jocrafford
I've caught this film several times on cable networks and found myself glued to it wherever it happens to land. Danny Hoch is totally mesmerizing as Flip, the misguided white boy who wishes he were black. Much of the humor is sadly pathetic but also entirely poignant. I happen to be among those who think that hip hop has been a disaster for the youth of America and the world. I originally thought that rap would be a doorway to literature and poetry, but instead it has proved itself to be an excuse for thuggish behavior. The values of the hip hop culture seem to me to be materialistic and shallow. Flip and his crew journey off to Chicago where they end up in one of the nastiest reality checks that could have possibly imagined. This is a wildly entertaining flick, very funny and very sad.
timothy-oreilly
This movie is a landmark film. It may well serve as the most important tool available to young white males to illustrate how incredibly stupid they look trying to be black. I firmly believe that if this movie is shown in schools there may yet be hope for a future for Caucasians everywhere. Stoop Dogg was instrumental in making this film and that's important to note due to the fact that he's come far enough in his career that he no longer needs to placate young "wiggers" by reassuring them that they don't look stupid trying to act black, and has gone so far as to make them look stupid directly and make a movie about it. This film did not enjoy wide distribution due to the entertainment industry's fear that white people would stop buying C rap music and they would lose those dollars. I applaud Fox's decision to distribute this film and will make every effort to support them in all of my movie watching choices in the future.
davesteele-1
Someone needed to make a movie like this, a commentary on how white suburban teenagers have latched onto hip-hop and "ghetto" culture, and made it part of their identity, when in reality they don't have a solitary clue of what it means to be Black in America. Someone needed to make a movie that made the point that white America's affinity for Black culture rarely translates into actual understanding of Black people as actual human beings, or into an understanding of their situation. Someone needed to make a movie that showed hip-hop-as-consumed-by-white-kids as what it is: a new version of a very old theme in American popular culture -- the Black man as dirty savage, cunning and dangerous, yet stupid and witless at the same time.But "Whiteboys" is not this movie. The movie can't seem to decide if it's a comedy or a cutting social commentary, or both. So it fails as both. The central problem is that the main characters are stereotypes themselves, the East Coast-imagined version of what someone in Iowa is supposed to be like. It's impossible to believe that Flip and his gang are for real. Flip especially comes off as a delusional mental patient, not as a misguided, out-of-touch kid. The images of farm life were as cartoonish as the images of hip hop life the movie was mocking. Perhaps this was part of the point, but all of the overlapping of targets of parody just made the whole matter confusing.The movie would have been much better off if had ditched the whole Iowa-farmer theme, stopped reveling in stupid images of kids rapping in farm fields, and instead focused on a group of kids in Any-Suburb USA, the kind of kids that we all have met -- privileged white kids who are drawn to the false glamor of ghetto life presented on TV, utterly oblivious to their own privileged station in life.
lamp23
With this movie, Daniel Hoch certified himself as one of the most promising actors ever. Appearing in such historic films such as Prison Song, Jails, Hospitals, and Hip Hop, and who could forget Timmi Hillinigger from Bamboozled, he has shown why he is the best at what he does and what he does is act. Must see movie.