MartinHafer Calling this movie a propaganda film is no insult--it was released very shortly after the actual fall of Wake Islan and was an effective way to put a face on these doomed defenders and energize the people at home in the war effort. Since it was completed so quickly, the exact details of the final doomed days of the soldiers was a bit murky so the studio filled in the gaps with fictionalized accounts of this struggle.The film begins just before December 7, 1941 and the island is in the process of being turned into a military base. Civilian engineers and soldiers cover the barren island and they are unaware that they were directly in harm's way. Soon, the troops on the island would face invasion and annihilation.As I said, the individual accounts of heroism were fictionalized through the creation of some characters such as those played by William Bendix and Robert Preston (who seem like an old married couple with their banter) as well Albert Dekker (who, as usual, plays a loudmouth patriot), Brian Donlevy and Macdonald Carey. The acting was very effective even though by today's standards some of the stories seem a bit clichéd--they were perfect for the time.While far from one of the very best war films made during WWII, it was better than average and is well worth a look. Excellent quality and a rousing script make for a very good film.A final note because I am an aviation nut. I hated one part of the film--the aerial scenes were often bad, as monoplanes (with a single wing) often magically became biplanes in mid-air (with two wings). While I could forgive them making Japanese planes that looked nothing like the real thing, having them change so radically in mid-flight was unforgivable. Did they think the audiences wouldn't notice?

Bandit1066 The film glorifies the American fighting spirit at its best: an isolated contingent of dedicated soldiers, cutoff, with no hope of rescue, resupply, or reinforcement. The movie is essentially factually correct, particularly the thwarting of the first Japanese attack by holding fire until the invading fleet was within a few thousand yards of the island. The film omits the fact that a large number of civilian construction workers and soldiers were captured, most to be sent on the "death march," some to remain behind as captive labor until the end of the war, and then summarily executed by their Jap captors. Neither does the film show the conscious decision by the Navy to abandon any attempt at rescue because of fear of another attack on Pearl Harbor. Too bad, they probably could have been saved. But, then we never would have heard of Wake Island.

PWNYCNY "Wake Island" is one of those movies that cannot be dismissed as mere World War Two propaganda. The fact is that the battle for Wake Island actually happened, which is what this movie is about. Okay, some of the characterizations are pure Hollywood and the conflict between the military and civilian personnel is contrived, yet what is NOT contrived is the event itself. A small detachment of Marines and civilian contractors did hold the Japanese at bay for about two weeks and did this knowing that they were on their own and that there would be no reinforcements. So let's give credit where credit is due, and take the time to watch this movie. The men on Wake Island were heroes and this movie does them credit.

Robert J. Maxwell Three plots are going on simultaneously in this movie. (1) The conflict between the Marines manning the small garrison at Wake Island and the no-nonsense Pan American construction crew preparing a berth for the Pan Am clipper. (2) The horseplay and bonding between Robert Preston (who must have had one of the longest careers as a supporting actor in Hollywood) and William Bendix as the Marine enlisted man who wants to unenlist so he can marry the delectable Myrtle. (3) Then there are all the Americans fighting against overwhelming Japanese naval and air forces.This was one of the first war movies ground out after Pearl Harbor but it doesn't look especially hastily done. The Salton Sea location gives a good imitation of a flat, sandy Pacific island, which is pretty much what Wake Island was. The garrison was so tiny that only 47 enlisted men were available. The Marines and the Navy pilots fly F4F Wildcats, and this was crucial to the defense of the island. Most of them were destroyed on the ground or in accidents. But the few fighters available and the handful of relatively small caliber coastal defense guns inflicted serious damage on the first Japanese fleet, mostly by lying low until the invasion force was well within range. A second invasion attempt succeeded, after all the Wildcats were destroyed. The commander surrendered, along with the few survivors; they didn't sacrifice themselves to the last man as shown in the film. (What would that have accomplished?) But the movie was a great morale raiser at a time when the country desperately needed some morale raising.The conflict in goals and styles between the Marines (all discipline and training) and the construction men (shabby, rough-and-ready improvisers) is, I suppose, designed to teach us that we all have to work together now that war is upon us. It's rather clumsily done. Albert Dekker as the construction boss is unnecessarily nasty and contemptuous, and Brian Donlevy as the commander of the Marine forces is the soul of patience and reason. The subplot gets the job done but it's something like having your kindergarten teacher beat the letters of the alphabet into you. I rather liked the comedy relief provided by Preston and Bendix. Preston keeps trying to talk Bendix into reenlisting in the Corps but Bendix is determined to become a married civilian. Extolling Marine Corps life, Preston urges Bendix to close his eyes and think of what he REALLY wants. "All I see is Moitle," Bendix says. "No, no, no. Forget Myrtle. Close your eyes and put your hand over them and think -- now what do you really SEE?" Replies Bendix, "Nope. It's still Moitle." This is the kind of friendship you see only in the movies. They fall into fist fights at the drop of an insult, but are willing to sacrifice their lives for one another. It is a bit tedious in parts. But the end, some hyperdramatic touches aside, sticks pretty close to the historical facts. No, we didn't mount a successful defense of Wake Island. How could we, with so few supplies and men? But, like Pearl Harbor, it was the kind of defeat that could almost be depicted as a victory, both honorable and inevitable. And check out the cast! So many faces that were later to become so familiar, many of them uncredited. Dane Clark, James Brown. It's worth watching, though there is little about it that's gripping. The photography is notable -- crisp, clear, sunny black and white, with the sun scintillating on the surface of the sea. And the war scenes are unusually well done for such an early example of the genre.