felixfelix3000 I just saw this film at Terror Film Festival and it ROCKS! It brings suspense thriller to a whole new level and is so reminiscent of the great Hitchcock movies. Director Dave Campfield really shows his mastering of the film-making craft with turns and twists that leave you guessing until the very end. And the film also happens to contain one of the funniest moments in cinematic history. When you watch this film, keep an eye on what happens in the bedroom. It'll leave you in stitches! Also, the writing is superb. The script is just a roller-coaster ride of curve balls and red herrings, and you'll wonder if you heard that right and feel like you're IN the film. There are some really good films out there, but this one is a GREAT film.

bobgrayproductions I am handed many DVD's from filmmakers across the country at film festivals. In most cases I tell the filmmaker that I will check it out after I get home. Sparring myself from a face to face "What did you think of my film" conversation that in most cases can be brutally honest and unrewarding. At the Long Island International Film Expo a young director named Dave Campfield handed me a copy of his film "Under Surveillence" and asked me to tell him what I think. I gave him the "I'll check it out later" and threw it in my car. As I sat in my hotel room and realized that there really is nothing on cable I broke my rule and threw "Under Surveillence" into my laptop. I have watched it three times since. This film is a masterpiece. Smartly written and directed with characters you actually care about. For a first time filmmaker Dave Campfield hits a home run. His script is inventive and edgy and keeps you at the edge of your seat. What really impressed me was how well his cast performed. Everyone of his actors did a really good job and not an over-actor amongst them. Shot on video, "Under Surveillence" has the look and feel of film. Something he must have worked hard on in post. When it hits the video stores you have to check it out. You'll be glad you did.

JakeJarvi I've seen a lot of low budget thrillers and this one is the best. Fantastic writing and outstanding performances keep the movie constantly moving. The moments of tension are built really nicely but the thing that really took me by surprise was the comedy. Very intelligent humor that draws from what the audience expects, surprises them, and isn't cheap. It's always nice to find a movie that gives the viewers some credit and doesn't play to the lowest common denominator.Often times when a writer or director casts themselves in a movie it does a great disservice to the picture. But that is not the case with Dave Campfield's performance in this movie. His character provides many of the great comedic moments. If he hadn't pulled it off the movie could have fallen pretty flat. I really enjoyed this movie. Dave Campfield is a filmmaker to watch.

CDG-5 In Under Surveillance, Dave Campfield, in his first feature film, typifies the triple threat of writer, director, and actor (might we add, co-producer!). On a budget of $30,000, he transforms digital video into a slick, cinematic tour-de-force that rivals, if not surpasses, a 35mm concoction. He utilizes the camera's possibilities as a character in the cast, moving deftly and subliminally into and out of the mindset of mystery and psychological intrigue. He employs a writer's precision in pacing his screenplay with appropriate calibers of suspense and revelation, layering it with rich characterizations and subtext, brought to life by a compelling and well-assembled cast. Director of Photography Andrew Seltz maximizes the technical potential of digital video with lush and ominous color landscapes punctuated by Pixelvision-like black and white points of view of the surveillance cameras, offering us a peephole into the private lives of this repertory of players. Composer Evan Evans lends a haunting and enthralling score, reminiscent of early Bernard Herrmann, and contributes significantly to the overall tone of the piece. Under Surveillance is bound to elicit attention in the independent film arena; and as long as there are fine films to be seen and fine director/writers (such as Dave Campfield) to make them, it should secure a memorable place in that canon and beyond.