book, even though I'm a separatist!). It's also great to see plots taking place outside of the usual larger cities. Cudos to all involved. But... once more, it makes me think of how frustrating it is that Canadian movies almost never make it to Québec's movie screens (I'm writing from Montréal). I once complained about this in writing to our former Ministre du Patrimoine Sheila Copps - after watching the Genies one night, not having seen any of the Canadian films in competition, as they hadn't been distributed in Québec yet! One would think that the federal government, always out to promote Canadian culture and unity, might want to do something about this! We, in Québec, are so proud of our cinema and often look down upon the R.O.C.'s production - but that's so wrong! Canada has great movie makers - but poor distribution and promotion methods and means, sadly!

Howard Schumann Canadian director Amnon Buchbinder's coming of age comedy Whole New Thing is an engaging look at an intellectually precocious 13-year old boy who develops a crush on his gay English instructor. Set in rural Mahone Bay, Nova Scotia, newcomer Aaron Webber is outstanding as the quirky Emerson Thorsen whose attraction to his teacher Don Grant (Daniel McIvor) threatens to create serious problems for the teacher, the school, and his clueless parents. While the film delves into unconventional subject matter such as nocturnal emissions and causal sex in washrooms, Buchbinder deals with these topics in a matter of fact way without taking any narrative or stylistic risks.Rather than continue with home schooling where he seems deficient in key subjects, Emerson's free-spirited parents Kaya (Rebecca Jenkins) and Rog (Robert Joy), enroll their gifted son in the local high school. Emerson has written what looks like a 500-page Hobbit novel and has knowledge far beyond the reach of his rural classmates but is lacking in social and emotional maturity. Looking sexually androgynous with hair coming down his face and a touch of lipstick, he is bullied by his classmates and sneered at when he proposes that the teacher throw away the book they are reading (Snowboard Snowjob) in favor of Shakespeare.He naively pursues his teacher Don, a gay man, but seems to have no understanding of how his actions are putting his teacher in jeopardy. Buchbinder throws in some undeveloped subplots about Kaya having an affair with a local worker and Don thinking about reconciling with a former lover but the characters are paper-thin and the stories do not come to life. Though Whole New Thing brings some insight into the confusion of an adolescent waking up to sexual ambiguity, I found the relationships unpersuasive and lacking in reality. Aaron Webber, however, is definitely a talent to watch and the haunting score by David Buchbinder, the director's brother, using Arabic, Celtic, African, and rock melodies, played on a group of exotic instruments, is worth the price of admission.