moonspinner55 A dry cleaner's son in New Jersey has an offbeat meet-cute with a pretty girl: he's making a record of his singing voice in a phonograph booth while she's using a name-plate machine to put her name on a good luck charm (she runs off but conveniently leaves the charm behind, so that the singer will at least know her name the next time they have a meet-cute). Turns out the girl, a teacher at a school for the hearing impaired, is deaf herself, and her imperious mama doesn't want her hanging around with a would-be singer from Hoboken. Fraudulent 'feel good' romantic-drama from an almost intolerable genre: the handicapped love story. Arriving in theatres just two months after the slightly more-popular "Ice Castles" (in which a blind ice-skater made her dreams come true), "Voices" was written off as an also-ran. It doesn't really deserve a higher status, either, although Amy Irving has a plaintive beauty that is beguiling (her character is made to be too shy, however, with the eventual warm-up arriving too late). As her paramour, Michael Ontkean must enunciate his words so she can read his lips, but that doesn't excuse him shouting all his dialogue (which isn't worth deciphering, anyway, especially when he begins sentences with "Listen..."). Alex Rocco, Herbert Berghof and Barry Miller are a lively bunch as Ontkean's combative family, but the romance between the young lovers fails to bloom. As such, the happily-ever-after finale feels like quite a stretch, indeed. *1/2 from ****

gcsman I admit that I'm an Amy Irving fan, but this movie is one of the reasons why. Playing a young woman who lost her hearing at age 6 from a severe illness, she acts with just her eyes, subtle facial expressions, sign language, and body language. She inhabits this role from the inside out so convincingly that you forget you are watching someone who actually isn't deaf. Thankfully 'Voices' is available on a well produced DVD.The basic story is that Rosemary Lemon (Irving) lives with her mother in an ordinary suburban house and works as a teacher in an inner-city school for the deaf. Her life seems comfortable enough, but outside her daily comfort zone she's shy and vulnerable. Drew Rothman (Michael Ontkean) plays something of a complete opposite as an outgoing young guy from the wrong side of the tracks. He leads a small band that plays for peanuts in cheap nightclubs and is struggling to move up to better opportunities. He's great at talking his way through difficult situations, which turns out to be critically important in the key dance-audition scene at the end of the film. At home (a run-down tenement) he lives with his father, grandfather, and younger brother; the father (Alex Rocco) runs a drycleaning shop but is also a small-time gambler always hoping to score big at the racetrack. And if it weren't for Drew's steadying influence on his whole family, his younger brother (Barry Miller) would have drifted into delinquency and petty crime.Drew and Rosemary's lives take a sharp turn when a chance meeting brings them together. It's love at first sight (at least for him), and from then on he's devoted to her and especially to getting over the communication barrier faced by someone trapped in a world without sound. They get to know each other slowly with some ups and downs, but the big turning point, when Rosemary finally realizes he really does love her, comes about halfway along. When they're out alone in the evening he urges her to talk a bit to him (and to this point she hasn't spoken a word). She haltingly replies 'I don't - sound - good' (Irving nails a deaf-speech intonation too) and Drew comes back with 'I don't care how you sound. I just care about you.' Corny? yes, if that's the word you want to use. Effective? yes. Scenes like this go straight to the heart. Does absolutely everything we watch now have to be snarky or dystopian to be credible? The cast is all good. Viveca Lindfors plays a nicely crafted role as Rosemary's overprotective mother who thinks Drew is likely just out for a fling. By contrast, Rosemary gets quite a different reception when she meets Drew's family in a long, chaotic, funny scene. They have no trouble at all accepting her -- they may be a dysfunctional mess, but they're essentially good-hearted and free of prejudice.At important points in the plot, the soundtrack cuts out completely to make us feel Rosemary's silent world more directly. It's a simple trick, and it works. It's worth noting too that 'Voices' was made 7 years *before* 'Children of a Lesser God', the more famous film that launched Marlee Matlin's career.Curses on the film studios for not using Amy Irving more! She's someone who can produce Oscar-level performances. I know the supposed reasons for her neglect -- the divorce from Steven Spielberg, the fact that Hollywood suddenly loses interest in actresses over the age of 40 -- but these are nothing more than disgraceful excuses. In the end, everybody loses.

Meerkat S I saw this movie in 1980, and finally managed to buy a copy in the early 2000s. The soundtrack is utterly beautiful, especially the Children's Song. I think this is where I first became a fan of Amy Irving's, and have never changed my mind about this movie. The deaf dancer who teaches deaf children, and the musician who falls in love with her; his support to help her follow her dream; the typical dramas and hardships before they can declare their love --- maybe your everyday love story, but still so sweet, so lovely! The theme song stays with you for a long, long time. Burton Cummings and Jimmy Webb - two names who helped create the music.

Goodmovielover Michael Ontkean and Amy Irving are simply splendid in this marvelous, old fashioned love story, This is the kind of film that is just not made anymore! A touching love story about an up and coming singer, who one day meets and falls in love with the girl of his dreams. However, he must come to terms with the fact that she is deaf. Wonderful soundtrack , with one of the most beautiful theme songs from a film. Great ending too!