torbi-2 Whitey is a horrible and fascinating character, but this doc moves away from Whitey the terror and poses the question: did the FBI and Boston authorities knowingly allow him to kill, extort and never be charged with so much as a misdemeanor during the 80s and 90s? My issue with this doc was since there are so many players in this saga, Berlinger did his best to remind you who they all were (doesn't help that they're all named Steve or John or Tommy or Debra) but even with Bulger he was James, Jimmy, Jim, or Whitey. I had a difficult time staying focused and I wish he kept a more linear narrative. The most powerful moment of the film is where Steve Davis learns (on camera) the fate of his friend Rakes—but what was such a huge moment fell kinda flat in where it was placed in the documentary. Berlinger overdid the sweeping helicopter shots (I think he was guilty of this in the Paradise Lost series as well). All in all, still very watchable though.

peter-eldon A crime documentary by Joe Berlinger (The Paradise Lost films) who enlightens the jaw dropping story of one of if not the worst criminals of Boston's history. About Irish mobster James "Whitey Bulger" who until recently never got charged for his violent criminal actions and the corrupt state of Boston including the Irish Mob, the Cosa Nostra, the FBI and the Boston State Police. A well made documentary with lots of information, sources and profiles that shows the odd and unfair world we live in. Only Osama Bin Laden was before James 'Whitey' Bulger on America's Most Wanted list. Was James "Whitey Bulger" an informant for the FBI and protected by them? / Peter A Eldon. 2014-11-11

runamokprods Interestingly, this focuses more on the crimes (or potential crimes) of law-enforcement, especially the FBI, than on the admitted crimes of terrorizing mob boss 'Whitey' Bulger. Bulger's trial is highly unusual, in that the defense is making no effort to say their client is innocent, and they know he'll spend his last days in prison (he's 83 at the time of the trial). The issue is really; instead of being an informant as claimed by the FBI and others, did Whitey really have them all on his payroll? Is the government more worried about cleaning their own dirty laundry without blame than in getting Whitey behind bars? And the larger moral question, even IF Bulger was an informant, was that really worth letting him run free, killing 19 people and raining fear on the residents of South Boston? There's no conclusive smoking gun of a conspiracy, but there sure is a ton of circumstantial evidence, and Berlinger gives a good job of presenting it in a building, cinematic fashion – starting with the simple fact that everyone knew Whitey ran the neighborhood for years and years, yet he was never once charged with anything. And then somehow he knew to run just before the authorities rounded up all the leadership of his gang, surviving as a fugitive for 16 years. Not as emotionally powerful as Berlinger's great "Brothers Keeper" and very strong "Paradise Lost", but always engaging on an intellectual and moral level.

FilmMuscle James J. Bulger probably is the greatest mobster who ever lived, ending up as the second most wanted fugitive right next to Osama Bin Laden on the FBI's list. He survived 25+ years on the crime-ridden streets without even a slap on the wrist due to—you guessed it—bribery. The potent gangster's wits never failed him until the very end; he had other fellow mobsters doing most of his dirty work like murdering countless people that found themselves involved in this monumental mess of a business in one way or another—they got whacked because they didn't abide by the Bostonian mob's rules. Not to mention, there were the innocent such as Stephen Flemmi's (another mobster by Bulger's side) girlfriend who simply chose to call their relationship off, and boom!—she was dead…because she couldn't be trusted anymore. See, this crime ring began to far outstretch its original scope as the FBI, themselves, came into the fold and started covering up the numerous nefarious acts committed by these heinous criminals for favors like protection or a nice wad of cash into the pocket. Everything was covered up; everyone continued with their respective business, and everyone protected each other and let nothing slip until the eventual downfall materialized. Suddenly, several mobsters were revealed as FBI informants, and the government agents and gangsters started ratting out on one another, culminating in a colossal display of pure chaos. This intriguing documentary adopts a crime-thriller style (oftentimes resembling the tone of a film this history actually inspired: The Departed). Acoustic guitar music plays in the background as the true depth of this whole scheme—the chilling ties between the government and the menacing wiseguys out and about in our streets—unravels. An abundance of information and interviews with highly significant figures in this horrific matter flesh out an incredibly compelling and scary story of America's troubled past—of a corruption that streams not only through our transparently wicked but also through those who've promised to serve and protect us. The smell and appearance of money tempts and is never rejected by any human being, and that is the frightening point that is expressed herein: "anyone is prone to corruption" as the film strongly emphasizes. There is no escape from the toxic system we've built and deeply dug ourselves into—the depravity of capitalism will persist 'til the end of days. In terms of documentaries in general, this will be a very entertaining experience for anyone even though it occasionally gets wrapped up in its somewhat sophisticated presentation of facts, terminology, and the multitude of individuals involved throughout this shameful era. Whitey: United States of America v. James J. Bulger also interestingly does something I see all too rarely in documentaries: even those who you witnessed being interviewed in-person somewhere during its duration unexpectedly meet their deaths in the coming months and years as the narrative proceeds, excellently showcasing the extent of time the filmmakers dedicated to this project and the refreshing unpredictability that comes with it. Overall, this thrilling account will allow you to look through two equally felonious perspectives (that are supposed to be operating on the exact opposite sides of the law, mind you) that first support each other but then come to a clash as all things do: the mob circuit and the US government. If that premise doesn't fascinate you, I have no idea what will.