Armand two sisters. two different worlds. a war. it is a chronicle of a century drama. a story. or just a parable. a delicate trip in heart of profound pain. without verdict. without explanations. only pictures. a meeting. and desire to be happy. chain of tragedies, it is not sad or cruel. only realistic. a lesson about existences and need of the other. and extraordinary end. great virtue - it not becomes a pledge or moral. only a delicate portrait. for society, nature of joy, ash of a time, pain of many families and sketch of reconciliation with the other. with yourself. it is beautiful. and profound. touching. and delicate. a lesson of history in a different manner.

jotix100 Little prepares Lotte and Anna, twin sisters living happily with their beloved father, for what life had in store for them. After the girls' father dies, they are left alone at the mercy of relatives who separate them in an act of sheer cruelty. Lotte and Anna go through a lot in life, not knowing, at times, about one another, and spend most of their lives apart.Lotte fares better of the two sisters. She was a frail girl growing up and her relatives dote on her since they regard her as an invalid. Lotte writes to Anna letters during the first years of being apart, but those letters are never sent. Anna, on the other hand, is made a slave, practically, as she is made to help in the family farm and is never given the opportunity to attend school until the kind priest discovers how she has been severely beaten.The other encounter of the sisters occur too late in life. Lotte, who when first visits Anna at the place where she is employed as a maid, by a wealthy Nazi sympathizer, is appalled by the way Anna has turned out to be an anti Semite. This puts a barrier between them not to be broken until both are too old and too stubborn to recognize how wrong they both have been about the past. Their last reunion is a bitter experience, especially for Anna, who is in poor health.This excellent Dutch film directed by Ben Sombogaart, is based on a novel by Tessa DeLoo, which was published in this country as "Twins", gets a magnificent treatment in a lavish production that covers several decades. The action is set in Holland and in Germany.The basic reason for watching the film is the great acting the director got from Thekla Reutins and Nadja Uhl, who are seen as the young Lotte and Anna. Both these young actresses are perfect as the twins in their youth. Ellen Vogel and Gudrum Okras, on the other hand, are also effective as the older sisters have a final confrontation at a spa where both have gone for cures.The film shows a talented director, Ben Bombogaart, doing an excellent job in this richly layered tale of sisterly love and missed opportunities.

gradyharp DE TWEELING (TWIN SISTERS), based on the highly successful novel by Tessa de Loo and adapted brilliantly for the screen by Marieke van der Pol, is assuredly one of the most touching films to date about the strength of family bonds decimated by the horrors of WW II. Director Ben Sombogaart follows Dutch writer de Loo's lead in making this story about the differing fates of twin girls separated at the death of their parents more of a parallel tale than capitalizing on the grim reality of Hitler's influence. The result is a cinematically magnificent, gently hued verismo style of film that succeeds even more in its impact than if it were constantly doused in the dark side of its subject.Germany 1920. Lotte Bamberg (played by three actresses though a long life - child Julia Koopmans, young woman Thekla Reuten and aged woman Ellen Vogel) and Anna Bamberg (child Sina Richardt, young woman Nadja Uhl and aged woman Gudrun Okras) are inseparable twins at age six, living life to its fullest until suddenly both parents are gone and they are split up: the consumptive Lotte goes to live with her upper class Dutch aunt in Holland and the healthy Anna remains in Germany with her poor uncle on a pig farm. Lotte lives a life of privilege, recovers form tuberculosis, studies German at University and sings Schumann ('Frauen Lieben und Leben' appropriately!) accompanied by her soon to be husband David (Jeroen Spitzenberger) who happens to be Jewish. As the war threatens Hitler's invasion on Holland, David is sent to Auschwitz and brokenhearted Lotte marries David's kind brother and has a child. Meanwhile Anna leads an abused life on the poor and filthy farm, is beaten by her heinous uncle when she begins dating a young handsome Austrian Martin (Roman Knizka) and runs away to work as a maid. Martin believes in Socialism and joins Hitler's army, and is killed.Throughout the years of separation each twin writes to the other but their guardians for varying reasons never mail the letters. Anna finally finds Lotte and they have a brief time together in Lotte's elegant surroundings. But when Anna observes German dinner guests berating Jews she flees. The two sisters find it difficult to separate the losses of their husbands: Lotte blames Anna's siding with the Nazis as a cause of David's death. Anna defends Martin's role as one of idealism that had nothing to do with the genocide of the Jews. They part, seemingly to never meet again. But as old women bedraggled Anna seeks out the elegant Lotte and the two come to understand their opposite opinions of what the war did to destroy their happiness.The entire cast is so fine that it is difficult to single any one actor out for distinction: this is truly ensemble acting. Never pushing the story to the edge of saccharine or excess of war violence, director Sombogaart keeps his focus on the dialogue between the sisters central, embroidered with the opposing dichotomies of class and political commitment visceral but understated. The cinematography of Piotr Kukla and the radiant musical score by Fons Merkies are astonishingly effective. This is one of the powerful movies about the Holocaust from an entirely different stance - one that grabs you by the heart and holds on for the 135 minutes of the film...and beyond. In Dutch, German and English with subtitles. Very Highly Recommended. Grady Harp

wstolk Little did I like Dutch cinema before I first saw this movie. The Colours are hardly professional and the acting is not always too good. But Ben Sombogaard has delivered a Dutch film of which we can be proud.The film about two separated twin-sisters is situated mostly in the Second World War. Anna and Lotte both live in different countries. Anna lives in Germany were she is poor and attracted by the promises of the National-Socialism. Lotte lives in a rich family in the Netherlands. Living separate lives, the become more and more detached from each other. Finding each other in a Spa in Luxembourg brings back more and more memories. But can they forgive each other...Ben Sombogaard did a great job in shooting the film of this popular Dutch book. Particulairly should be mentioned the fact that he choose never to make a film about the war. The confusions and drama between the two sisters are the most important storyline. The war is only (a very important!!) background. A must see for everybody, especially Dutch people!