thesar-2 I thought it would be neat, for my 2,000th review, to go back to part of my beginning. And 7½ hours later...I grew up on V. No, not the awesome Vendetta film from DC decades later. And I'm not talking about the super-vamp drug from True Blood or the hard-to-get-through 2009 remake.I'm talking about the Badass Badler and Super-Hot Singer Star Wars knockoff of the early 80s. In fact, V *was* my Star Wars.Back when I was between 9-12ish, I consumed this show/concept. While it only had two miniseries (sorta movies, sorta seasons) and one official season (or, as labelled, Season 3,) it practically became my world. I watched it live and all the reruns I could plan out. And no, my family couldn't afford a VCR until a few years later, so I did my best by the TV guide and commercial previews.It wouldn't make much sense to me until this viewing that one of the biggest reasons I fell in love with V was the show's creator. He also created another favorite show of mine growing up and pre-V: The Incredible Hulk. I had the same feeling about that show as I did V and they shared the same creator: Kenneth Johnson.I digress, once the show's finale (3rd season spoiler) created peace in the world, and I began my teen years, I grew apart from the show/concept and never to return any of the Vniverse until 35-freaking-years later.When I thought of what I could celebrate my 2,000th review with, this made sense as my 1,000th celebratory review was the very first movie I'd ever remember seeing: 1975's Escape to Witch Mountain. V was a huge part of my childhood and memories, but I had no idea what kind of commitment I had to give to review this. I mean, seven and a half hours?! Fine, I had nothing else going on this weekend, so why not?I'll tell you why not and why I can't give it a huge recommendation. For today's audiences anyways. It's way too padded. It's easy to figure out why, but it's a chore nowadays when we have more options of what to watch online and wasn't relying on a non-VCR, heck, non-internet world in 1983. These two miniseries/seasons could've/should've been easily edited down to about 4 hours, ish.At the time, though, it was epic. Not just for the preteen in me, but for the ambition they had. They had top-notch FX (for TV) and world-building that they did oh so well. I truly felt this world of V (for visitors) could have existed. Yes, there are special effects we would scoff at today, mostly the flying sequences, but for the most part, it was practical effects and sets. I can totally see the 9-12 year old in me loving and believing this world was realistic.From what I'm told, the concept was supposed to be a retelling of the Nazi regime in modern (1983) times, but those in charge thought no one would buy it (fast-forward to the trump presidency of these modern times and, well...) and Star Wars was hot back then, so they switched it to an alien invasion. In any case, that worked and totally made sense and is more believable. The world is invaded by "peaceful" Visitors who come from a dying planet. Their mission is to share their resources and technology in exchange for hospitality. As most dictatorships develop, "They Come in Peace" and slowly/surely take control of society. Ahh, but Vive la résistance!The show/series/seasons began with Star Wars-types of tropes and ends with flat-out theft of the Original Trilogy. Again, as a kid, I was fine with it. At the time, anyways, the only way for a kid to see Star Wars was to go to the theatre for the first-run Return of the Jedi, for one of the many re-releases of IV and V (Episode 5 in this case) and pray one of the five channels we got ran them in prime time.I literally have not seen the V original series or singular season since around/about 1985ish and boy do I remember plenty of it, this time around. This does prove to me how much this show did mean to me.Fun Facts: I was in total love with Marc Singer during the show, though I didn't know what that meant since I didn't know what "gay" was at the time. I totally dug Diana as one of my all-time favorite villains. She was so deliciously evil and charismatic. I also loved Faye Grant as the leader and every-person and Freddy Kruger! Well, not yet, but I did like Robert Englund as Willie. Oh, and lest I forget Michael Ironside, which I was in love with internally and externally, as well. Back then, I couldn't get enough of this show. Every character meant something to me, every battle and scheme had me truly involved and on the edge of my seat and, mercifully, the plot, dialogue and adventures were easy enough for my preteen mind to wrap around. THIS was perfect for my age back then and no matter what I feel now (ah-hem, only 4/5 stars,) V will always have a special place in my heart. Only, I don't think I'll ever rewatch the show again. Once every 35 years is enough nostalgia...and honestly, I don't think I have another 35 years left. Is it V for Visitors or V for Victory?***Final thoughts: Couple of other good things I loved/love about these two miniseries: a VERY good score, only to be improved in the "3rd" season and some actual laugh out loud humor that, surprisingly, still works today. I was honestly pretty impressed with some of the dialogue and delivery.

libidoanger I was first made aware of V as a 9 year old kid. I started out on the weekly series which, while compelling to a child in the 80s, was pretty ridiculous. When I finally saw the original mini-series, I was blown away. We see a ton of different characters and families and how, as the story progresses, they are united, devided and forced to make difficult choices. The sci-fi element is really downplayed as that is not the main issue. Some of the effects don't quite stand the test of time, but I have yet to see laser blasts to rival those in V. I would like to especially heap praise on Faye Grant and Michael Wright who really impress in their respective roles. But pretty much every actor delivers and over-achieves. I would give this the highest recommendation and advice everyone to avoid the 2010 re-make. Can't wait for the movie.

