Bernachona Su Which part I like mostly is the narrative toward the transformation from a human live to an omnipresent soul. I consider this film as two parts. The first part is Boonmee's crime in his life, and the second part is Boonmee's dream about his past lives. And I also want to point out one feature in the ending scene. That is the interpretation of soul.And it all begins with some basic questions: Though Boonmee said he was a little afraid of his kidney disease at the beginning, he soon acted naturally when he saw his wife's ghost appearing in front of him, including seeing Jen's furry son. At first I felt odd because they didn't show any fear to these super-natural beings except a very few surprise. Why weren't they scared or terrified? Why was it so acceptable to Boonmee and Jen? Was that because the female ghost and the monkey ghost were their close lovers? Those questions point out that there is one religious perspective formed by these villagers, and that is their worshiping to souls. They believe in the truth that souls actually exist and affect themselves, so they don't feel fearful when they see their invisible lover gradually appearing or a zoomorphic son suddenly coming back.(1) Boonmee's crime in his lifeI think the subjective viewpoint toward life from Boonmee is one soul can be circulated in everywhere so they own their past lives and afterlife. Quite like Buddhism. And Buddhism emphasizes the power of "Karma". That idea may explain why Jen's son warned Boonmee that every soul/spirit came to take him when he passed away. Because Boonmee had killed many communists and pests in the field, the lives killed by him became the ghosts and came to him for revenge. It means Boonmee has to take the fault he had made in his current life.(2) Boonmee's dream about his past livesAnd the another part is Bonnmee had a dream that the sad Princess who came into the water gave herself to the God. In my understanding, she might be one of Boonmee's past lives. This scene precedes Boonmee and his companies go to the wild jungle and the ghastly cave for purpose of searching the place he had lived. It means Boonmee may feel nostalgia and want to build the relationship with his past memories before his life ends.(Feature) The interpretation of soulMost importantly, in the last scene, Jen and her companies look at their another sitting figure with a stunned face. It is true to say that they're looking at themselves who were sitting to watch television in the last moment. It is a perfect interpretation which means the power of the soul is widespread and simultaneous. It's beyond time and space, reaching an unimaginable dimention.To me, this film can be viewed in such a simple way, combining with the local faith and the locals' awe to the deity which they worshiped. Just think twice and make sure it's not so obscure at all.

ivfalcon I wonder how this movie could win the Palm d'Or at Cannes. The film is virtually plotless and slow. Bad acting by ugly, unprofessional actors and absolutely boring. Avoid.

Vonia Uncle Boonmee Who Can Recall His Past Lives (Thai:Loong Boonmee raleuk chat) (2010) Afterlife visits A dying man in Thailand In his final days. His late wife, a missing son. Ever so casual, The two materialize At dinner's table. Mystifying glowing red eyes, Floating see-through shapes Inexplicably troubling. Reincarnation, He has lived many past lives. Once he was an ox, A catfish in a cave has Sex with a princess. Philosophical musings, Cultural concepts, Spiritual reflections, Communist concerns, Metaphysical ideas, Cosmological. Buddhism, Dualism, Eroticism, Illusions and memories, Confused? So was I. Excruciatingly slow, The beautiful shots, Intellectual ponderings, Few and far between. I like knowing characters. Abstract and distant, I could not connect nor care. I tried, really tried, Uncle who I won't recall. A dream? More like a nightmare. (Choka (長歌 long poem)) was a storytelling form of poetry from the 1st to the 13th century, known as the Waka period. The choka is an unrhymed poem with the 5-7-5-7-5-7-5-7...7 syllable format (any odd number line length with alternating five and seven syllable lines that ends with an extra seven syllable line).

maxmiller4 This film is about all life everywhere right now. All of us. The other reviewers are right about Uncle Boonmee reliving many of the memorable occurrences and changes in his life, as shown by historically-set allegories. But the main thrust of this movie is the end.The director/author/persona/protagonist (Boonmee in the previous scenes), having died, finds his story fades away and is replaced with a clearer, more basic level of reality. He has always been a quiet Thai kid, dutifully training at a monastery. He is calm and focused enough to see outside of his own sphere. But he has this self control only because his mother bought him the freedom to do this, by sending him to the monastery. It is his sensitivity that allows him to see life in terms of stories about himself and others, and his sensitivity is apparent when he talks about his feelings toward the monastery. He also moves and showers mechanically because he is still, at base, afraid of this world.When he gets ready to leave the hotel room, he realizes that he has left a version of himself, a "scene" from his life, in that room. It shocks and dismays him that the thread of life is so flimsy, and his identity is so subjective. The persona, or viewer, is dismayed to realize that the base level reality feels fractured even more than the myths and legends.When he and his mother go out to the restaurant to connect more, they wind up not talking at all. And while they sit in a booth, more disconnected than ever, he hears heartfelt, sentimental, music playing from a computer where a similarly zombie-like man sits, staring blankly.This song is the denouement. It expresses all of the love, life, happiness, and soul that the modern man has tried to seek, quantify, and trap in a bottle (computer), while our species has completely lost the ability to live those themes in reality. The people in the restaurant listen to a beautiful, soulful, human song and it doesn't even inspire them to look at each other.The final shot is back in the hotel room where another version of himself is also disconnected from his family, this time without even anything "fun" going on. The family unit remains exactly as disconnected in this setting as in the other. In the booth, the mother sees her son's discontent with the real, modern world, but has no answers for him. In the hotel room, she doesn't even notice it enough to look at him.This movie is deeply sad and regretful of modern (future) society in all its forms: technology, distraction, the sharp decline of pure human interactions. If you will remember the beginning of the movie, primitives in a field at dusk, the family unit is so close to each other that the camera doesn't even need to focus on them or pick up their conversation. The cow walking away is the most interesting (i.e. distracting) thing that happens in the scene. It takes them a while to notice this, and even when they do they fail to notice spirits walking in the woods.Because they are happy, and just aren't pressured to care.Wild.