siderite
The thing that shines most out of this film is the plot. The avenging son doesn't just come and kill people, he uses cunning to make them trust him and distrust each other, he separates them and then kills them when he has the upper hand.The problem, though, is the amateurish directing and acting, something that I know well enough from my own country's productions. The fact that the language is Icelandic (and the horses, too, that's funny) doesn't help much, nor does the clearly minute budget.In a way, I agree with many of the people that reviewed this positively: this felt like a real life Viking saga, with normal folk being dressed in animal fur and fighting with bow and knife in a dreary land. However, too much realism is bad as well, and I imagine the film would be liked only by a minority of viewers because of it. In fact, it feels like old Spaghetti westerns at times, with the bad sound and silly music added after the filming.Now, I can imagine this done by Hollywood. They would definitely remove what was good with the script, because their heroes must always be moral and trustworthy, either white or black. The role of the woman would be relegated to something helpless, begging for assistance, rather than the courageous stance the Icelandic character takes. The fights would be epic, touching steampunk, with weird contraptions that mass murder tens of people (but without blood). When I compare this projection to the actual film, the Icelandic version wins, however I can't help think of what this could have been with just a little more resources at their disposal.
denis888
When I first saw this marvelous film in 1999 in Russia, I could not believe my own eyes - in fact, I had never seen a single Icelandic film before that, this was the first and what a great sensation! This is a highly elegant, smoothly done and excellent work. The idea is pretty simple, Gest, the main hero, comes to take revenge for his slain parents. The whole story takes place in 900's, so Iceland is still a heathen country, god Thor is frequently mentioned and his one-eyed figure is also often addressed to by several characters. What really marvels there is the superb combination of the actors' play, impeccable nature, and the spellbinding soundtrack. This terrible, never ending, incessant rain that falls throughout the film is just another character - it adds to the gloomy picture and the dark feeling of the main hero. His revenge is slow, but irreversible, he does what he thinks he has to. And he succeeds. The whole film leaves a great, lasting and powerful impression. Watch it, it is a must!
Tony
Gest goes to Iceland in 894 to avenge the killers of his parents. There are some memorable moments in this film. The opening credits scene revealing the Icelandic coast with the powerful music lets us know we're in for something different. Gest is heavily influenced by The Man with no Name in Leone's westerns and Einarsson does a good job portraying such a figure.The opening scenes are the best, especially the 'Tungur Knivur' scene. The film goes on too long and I didn't like the sanctimonious message in the end especially when the director's commentary on the DVD confirmed that he was trying to show the futility of violence. If somebody walks all over you you gotta stand up for yourself. It was also unrealistic. Gest would really have held on to those knives considering it was ninth century Iceland and how the hell was he going to get home.
shirokishi
Sure, this is a great movie. It has never been arrived in Italy but thanksgiving a friend studying in Iceland (thanks Ivan!), I can see it. I have found somewhat reminiscent of the atmospheres of Sergio Leone's "spaghetti-western" in this viking's REAL-life based film. And the name of director is, actually, Hrafn... Raven, of course! He has tried to destroy the viking's stereotypes typical of Hollywood, and the result is admirable and remarkably beautiful. The duel scenes are memorable... you MUST see it!