MartinHafer
Completed in 1948 but not released until 1950. This would seem to be the kiss of death for a film as usually this means a film is a mess and the studio doesn't know what to do with it. Sometimes they redo parts of the story and sometimes they just cut their losses and release it--either way, a film that's pulled off the shelf is NOT a sure sign of a successful film! Sure, there are a few exceptions (such as the recent "Tucker and Dale Versus Evil"), but most such films are duds. Is "Walk Softly Stranger" a dud? Read on...This is a confusing film. Now this is NOT meant as a criticism but more a reflection on the sort of character Joseph Cotten plays in this movie. You just aren't sure what sort of man he really is. The film begins with Cotten arriving in a small town. He announces that he'd lived there as a kid and has now returned but you can't get past the idea that this is a con. You doubt his motives even more when you see he's living two lives--one as an employee at the local show factory and the other as a professional gambler and thief! And, while he definitely has a hard side, he also begins dating a lady in a wheelchair (Alida Valli) who thinks no man could even want her. What gives?! A 'nice' crook with a heart of gold?! And, is he really Chris Hale? Ultimately, it turns out even he doesn't know! All this story leads to one of the best finales I've seen in a film of this era. Just stay tuned to the exciting car scene--it is simply brilliant and I don't know how they managed to make it look so real. Gripping--that's for sure.An excellent sleeper--why did these idiots hold on to this excellent movie so long?!
David (Handlinghandel)
I gave this a six because it is sort of a film noir. It's not really very good, though.Joseph Cotten was a superb actor. He did fine work for Orson Welles and is unforgettable in "Shadow of A Doubt." He was a low-keyed performer. However, he seems to be walking through this movie half-asleep. It's hard to get a fix on the character he plays and when we do, we don't really buy it.Alidda Valli was attractive but not much of an actress. She is implausible as a heavily accented local in a small city -- despite the explanation that she had been away till she was 18. The whole thing with her in a wheelchair and Cotten's being redeemed by dealing with a disabled person: Please! (That is giving nothing away. It's clear this is where the plot if going as soon as he meets her.) I saw a commercial video and sequences seemed to have been cut. If not, the editing is sloppy: There is a brief sequence in which Cotten's character is playing cards with an older woman whom we are apparently meant to know. I didn't recall having seen her before. Maybe I had dozed off. (But I don't think so.)
kyle_furr
This film stars Joseph Cotten as a con man who robs a gambling house and then goes to his old hometown in Ohio to hide out. He meets a girl he once knew but she's a cripple, but he doesn't care. There's more to the story but i don't want to spoil it. There were some things that didn't ring true and the movie is just too short. Joseph Cotten does a good job as does the rest of the cast.
zetes
Ever wonder what happened after Anna walked past Holly Martins in the final shot of the 1949 masterpiece The Third Man? Well, apparently, Holly followed her and broke her legs...In Walk Softly, Stranger, Joseph Cotten plays a crook who assumes a new identity in a small town in order to start a new life. Gangsters whom he robbed are after him, and with the money he stole he believes that he can live a peaceful life. In this town, he meets a young paraplegic woman played by Valli. She was also a gambler, but her wild days were over after she took a tragic spill while skiing. The two begin to fall in love. It's probably the only time a disabled character ever had a major role as a love interest in classical Hollywood. Heck, if someone were to play the same role today, she'd probably win an Oscar! Soon, Cotten's old partner turns up in the town broke, begging for more money. He accidentally let spies track him.
The film is very low-key. In fact, it may be too low-key. The romance between Cotten and Valli is effective. It's difficult to know whether or not he is just taking her for a ride for a long time (she's wealthy). The dialogue is sometimes quite clever (and, then again, it's also sometimes too clever). It's the crime part of the picture that's particularly pedestrian. And the end is kind of lame. All in all, it's only 80 minutes long, and it's entertaining enough to maybe sustain that. Valli and Cotten were so much better in The Third Man, but fans of that film might delight in seeing the two as a couple here. Still, with the way that The Third Man ends, it's actually a little disappointing seeing the two actors on screen. The final scene of that film should have been the final word. 6/10.