Aktham Tashtush The movie is surprisingly good, i thought it would be one of those lame vampires movies but it wasn't ,, the comedy was clear, fast and comprehensible, the action and fight moves were also impressive.The cinematography and CGI was really good,, the story itself though appeared short ,, this would look much better on a TV show .. I liked the intro where it looked like the credits from Sherlock movie ..The cast are funny and engaging ,, loved them all.Final thought,, lately i'v been watching a lot of Korean movies ,, and this Chinese one popped up by accident on my list ,, but it was all worth it so it is without a doubt recommended.

Helio This cockamany story has the "hero" bitten by a vampire but he turns out to be immune (explained in the first twenty minutes) and joins a Ghostbusters like anti-Vampire crew only to be assigned to sweeping the floors, where he develops kung fu like moves akin to the Karate Kid. On a search for vampires he encounters a drowned ugly one [aren't they all?] that swallows his cell phone. He falls into the water trying to retrieve it and they lock lips making the vampire iurn into a beautiful twenty year old woman who died (was buried alive) in the 1800's. She hops around, as apparently Chinese vampires do (which helps me better understand "Crazy Safari" where a Ctinese vampire falls out of a plane over Botswana {The Gods Must Be Crazy #3 of 5}). She is able to communicate account the cell phone she shallowed (using Siri like exchanges). She takes a fancy to old Chinese Operas on the television so he leaves her watching while he attends his other duties - what could go wrong?

shiyosunderland This hopping-Chinese-vampire-comedy felt very shallow. It tries to be hip and modern but feels as hip as Babyjohns granny in her hibbedy-hob-garments - it's a joke. Babyjohn himself made me want to grab the TV and shake it, although cruelty against minors is not my thing at all. The romance was completely artificial and the story itself tries to be too many things at once while failing to deliver any of the real goods like horror, comedy or action. "Vampire Cleanup Department" feels more like a failed TV-Show and tries to update the Jiang-Shi-Lore with elements from Blade and Buffy without providing any original life energy for us to suck up.+ classic ("Mr. Vampire") veterans on board! It's great to see Richard Ng and Chin Siu-Ho again and there's even a cameo from Eric Tsang. That's nice! - Lead actors are not at all interesting - script is all over the place - Makup effects are not very frightening - Digital fx are very bad. The vampire kills are very much doing the same as "Blade" did, but that movie is 20 years old soon and looks a million times better. - romance: Maybe this works for Youtube junkies. I don't know. I hope not otherwise mankind might be doomed. What happens at the end?Does it make sense at all? - Babyjohn? Is he a kid, is he an adult? Watch this movie and see for yourselves!verdict: hop along, hop along, there's nothing to see here.

Ryota Nakanishi This feature film successfully restored and developed the tradition of Goeng Si, the Chinese Vampire franchise of the 1980s (1985-1989) ! I was really impressed with their eagerness and the perfect construction of the well made genre film! First of all, I have to thank you all film crew for making this remarkable Hong Kong genre film that other countries are not able to make. As you know, what Mr.Vampire series (1985-89) depicted was stewardship between a stubborn master and his bad students. The three act structure well embodies the bad students' development via comedic interactions with their stubborn master. For instance, in this film, Chin Siu-ho's role is equal with Lam Ching-ying's Taoist master in Mr.Vampire (1985) in which he played his student. And Babyjohn Choi is equal with the Chin's role in the master piece. The most impressed detail is that the directors selected the cleanup department workers as their Ghost Busters of Hong Kong who are decisively effective and full of contributions to the hygiene of urban and rural sights all over Hong Kong. This setting complies with the foundation of art in general according to what Leo Tolstoi said in the late 1890s. About the creativity with the newly renovated Coeng Si, their computer graphical work resembles the vampires in the rebooted Fright Night (2011) and Let Me In (2010). In conclusion, this film was loved and welcomed by kinds of the contemporary Hong Kong film audiences and me! One of the casts, Richard Ng said that the traditionally loved Coeng Si film is comedy! Yes, he was right! Thank you again for this great gift for Coeng Si film lovers!