moonspinner55
Documentary about one Teri Horton, a 73-year-old former truck driver (with a colorful and precarious past) who bought a peculiar painting one day in a California thrift shop--only to discover it might be a lost masterwork from famed artist Jackson Pollock. Horton, eager to sell the painting and get on her feet financially, is unable to convince the skeptical art world of her treasure, with naysayers far outweighing the handful of experts who find evidence the painting is indeed a Pollock (the artist left the work unsigned, though a fingerprint on the back is an exact match to the now-deceased maestro). Elements of Pollock's life are explored and intersected with Horton's own background; she tells at one point of a suicide attempt that went amusingly wrong, and her no-nonsense manner and pithy, seen-it-all demeanor are both funny and touching. Short at 74 minutes, the documentary is entertaining, perhaps minor, though a testament to the stubborn human spirit. Offered nine million dollars at one point, Horton refused to give the painting up, wanting her share of the American dream for what it is rightfully going for on the artists market. **1/2 from ****
gattihogan
hi . am i the only person who noticed that when the painting was compared with the known Pollock that the two seemed to be part of the same piece of canvas, like the piece had been cut to a smaller size? there were lines that crossed over at the right places, like a puzzle would fit. i especially followed some of the yellow lines and they were continuous on both paintings. seems worth a closer look to me. i enjoyed the movie.since we are a love Pollock,hate Pollack family , it was fun to watch this film together although no one changed their mind on their position.we tried to get to MOMA recently but picked the one day that it was closed. i'll try again the next time we are in new york.
shaktimama
This film was so beautifully shot and written, the characters are so larger than life it almost seems to be fiction.Rarely does narration work so well in a documentary, but here kept me entertained and believing that the stakes were so high I almost thought it was a murder mystery! The many questions raised about fame, authenticity, and the absurdity of both the art world and the main character left me wanting more! The characters are so brilliant they seem to be caricatures played out by talented actors.I throughly enjoyed this film and highly recommend it to documentary and art lovers alike.
edstock707
This movie always keeps its tongue in its cheek. It could have made characters such as Hoving out to be despicable know-it-all who refuse to be wrong. The movie does have a "60 Minutes" feel to it, which is not surprising considering the involvement of Don Hewitt. A tendency to shade things might be expected, but really, no matter which side of the story one supports, there's plenty there to appreciate. Even the heavies in the film seem to be having a good time, maybe because they realize this isn't about some evil art forger trying to pass off a masterwork while bilking unsuspecting art lovers. It really is about the principles involved - and everyone in the movie truly does appear to be driven more by principle than anything else (with the exception of the sleazy art agent, perhaps).If nothing else, the film should end up encouraging viewers to learn a bit more about art appreciation and art history. With the ongoing controversy about the Alex Matter alleged-Pollocks, the story is timely and provoking while remaining highly entertaining. Side notes: I disagree that Teri Horton comes off as money-hungry. She reportedly turned down at least two multi-million dollar offers for the painting.The comment in a previous review regarding her unwillingness to meet with Frankie Brown, the Pollock-esquire splatter artist, is a bit inaccurate. You can read more about him and Teri Horton at www.fine art registry.com/articles/ Further investigation into the matter by Paul Biro, the art forensics specialist, is reported at his web site (Biro fine art restoration).