melvelvit-1 Arnold Laven's VICE SQUAD is a 1953 "police procedural" B that follows LA police chief Edward G. Robinson around for a day and he sees it all: a patrolman shot, a marriage bunco, pickpockets, an "escort service", a bank heist, police snitches, and other flotsam and jetsam with some harmless insanity and adultery thrown in for good measure. It's all in a day's work for the chief, a no-nonsense man with a kind side (reminiscent of Robinson's "Asa Keyes" only less verbose) who gives everything from misdemeanors to murder raps the attention they merit and even manages to squeeze in an appearance on a TV talk show (cut short, of course, when he finds out the cop died). He's got time for everyone and always gets his man but the methods the police use would cause rioting in the streets today. Oh well, the ends justify the means and it's all for a good cause at the end of this day. Actors like Eddie G., Barbara Stanwyck, and a host of others always did their professional best in these kinds of '50s B's which makes them a pleasure to watch even if the movies themselves aren't so hot. This one's not bad with the LA locations and unsung character actors (milquetoast Porter Hall, sinister Lee Van Cleef, sweaty Adam Williams, and an uncredited Percy Helton) all helping to raise it a notch above the routine. The billed-above-the-title co-star Paulette Goddard didn't hurt, either, and makes the most of her brief scenes. She's a sassy "escort operator" in sunglasses and mink that was probably based on "Hollywood Madam" Brenda Allen, in the news at the time for testifying before a Senate subcommittee hearing on police corruption in LA. Those hearings became the basis for William McGiver's THE BIG HEAT, which was made the same year and, in fact, VICE SQUAD seems like a "good cop/bad cop" counterpoint to Fritz Lang's brutal noir.

fwdixon "Vice Squad" starts out just fine with a promise of noir-ish crime action but quickly descends into just another so-so cop melodrama. Edward G. Robinson does his best with the poor script but his character is completely unlikeable. Paulette Goddard appears as the proprietor of an "escort service", which is a 50's euphemism for a bordello and turns in a credible performance. You'll have some fun spotting the various 40's/50's character actors that make up the rest of the cast. My biggest problem with this film is the incredibly high-handed antics of the police, who apparently never heard of the US Constitution. They consistently violate just about every article in the Bill of Rights in their pursuit of a cop killer. Poor old eyewitness Porter Hall is harassed and framed on the orders of Eddie G. When the cop killer (Ed Binns) is finally cornered, the cops save the taxpayers the cost of a trial by the simple expedient of filling him full of lead. View at your own risk!

basketballpete Excellent cast. Paulette Goddard, basic minor role but still has the oomph. E.G. Robinson never ceases to amaze me, he is always the main force in all the movies he is in, I never tire of seeing him on film. The film did a very good job of developing the day to day business of a major city police station without making the police to appear as super human beings.

ctosangel-2 Veteran TV series director and producer (The Rifleman, Law of the Plainsman, Gunsmoke...) Arnold Laven give to the USA fifties cinema story the first movie showing clearly a call girls house activity and that is why this picture will remain in the spectator mind. The madam is a mature Paulette Goddard at may be one of his best roles on the screen. Edward G. Robinson plays with his usual professionalism police officer Captain Barnaby. Good supporting actors, including Italian born Lee Van Cleef much before meet Sergio Leone and his famous spaghetti-western series.