Paul Magne Haakonsen I was only 8 years old when this TV mini-series was unleashed upon the world, and I think by now then I have seen it four or five times already. And I can honestly say that it is equally entertaining and exciting to watch every time.Story-wise then "V" is very good and thrilling. Aliens came to Earth, offering help, access to knowledge and technology, but most importantly also offering friendship. But there is more than the eye can see behind the masks of the extraterrestrial visits.The mini-series start off in an adrenaline-fueled pace and it essentially never slows down. It is a thrill ride and "V" takes the audience along on a grand Sci-Fi adventure."V" is full of greatly detailed and developed characters, both human and visitor alike, and the cast portraying them are talented and very well-cast. There are really an abundance of great actors and actresses in this 1983 mini-series.Granted that the mini-series is old and some of the special effects are poor, but it hardly matters because "V" is driven by the story and characters, not by the special effects.This is a classic Sci-Fi adventure and I think it will never grow old. If you are not familiar with the 1983 mini-series then it is due time that you treat yourself to it.

Matthew Kresal If a ninety-nine out of a hundred science fiction films fall into being cliché ridden, one will stand out above the rest. V, in its original miniseries, would be one of those that stands above the rest. V is anything but your typical science fiction story of an alien invasion. It is a tale of a fascist (alien) takeover of our society and the resistance of a few in a society to it. As a result V, while a product of the technology and culture of the 1980's, is a timeless piece of science fiction.One of the elements to V's success is its cast. Leading, so to speak, the cast of human characters are Marc Singer as cameraman Mike Donovan and Faye Grant as med-student turned rebel leader Julie Parrish. Both Singer and Grant give nice performances that, for the most part, come across as real people in extraordinary situations. In fact the performances of the entire cast be described by that last phrase as well ranging from the Maxwell family (Michael Durrell, Penelope Windust as the parents with Blair Tefkin, Viveka Davis and Marin May as their daughters) who find themselves persecuted to the point of joining the resistance much like the Taylor family (Jason Bernard, Richard Lawson and Michael Wright) to the Bernstein family (George Morfogen, Bonnie Bartlett) who find themselves torn between their Visitor friendly son Daniel (David Packer) and the Holocaust survivor grandfather Abraham (Leonardo Cimino). In fact the single best scene involves Abraham, who is wanting to hide the persecuted Maxwell's, reminding his son that this whole situation is all too familiar for the consequences of them not being hidden means "we haven't learned a thing". This is a scene that is not only well acted and well written but incredibly rare in your average science fiction story as well. There's also many other fine members of the cast including Neva Patterson (Donovan's mom), Evan Kim (Donovan's camera partner Tony), Jenny Sullivan (reporter turned Visitor spokeswoman Kristine Walsh) and Kristine Walsh (as Gardener turned rebel Sancho) amongst many others. The human side of the cast is just the tip of the iceberg though.There's also a fine cast playing the alien "visitors" as well. They range from their seemingly benevolent leader John (played briefly and well by Richard Herd) to Andrew Prine as the authoritative Steven. Then there's the innocent abroad in the form of Robert Englund as Willie and the resistance from within the visitors themselves in the form of Frank Ashmore as Martin and Jenny Neumann as Barbara. Then there is Jane Badler as Diana, perhaps the most attractive and conniving of the alien visitors, who plays the role with a seriousness not usually found in this kind of role. Together they form one of the best, and definitely one of the most diverse, cast of alien invaders ever assembled.V is also aided by fine work behind the camera. There's the cinematography of John McPherson especially the tracking shot of characters watching the first contact sequence and the scenes in the mother-ship. The production design in the form of the mother ship interiors are fine examples of science fiction sets. There's also the special effects work ranging from the excellent shots of mother-ships (a decade plus before Independence Day) to the aerial dogfight at the end which all work marvelously for the most part despite a very few shots which don't look quite finished. No review of V is complete without mentioned the fine prosthetic work of the miniseries which range from the Visitors true faces to some rather uncomfortable dining sequences. Last, but not least by any means, is the fine score by composer Joe Harnell which takes puts together classical music influences and choir in one of the most unusual and best scores produced for any science fiction television piece I have heard, especially for the opening and closing credits of any part. In short: strong production values go a long way.To my mind V's ultimate success lies in the script and direction of Kenneth Johnson. V was originally conceived not as a science fiction tale of alien invasion but as the tale of a fascist takeover of the U.S which can still be found deeply embedded in the final product. In fact that is what separates V from many other alien invasion stories. V is about fascism, how people can be lured in by it, how far those in power will go to secure their position, how the average person will react and what happens when ordinary people stand up to resist it. There's also more then a few hints of Nazi Germany as well from the Swastika-like symbol of the Visitors to Friends of the Visitors youth groups (the Hitler Youth) and, before the miniseries is over with, a strong allegory with the Holocaust as well (see the miniseries to get it). Wisely Johnson also puts a fair (but not gratitude) amount of action in as well which helps to compliment the story and move it along. V is embedded in the technology and culture of the 1980's when it was made to sure but that doesn't date the story at all. Instead V becomes, like H.G. Welles War of the Worlds before it, a timeless tale of alien invasion and human resistance to it.What makes V successful? Well it's large cast of fine actors, nice cinematography, good special effects work, excellent prosthetic work and fine score go along way. Yet the true success of V lies in its script and story. Why? Because ultimately V is not about spaceships and ray-guns but is about people and their reactions to the extraordinary events around them.