valis1949 WHO THE HELL IS JULIETTE? is a flimsy premise for a film, however it certainly demonstrates how an astute director can present a non-linear story with a maximum of artistic beauty and emotional warmth. Carlos Marcovich has created a most unusual quasi-documentary about the making of one of his music videos in Cuban during the early 1990's. To ramp up the sex appeal for this nondescript power ballad, he included sultry fashion model, Fabiola Quiroz. And, while in the process of filming, they met a quirky gamine by the name of Yuliet Ortega who is every bit as sexy. WHO THE HELL IS JULIETTE? meanders through the histories and back stories of the principle characters, and haphazardly reveals their personalities. And, also the movie examines the lives of people who just happen to wander by as the film is being shot. Much of the movie is gorgeously photographed on location in Havana, and the sun, sky, sex, and sea blend to create a heady concoction more potent than a very strong Cuba Libre. Yuliet is a real life character like nothing that has been seen on film. Probably she is a prostitute, but has such a bright and irreverent personality, that is is nearly impossible not to fall for her charms. She is equal parts smoldering sex siren, and headstrong and intransigent adolescent, and although she lives a very complicated life in an infamous Cuban barrio, she seems to give as good as she gets. WHO THE HELL IS JULIETTE? probably will offend as many viewers as it captivates, but I found the film a refreshing and spirited look at very low budget, almost tacky, tropical hedonism.

mifunesamurai An appropriate festival film that tackled the senses with its incorporated style of documentary, feature film and music clip. The story of a sixteen year old Cuban girl is told through some stunning photography, flashy editing and a MTV style of camera work, (really, Godard was doing this with BREATHLESS in 1959). The life of Juliette, (or is it Yuliette?), crosses paths with a model. They star in a video clip together and the story spreads from there as they both dwell on their lives and the whereabouts of their fathers. I realised midway through that I was grinning at the cheekiness the director, Carlos Marcovich, was up to with a story well told but possibly too long. And from where I was sitting there was a fair few people heading for the exit. They didn't seem to have the patience for the cheeky Juliette, or for that matter, the style of the direction.

Arnoldo Valdez This is a wonderful, highly original documentary, or is it? I'm not sure whats real or if some parts have been staged, but they depict the lives, dreams and problems of a beautiful Mexican model who is in Cuba shooting a music video and a young local girl who is cast as her sister. The film then shifts focus on the girl and what a girl she is! She's about 13 and can be very innocent and girlish in some scenes, and intelligent beyond her years in other as she speaks her mind in the wonderful Cuban-style gift of gab. Through her eyes we see the poverty that most Cubans endure and learn of the exploitation of children by idiotic foreigners who treat Cuban vacations like a sexual free for all. The girl is one of most powerful protaganist I've seen in a film and one can only hope that she achieves her dreams like those people in films like Hoop Dreams.What's interesting about the film is the almost surreal tone to the film, using visual gags and free association of images which I found original and funny. Also, the filmmakers made a choice which is one that very few documentary filmmakers make, and that is that they decided to tear down one of the walls, and actually participate in this girls life and try to help her. This if very different from the other films which at times feels like we're being voyeurs on other peoples misery.

Moro This is one of those films that makes you feel that the battle of creativity is not lost, and that Hollywood will not reign if there are filmmakers as Carlos Marcovich. This film is unique, is original, is fresh, is sincere.