Woodyanders Ruthless advertising agency head Dan Cutler (Alan Alda in superbly slimy and fearsome form) pushes the men who work for him as well as several clients to participate in a white water rafting expedition with tragic and disastrous consequences.Director Robert Butler keeps the gripping story moving at a steady pace and presents all the startling events in an evenly balanced manner without ever resorting to needless flashy flourishes or sappy sentiment. Michael Butler's tough-minded script boldly addresses such provocative issues as abuse of power, moral responsibility, and the brutal spiritual price to pay for tenaciously abiding by and adhering to the ferocious cutthroat nature of the corporate mentality. The uniformly fine acting by the top-drawer cast holds this picture together, with especially stand-out work from Peter Gallagher as the conflicted and conscience-stricken Jack Robbins, Robert Loggia as lovably gruff retiree Nick Karas, Bruce Altman as the amiable David Koenig, Fionula Flanagan as Nick's hard-nosed wise Gena, Dakin Matthews as the decent and honest Andy Thornell, and Ken Jenkins as the shaken Jerry Taggert. Lloyd Ahern II's sparkling cinematography provides lots of breathtaking images of the roaring rapids. The spare moody score by Pray for Rain rates as another significant asset. An absolute powerhouse.

GUENOT PHILIPPE This TV movie have already been aired in France, but I certainly missed it. Anyway, the story described here, and an actual one, is interesting at the most. In the line of DELIVERANCE and THE EDGE, but also of an another french movie called FAIR¨PLAY, released in 2006, and telling the story of a bunch of executive lead by a ruthless head chief who push them to the limit, in order to make them real "killers" for the business. Like in this item, character description is at a top level. and also in FAIR PLAY, it is question of rafting in dangerous waters.I guess many more films or épisodes were made around this scheme, because it is actually very used in major companies for their executives, to make them real sharks, for each other and for the clients. Terrifying.

Steve Skafte The intensity of "White Mile" is somewhat surprising. Oh, I don't mean intensity in the way the DVD case will have you believe - all action and peril in the vein of "The Edge". In fact, the white water rafting is ultimately a very brief portion of the story. The stars of the film (Alan Alda and Peter Gallagher) offer up both very solid and very conflicted characters. At first, the depth is a unexpected thing. We aren't given basic sketches created simply to graft onto a script. Michael Butler has written this film as, essentially, a moral dilemma. In the end, it is so much devoted to this approach that we never quite get going in a fully emotional sense."White Mile" made me think. That's a good thing. It didn't particularly make me feel, but I'm okay with that. The acting was good, the direction adequate, and for something I went into without expectation, I can't say I'm disappointed. Good film.

rsoonsa This work relates, speaking in broad terms, a narrative (based upon a true story) of a group of executives that is pressured into taking part in a whitewater raft trip, during which an unfortunate incident occurs. A subsequent lawsuit which addresses the incident completes a good portion of the film. The entire production wants nothing, as all involved perform at a high level. The scenario, by Michael Butler, is stripped neatly to its essence, and immediately engages the viewer with its combination of visceral excitement, suspense, and character development. The direction by the veteran Robert Butler is precise and enhanced by the splendidly balanced casting. Alan Alda gives his finest performance, softly creating a characterization which fascinates as it develops. Among other cast members, Peter Gallagher, Bruce Altman, and Robert Loggia offered nary a flaw in this seamless tale. The scenes immediately leading to, and including, the actual raft trip are enthralling as a test of strength between Alda's character and his companions, a test that reveals varying moral sensibilities. Editing, in a film reflecting issues of larger scope than are commonly seen, provides an important framework; here, a linear structure is created and moves smartly. The cinematography and lighting, under the aegis of Lloyd Ahern II, can be enthusiastically endorsed (with a wide range of scena) as a standard to be envied. The score by Pray For Rain, refreshingly non-DJ, implies applicable emotion neatly and nicely throughout this interesting and beautifully balanced motion picture. An obviously high level of preparation by all involved brings forth one of the finest films of the 90s.