Two Sisters from Boston

1946 ""Ladies an' Gents! The most inflammable damsels... the most terrific tenor... the most colossol schnozzle ...ever!""
Two Sisters from Boston
6.6| 1h52m| NR| en| More Info
Released: 06 June 1946 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

Abigail Chandler has written her stuffy Boston relatives that she's a successful opera singer in New York. In reality, she works at a burlesque house and is billed as High-C Susie. When her sister Martha comes for a visit, Abigail tries to hide the truth from her.

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rdfarnham A little on the predictable side but a lot of fun. Lots of misunderstandings and confusion but it all works out in the end. Kathryn Grayson shows a side of herself (no pun intended) that is not seen in her other films. She has a flair for comedy and does a good job as a Bowery singer as well as an Opera star. June Allyson shows that she can handle anything they throw at her as well. No really memorable songs (though I did like "G'wan Home Yer Mudder's Callin'"). Lauritz Melchior is in full voice and Jimmy Durante seemed to be having a lot of fun with his role. I just watched it again on TCM and it was as much fun as when I originally saw it.
JLRMovieReviews Kathryn Grayson is an aspiring opera star and, trying to make it to the top, spends time and makes money in something like a burlesque show. (But, she keeps her clothes on, of course). I believe it's in Chicago. Her family is a prominent one, that's been part of the upper crust in Boston for generations now, which includes sister June Allyson, who is unhappy. When word gets back to the family that their daughter is in with the wrong crowd and not studying and/or performing in opera, they hightail it there and try to get her to leave. That is just the beginning.Costarring Jimmy Durante (who's great), Peter Lawford, and Lauritz Melchior as an opera star, this is a very funny and satisfying film, despite its relatively quiet and under-praised existence in the world of musical comedies. The only complaint I have is that, while Miss Grayson has a beautiful voice, she is never given any particularly great songs to sing, other than in the opera at the end of the movie.And, Miss Allyson has never been funnier. With her trying to be so proper all the time and going back and forth between fainting and being slightly intoxicated and hiccuping, she was hilarious. It seems more like June's movie than Kathryn's. And, there's a misunderstanding about the sisters to boot. If you want to have a good time with June and Kathryn, then this is for you.
wes-connors I found two highlights in "Two Sisters from Boston". The first involves the dog of the big opera star (played by Lauritz Melchior). It sits ever so quietly during the opera star's songs, which I thought were poorly dubbed in this movie. No matter how loud (and gets very loud!) the opera star sings, the dog quietly shows no reaction. However, later on, one of the star's performances is recorded, and played. Suddenly, the dog jumps up and does a dead-on impression of the RCA Victor logo - someone comments, "His Master's Voice!" That was very well done.Second, there is a scene where Peter Lawford revives a fainted June Allyson with gin. Smart man! Ms. Allyson steals the film from "pretty" star Kathryn Grayson. Jimmy Durante is entertaining; he also uses the bottle to revive Allyson. Allyson's comic performance is fresh and natural; later comic roles seem more forced and unnatural. Unfortunately, the movie gets too far off Allyson. I really didn't care about the other characters, and they sucked up a lot of screen time.You might have to be a big opera fan (or fan of Mr. Melchior) to thoroughly enjoy this movie. **** Two Sisters from Boston (1946) Henry Koster ~ June Allyson, Kathryn Grayson, Jimmy Durante
daneldorado "Two Sisters from Boston" (1946) is an amusing mix of romance, comedy, and music. MGM's Pasternak unit skillfully hedged its bets by offering opera (Wagner and Liszt are represented, but in English), music hall ribaldry, and plenty of "cheesecake" -- i.e., feminine legs on display.Kathryn Grayson and June Allyson play two Boston sisters from an upright Back Bay family. The family isn't poor, but the paterfamilias (a suitably dour Henry Hayden) is notoriously stingy. One of the sisters -- Abigail, played by Miss Grayson -- is allowed to go to New York to study opera. But her skinflint uncle doesn't give her enough expense money to pay her rent, so Abby takes a part-time job in a Bowery saloon, where she stars as "High C" Susie, singing with Spike (Jimmy Durante) in low-comedy skits.Word gets out, and the outraged Bostonians travel south to New York to check out the rumors for themselves. There, the younger sister Martha (June Allyson) confronts Lawrence Patterson Jr. (Peter Lawford), son of the opera impresario, and demands to know what's happened to her sister. Lawrence Jr. is clueless, but he is instantly smitten with Martha, and from that point on he makes it his business to see that her sister Abigail gets an opera audition.There is a lot of sly humor involved -- Jimmy Durante, in probably the best role of his career, covers for both Abigail and Martha in between hilarious bits on the stage of his Bowery auditorium. Ben Blue, who early in the film shows up at the saloon and heckles Durante during his act, turns out to be a staid butler at the Patterson mansion. Durante recognizes him and discovers that he has amnesia except when he is drunk. In a hilarious scene, Blue slowly gets in his cups, then blurts out to the startled Patterson family: "She's High C Susie! She's the Belle of the Bowery!" and points directly at Abigail, who's about to audition for the opera. But Martha is standing right next to Abby, and she declares to the shocked gathering that SHE, not Abigail, is the true "Belle of the Bowery." Now she has to prove it.All this, plus at least three operatic arias by the great Danish baritone Lauritz Melchior, and a happy operatic debut by young Abigail. Lawrence Jr. attends Martha's game attempt to substitute for the Belle of the Bowery, sees through the artifice, and falls deeply in love with her. At the end, Abigail is seen singing gloriously on stage in full operatic regalia, while Lawrence Jr. and Martha are nuzzling in the box seats.And a great time was had by all.Dan Navarro -- [email protected]