Seyed Askar Y Not Studios and Cloud Nine Productions together have been welcoming new ideas over the screens. It was much illustrious with their previous production 'Tamizh Padam'. Though, it wasn't an excellent movie to boast off, it had some unique values of breaking the clichés of Tamil Cinema. Yet again, the producers are back with a comedy entertainer with a simple theme with a humorous narration. But the filmmakers Pushkar-Gayathri do strain themselves over presenting visuals in a 'caricatured' and 'unnatural' manner. Gaudy colors and unwanted green tones – it's so tastelessly showy.The film opens with the prologue of different characters gonna come across each other at a night time. ATM Thieves, bunch of Anglo-Indian guys doping up in graveyard, Red Light area, a psychotic person burning down bikes, a stranger electrified to death while fixing the light on Goddess Amman's gigantic image. And then comes Sundarajan aka Sura (Shiva) heading to Chennai for his flight to Dubai at early morning. Soon as Shiva meets the job agent, he is blown out of waters to hear certain conditions in Dubai. No Alcohols, No Gals and No Pork. For Shiva, it really matters to have at least ¼ Cutting and he embarks a journey with his yet to be brother-in-law Marthandan (SP Charan) for it. Unfortunately, these guys are not lucky enough to get what they want. Rather they are exposed to unexpected twists and turns that keeps them engaged till the dawn.Don't expect a lot from this film. Make sure you aren't gonna watch the laugh-riot and please say 'No' to logics. For sure, it's not gonna delight the non-alcoholics unless you love creative themes. Well it happens at most cases during mid-night times where Chennaiites rush through the nook and corners of the city. It's a simple them that has been narrated with more characterizations. 'VA' is entertaining at few parts and that's precisely because of Shiva's one-liners. His very introduction watching Balakrishna's Telugu movie in Bus till the climax is hilarious. 'Nee Pakkaradhukku Ghajini Asin Maathiri Irukka' on SP Charan is rib-tickling. Lekha Washington's characterization is okay and the film would have done even without her role. SP Charan's comical looks and his funny character is again a plus. John Vijay's double act is too awkward and he has to avoid the same sort of roles over and again. Arya's cameo as 'Oram Po' auto racer is a surprise. Characters of Anglo-Indian guys and Police are completely unwanted.Technically, the songs are good with 'Unnai Kan Thedudhe' and 'Thediyae Thediyae' turning to be the cherry-picks. But it's disappointing to see the mediocre picturing of 'Unnai Kan Thedudhe'. Hope GVP saves such songs for some mass heroes. Nirav Shah's cinematography is good, but avoiding overdosed greenish tones would have done justice to the visuals.As mentioned earlier, 'Va Quarter Cutting' isn't a big comedy fiesta. But it's a film that will keep you engaged if watched with no expectations. Special appreciations for Pushkar-Gayathri for an interesting theme, but they could have made the film yet funnier.

thillumullu100 Its a simple tale of 2guys, Suraa and Maarthandan in search of a drink on a dry night in the city of Chennai. But, the way the film has been structured, starting from the different characters involved in different activities in different parts of the city at the same time(6.30pm) and how these fascinating quirky characters come into play through the film is very complex and well structured. It has the style of international movies with picture perfect production design and camera work. Its really delightful to just see each and every frame of the film. The relationship between Suraa and Maarthandan is very tender and comes through a full arch with some sweet performances from the lead cast. Again casting wise, each and every character from Saro, as the dumb school girl to the father son duo played by the same character to the dogs which chase the protagonists are very unique and interesting. Even the Amman cutout, which finally saves the day plays a character! Its rather unfortunate that a lot of people don't seem to get the coolness and intelligence behind such an effort! Hope it doesn't end up as one of those highly underrated, fantastic films! The makers have the finesse and the film looks like its a love child of Jean-Pierre Jeunet, Guy Ritchie and Tarantino! Wow! It's that awesome! This trend is healthy and hope to see more such cutting edge, avant garde films in namma Madras!

vijay-vasanth81 if you get back home from a rough day, wanna just kick back your shoes and chill with a beer, then this film will just be your best buddy and cheer you up! It has a cool, happy existential feel to it and the theme itself proves that only the small, obsessive joys in life make it worthwhile! Its so different from the regular fare in Tamil, it's such a relief! Guess, one reason, some people didn't get it! Its way out there, in a totally different world, from our regular love, friendship, family masala! Its definitely a path breaking film! GUYS, CHECK IT OUT WHEN ITS A BOYS NIGHT OUT WITH SOME BEERS! From Hangover, this will become the new film we can trip on at house parties!

Sharan S As Sura walks past the departure gates, he sees a pair of Arabs and sarcastically utters "I'm on my way to your country." An erstwhile attempt is made to invent black comedy and Va – Quarter Cutting succeeds with zeal. But, the zeal is lost in its interstate highway-like screenplay. Writing-directing duo, Pushkar and Gayathri intertwine many story lines and keep the characters in sketch while a few get left away. The characters in the film have a thirst to quench. Sura (Shiva) needs a drink, Marthandam (Charan) needs a clean slate to impress Sura's sister, whom he claims to marry, and Saro (Lekha) needs an answer from the occupants of heaven on why she has consistently failed her exams. This eventually forms the resolution after an action-packed climax.Pushkar and Gayathri infuse characters ranging from a hitchhiker en route to Chennai, to Anglo-Indian Bikers. They quench their thirst by adding scenes that are meant to evoke humor. While some of them succeed, most of them don't. On learning that the bar is closed in a five-star hotel, why didn't Sura and Marthandam go looking for another five-star hotel? Questions arise as you notice numerous flaws.G.V. Prakash's BGM is a Guy Ritchie rip-off. But, he manages to hide it by reworking on them, whether it's the 80s disco song or Hans Zimmer's Academy Award nominated tunes from Sherlock Holmes or the closing song of Snatch or RocknRolla's opening track. There's not much in Va that amuses us. The predictable screenplay makes hay at nighttime.