Vampire Killer Barbys

1996
Vampire Killer Barbys
3.7| 1h27m| en| More Info
Released: 22 May 1996 Released
Producted By: Jacinto Santos Parrás
Country: Spain
Budget: 0
Revenue: 0
Official Website:
Synopsis

While driving on tour late night through a lonely road in the countryside of Spain, the van of the punk band "Killer Barbys" has an accident and breaks down. A creepy old man invites the group to spend the night in the castle of Countess Von Fledermaus and presents himself as her secretary Arkan. Arkan explains that the mechanic is located 62 km far from the location and he tells that the Countess loves youths. Flavia, Rafa and Mario accept the invitation but Billy and Sharon stay shagging in the van. When the musicians meet the Countess, they find that she is the ancient artist Olga Luchan and they question how she could keep so young. But sooner they discover that the Countess needs blood of young people to keep her beauty.

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Director

Producted By

Jacinto Santos Parrás

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Reviews

Platypuschow The Legendary Spanish director Jess Franco is known for some fantastic cinema, alas this certainly isn't among them and will be a blotch on his record.It follows a female fronted rock band as they break down on route to their next gig and get invited into a foreboding looking castle for the night.Essentially our antagonist is a blatant ripoff of the Countess Elizabeth Báthory with a couple of human minions who help her acquire the blood of the young (Virgins not required in this instance) Though advertised as a horror this is a very camp attempt and more like a comedy. One character in particular played by Santiago Segura (Blade 1998) is so over the top and so zany any hope of the film being taken seriously went out the window.The movie has a decent lead and memorable soundtrack though they really should have considered writing more songs and not playing the same one on a loop.The Good: Great leading lady The Bad: Looks very dated Not exactly a horror Soundtrack gets repetitive Dumbest ending in cinema history? Definite contender Things I Learnt From This Movie: Before throwing a naked woman out a window to her death it's only polite to put a nightie on her first
Nigel P Changed from 'Barbies' to 'Barbys' to avoid confusion with a certain well known blond toy, this Jess Franco film is typically as crass and weird as you may expect. By this time in his career, Franco was about to start working with One Shot Productions, a strictly no-budget company sympathetic to his style, as he was of theirs. So it's interesting to see that 'Killer Barbys' is a comparatively slick affair. For a start, it isn't shot on video. Secondly, it boasts some fairly impressive production values and set-pieces.The Barbys are a suggestive punk rock outfit touring in a Scooby-Doo-type van that breaks down, leaving them at the mercy of the sinister Arkan (Aldo Sambrell) and the huge and Gothic castle he frequents. There are two distinct styles here, and Franco makes little attempt to marry them together – incessant punky-music-scored wise-cracking and softcore scenes featuring the band, and some nicely lit sinister scenes involving Arkan and the castle's Countess, punctuated with the antics of skivvy Baltasar (Santiago Segura) and his two dwarf 'children.' Interestingly perhaps, band-member Rafa is played by Carlos Subterfuge, who would go on to play a dreadlocked Frankenstein's Ghost in Franco's 1998's 'Lust for Frankenstein'.I don't know what on Earth to make of this, but that is hardly surprising. Clearly a vehicle for The Killer Barbys, much as 'Spice World', for example, was a vehicle for The Spice Girls, this venture is a much more lurid and less comprehensible affair. But in Franco's hands, would you expect anything else? Also, it is enjoyable in its way. There are eerie sex scenes, full nakedness and an expectedly thin storyline. There are also a number of nice gore scenes, perhaps befitting a band with such a 'raunchy' image. Main singer Sylvia Superstar as Flavia gets the most to do here, which isn't a huge amount.The dubbing in this is some of the worst I have seen, with little or no attempt to marry the lines with the actors. The dialogue is pretty ropey too ("You are the most beautiful bitch I have ever seen in my life," Rafa informs the Countess by way of a compliment).
unbrokenmetal The rock band Killer Barbies is on tour across Spain when their van breaks down. They are invited by a dark stranger into a dark castle with a dark secret: the countess reached the age of Methusalem by drinking blood of young people. Such as... yes, rock band members. "Killer Barbys" suffers from the problems you could easily predict for a movie that is basically a mere promotion support for a band: poor acting (Aldo Sanbrell is the only exception), low budget, same old story. But it is clearly better than its sequel "Killer Barbies vs Dracula" in the whole atmosphere. The foggy castle is full of strange props like dolls without eyes, clocks, bones, barred windows... spooky! So, if you don't mind the silliness, gore and nudity, it's a "good bad flick". I dare say it even was the beginning of Jess Franco's return in the 90s when he seemed to fade away into oblivion.
Infofreak I'd been warned this was bad before I watched it, but nothing could prepare me for just HOW bad! If this was made by some nameless hack I would have watched it and immediately forgotten about it, but as it's directed by Jess Franco, the man responsible for cult favourites like 'Vampyros Lesbos', 'Succubus', 'Eugenie De Sade', 'A Virgin Among The Living Dead', 'Sadisterotica' and 'Faceless', I couldn't help but be a little depressed... 'Killer Barbys' is absolute garbage any way you look at it and a sad low point for Franco. It's very hard to think of one good thing to say about it. Okay, The Barbies lead singer Silvia Superstar is pretty hot and their song 'Love Killer' isn't bad and rocks in a similar way to The Muffs or The Donnas. That's about it for praise. Apart from that, this movie stinks. Franco has done wonders on minimal budgets before in his long career, so that's no excuse for how poor this is. There are some talented people in the cast too - spaghetti western regular Aldo Sambrell, who will be a familiar face to Sergio Leone fans, co-star of the wonderful 'The Day Of The Beast' Santiago Segura, and Mariangela Giordano ('The Sect'). But the script is awful, the special effects lame, and the dubbing on the DVD I watched atrocious. If you hold Jess Franco in high esteem like I do, it's best to avoid this rubbish. You'll just feel cheated and sad. Highly UNrecommended!