happytrigger-64-390517 If you loved "Les Diaboliques" and "Vertigo", thanks to Boileau-Narcejac stories and masters Clouzot and Hitchcock direction, you'll necessarily love "Maléfices" adapted from the same authors and directed by another master of French Film Noir, Henri Decoin ("Non Coupable", "La Fille Du Diable", "Enre Onze Heures Et Minuit", "La Vérité Sur Bébé Donge", "Razzia Sur La Chnouf", "l'Affaire Des Poisons" among the best ones, often written by himself). "Maléfices" is a bewitching love story, a real spiral to damnation, set on an island linked to the french Atlantic coast with the famous Passage du Gois, long road sometimes covered by the high tide with shelters all along for people who didn't watch for the hours of the high tide. Even if the casting isn't as great as in "Les Diaboliques", everybody's fully convincing, Juliette Gréco in first place. "Maléfices" is another unknown gem of French Film Noir, unforgettable.

dbdumonteil On Noirmoutier Island,The Passage Du Gois, a periodically flooded causeway is unique in the world for its length (4.5km), . Its 9 signals provide sanctuary to the more reckless who are taken by surprise as the water rises.(Tourist Office)Noirmoutier has been connected to mainland France by bridge since 1971-the film was made in 1962 ,so the only way to the island was the Gois. Henri Decoin's Films Noirs of the second half of the fifties were only a pale reflection of his great movies ("Non Coupable" "La Fille Du Diable " " Les Inconnus Dans La Maison" ....)But in 1962,out of the blue, "Maléfices" nearly matched Decoin's heyday ,with its deadly charm,its oppressive atmosphere, its sense of mystery ,and unabashed confidence when the overrated Nouvelle Vague was ruling.Given inspiring material, the director could still rise to the occasion.And the material is first-class: a diabolic(!) suspense by Boileau- Narcejac :must it be repeated that ,without them "Les Diaboliques" and "Vertigo" would never have existed ?The movie begins with a long panoramic shot on the famous Gois (see above)enhanced by a lugubrious ominous score .François ,married to Catherine ,lives in Beauvoir/Mer .He is a vet surgeon and he travels all over the region ,in his Deux-Chevaux car .The first scene (not from the novel) shows a peasant whose cow is sick: he does not really believe in science ,but he does think there is a curse on his cattle .François does not take it seriously and however...Called on Noirmoutier island to treat a sick leopard ,the vet meets a mysterious attractive woman,Myriam .Almost reluctantly ,he becomes her lover in a house where a statuette and disturbing paintings made by the owner who was born and lived in Africa for years seem to have maleficent powers .Myriam,jealous and possessive does not want to share her lover with his wife .And because of a strange (tropical?) disease , Catherine falls into the well:although she survived the "accident" she becomes sicker and sicker: illness or poisoning?Or did Myriam cast a spell on her? The disturbing woman wants to return to Africa and François to follow her there.Having read books provided by a strange doctor,François begins to believe in black magic power.The only way to save his wife would be to break the spell while following his mistress ...Decoin takes advantage of the filming on location (the tragedy on the Gois is a model of simplicity and efficiency),he makes the Noirmoutier landscapes as threatening as Henri Calef did in 1949 with Le Mont Saint Michel in "Eaux Troubles" .And those who read the book will agree that Juliette Greco was the ideal choice (I cannot think of another actress in the part of this sexy witch ).Against all odds ,and without writing a spoiler,one can go as far to write that "Malefices" is a story of Amour Fou ;and when it's over ,the viewer will not really know who really killed who.The novel begins with a confession the hero sends to the police and the story is a long flashback.However the screenwriters did a very good adaptation,to creditable effect."Maléfices " was Henri Decoin's (short-lived ) renaissance.It's his only worthwhile effort in the sixties ,and it is a sparkling black diamond,the lost great thriller of the era.Like this? try these..."La Cage" Robert Darène 1963"Rosemary's baby" Roman Polanski 1968 (note the similarities when François reads the black magic books.)