Carl S Lau This is a comedy of errors in which the viewer knows almost everything while the on screen actors are in a perpetual state of confusion. Dudley Moore has the enviable task of playing a famous middle aged music conductor who is married to a young, ravishing Italian starlet played by Nastassja Kinski. And she is passionately in love with him. For the times, this would have been the ultimate middle aged, male fantasy. Via a misunderstanding, Dudley Moore ends up in a comedy of errors scheming to kill off the delicious Nastassja Kinski who easily fits into her innocent role. Lots of fun to watch, especially with Nastassja as the eye candy.

Didier (Didier-Becu) Don't ask me why but I absolutely wanna see all films with Nastassja Kinski and with this in mind I know I have to see some bad ones as well. Is this one a stinker? Not really but it's just one of those eightiescomedies in where a goldfish is funnier than Dudley Moore himself. Still wearing his playboyattitude (never could get that!) from "Ten", Moore plays the role of Claude Eastman who happen to be one of the most respected musicconductors. He just has married his new Italian wife Daniella (never understood why she wasn't Russian as madame Kinski speaks with a very Russian accent) and due to a stupid householdkeeper Giuseppe (Richard Libertini, the sole man with whom you can laugh even if he plays a complete idiot) his wife is followed by a detective as Claude told him to keep an eye on her.... This comedy could have been made in the 60's as this is pure Boeing Boeing-style, you know one situation leads to another situation that is based on false suspicions and so.... Naaah you saw it million times before, you saw it million times better but you never saw it with Nastassja Kinski

gridoon I haven't seen the Preston Sturges original, but I know the hero there conceived THREE alternative murderous plans. The fact that this (unfaithful) remake contains only one certainly doesn't suggest that the filmmakers were full of ideas. It's still a generally agreeable (if uneven) comedy, but the laughs, even for Moore fans, are scattered.

Coxer99 Moore shines bright in this reworking of the 1948 Preston Sturges black comedy about a jealous symphony conductor who tries to fulfill a fantasy of murdering his sexy wife, (Kinski) whom he suspects is having an affair with another man. (Assante) It doesn't have the timing of the original, but it's a laugh riot for fans of Moore's bumbling hijinks, which as always is a torrent of laughter.