adamkegel1955 I love this movie & put it up there as one of my top 10 movies of all time! I can relate to this film on a deep emotional level having experienced having a wonderful loving father who died way too soon when I was only 21 years old. Michael Landon wrote, produced & starred in this film as his final gift to us. A very special film!There are several scenes in the movie which touch me deeply. One of which when Michael Landon is having an argument with his father over Michael Landon "Jeff Hayes" son. He tells his father the following > " When I was in prison I used to dream about being a father. I used to read books about raising kids & from year # 1 on how you get to hold them & look at them & how quick they get to know you & the terrible 2's, & the potty training, & their first days in school, about the joys & the fears. I used to lye in my bunk at night trying to get myself to dream I was doing those things with my kid, teaching him how to swim & throw a ball, & you know what? In my dream my kid loved me!"

alfie4ever2 Another great Michael Landon production. Michael should have won an Emmy for this. A great man died and his fans were robbed of more joyful shows he would have made.The story "US" has very emotional scenes between Landon(Jeff Hayes) and superbly played dad Barney Martin(Jack Hayes).Jeff Hayes was put in prison for 18 years for a crime he did not commit. Jeff is freed after the real killer is found. Hayes has to try and put back his troublesome relationship with his dad and try and start a relationship to his son; who never knew his real dad was alive.Try and catch "US" it's been airing on Starz.

Victor Field Made with most of Michael Landon's usual behind-the-camera crew (except for composer David Rose, who had passed away the year before - Steve Dorff takes musical duties here), "Us," as has been documented elsewhere, was a 1991 pilot movie for a series that had been sold to CBS and which was only prevented from going ahead by Landon's untimely death that year. The pilot itself, though edging into stronger territory than he was associated with (which overlooks the fact that he starred in "I Was A Teenage Werewolf," as well as the darker episodes of "Little House on the Prairie" like the one with a faith healer who's unmasked as a fake when a boy he "cures" ends up dead), is at heart the story of three generations of a family getting to know each other, revolving around our hero (Landon) released from jail after 18 years for a crime he didn't commit, building his relationship with his dad and coming to grips with his own son.Although it opens with a robber in drag being gunned down by the cops and later has a lady of the night who our hero befriends becoming the seventh victim of a serial killer (a plot thread which surprisingly doesn't become a major thrust), for the most part sleaze is kept at bay with character and emotion the real selling points. As usual, it's sentimental (especially the end), but never unwatchable, and it's to Landon's credit as a writer-director that it doesn't scream "pilot" at you the way some others of its ilk do.You can see where this would have gone as a series; another look at people travelling across America and finding themselves, but at least this TV movie is far superior to the late Robert Urich's "Crossroads," which had a similar premise and did become a series. Not Landon's best, but watchable.

brendt This was the 2-hour pilot episode for a new TV show that Michael Landon began putting together when he was convinced that he was beating the cancer that eventually took his life (the show aired a few months after he died). Landon plays a man released from a long prison term after being cleared of the murder for which he was wrongfully convicted. His teenage son thinks he's dead, and Landon's relationship with his father isn't much better. The show seemed to be headed toward being (at least in part) a character study as the three generations of men re-build their relationships.Although still easily falling in line with Landon's trademark family-friendly dramas, "Us" appeared to be headed in a slightly edgier direction than his previous work -- the protagonists are far from perfect, issues aren't always resolved in an hour, etc. This show had promise; yet another aspect of what we lost when Landon died.