criticadorai I love Argentina, finally a film from that beautiful country discusses sad historical topics in a relaxed, humorous way, without making a pamphlet, or using so much suffering in a commercial way.In a time when cinema is violence, rape, drugs or narcissistic pose, to see people like Cusack and Pacino so close to us and themselves, talking politics and art, with no fear of being disconcert by our times, makes of this movie something very special.

lisalowell-17822 Pacino's character was right in this film. It's lais·sez-faire approach makes it poignant, up close and real and makes modern feel modern all over again. It's nice to see American actors getting to be like in European movies, talking back about American politics like that, without being lazy-cynical or nihilistic, just saying what is, and keeping it playful-real. Friendly, like it's supposed to be, even though all the darkest themes are on the roster. This is the dialogue America needs to be having. I loved all the songs too. They sport classic pop/rock undertones, with some of Hipp's Philly cheese steak grease warps in just the right places. Lyrics! Melody! I feel like I got to hang with the boys on this one, and watch them play at life, however daunting the playground.

margaheyerdahal If a society avoids to face its own history, becomes a factory of stories in order to disguise facts. That we are living that in Argentina.But like in his film Buenos Aires Viceversa, Agresti denounces that in We are not Animales. Here he cleverly commits the "sin" of making fun of Story telling, Plot, and all the shebang, underscoring those elements in order discuss History from an apparently superficial set up. The second view of the film brought to my attention certain patterns that, late at night, the first time I was not ready to catch (Also because I was expecting a standard Cusack film). The film discusses Art and Politics on a way that I'm not sure that here we are ready to digest. To mention chronologically some structural points of this kaleidoscope: Concentration Camps, Aramburu, Evita, sons of assassinated people during the military, West Point Academy,Trelew, Do a Story need cameras?, freedom, It was a War or not?, Obama, Terrorism, Justice, Participation of US on Argentine Genocide, Faith and church, Generalization of US a Evil, What is culture?, Media manipulation, Do we have to tell our kids what happen, or better we let them grow free from the demons and resentments of a country in which we are all partly responsible of the mess? --The easygoing tone of the film, the courage to trash Story in favor of History, makes this an unique product, to be analyze more relaxed but deeply (also a strange combo?), than a normal movie. Probably Groucho Marx would had understood it much better, the other Marx too.

Christopher Curtis This might be the worst film I've ever seen. Oozes pretentiousness. Has no plot. Isn't funny. Lacks characters do nothing to endear you to them. They have no arc. And now they're making me write 5 lines on it, but I just had to write a review so nobody else fell in the trap of watching this film. It's also stupidly long considering that NOTHING happens. How it has an average so high I'll never know. End of story.